David Everitt Howe is a Red Hook, Brooklyn-based critic and curator. He received his BFA in Fibers from the Savannah College of Art and Design, and his MA in Modern Art: Critical and Curatorial Studies from Columbia University. His recent curated exhibitions, performances, and screenings include “Charles Harlan: Flood”, Pioneer Works (2016); “Dynasty Handbag: Good Morning Evening Feelings”, The Kitchen (2015); “Emily Roysdon: If Only a Wave”, Participant Inc (2015); Julie Zando and Abigail Child, MoMA PS1 (2013); “Einat Amir and Jonathan VanDyke for Performa 09 and 13, respectively; and Yve Laris Cohen: Duet” and “Bryan Zanisnik: Every Inch a Man”, Abrons Arts Center (2011), all in New York. His writing has appeared in The Village Voice, Art Papers, Art in America, Flash Art International, BOMB, Modern Painters, Paper Monument, Frieze, Kaleidoscope, Mousse, Afterall and Art Review, where he’s a contributing editor. He also maintains a blog, “Baudrillard’s at Bergdorf”. Howe was the 2011-2012 Curator-in-Residence at Abrons Arts Center, while from 2012-2014 he was Associate Director for Dirty Looks, helping launch “Dirty Looks: On Location”, a New York City-wide, itinerant queer screening series. From 2012-2015 he was Curatorial/Development Associate at Participant Inc and Curator at NYPAC, the New York Performance Artists Collective. Currently, he’s Curator/Editor at Pioneer Works and Online Art Editor at BOMB.
