Mahlet Traore

Abaye., 2018

wood and acrylic paint
20 x 24 inches

Untitled, 2019

black paper, white pencil, china marker
6 x 12 inches

This is Ours, 2019

black paper and white pencil
24 x 36 inches

This is Ours, (detail)

This is Ours, (detail)

Hour 8, 2019

Kanekalon hair and beauty supply beads
36 x 86 inches

Hour 8, (detail)

Akka hin’cabne beekaaf bishaan dhagaa irratti utaala (the water knows that it will not get hurt and that is why it jumps on the rocky floor), 2021

Kanekalon hair, Doo Gro, wire
39 x 1 x 59 inches

Akka hin’cabne beekaaf bishaan dhagaa irratti utaala (the water knows that it will not get hurt and that is why it jumps on the rocky floor), 2021 (detail)

Akka hin’cabne beekaaf bishaan dhagaa irratti utaala (the water knows that it will not get hurt and that is why it jumps on the rocky floor), 2021 (detail)

Artist Statement

For the past two years I have dedicated myself to creating intimate and healing portals and experiences for Black people in the communities I belong to through the practice of hair braiding. I have been developing my work through material explorations and memory to explore different forms of embodiment and care that exude both abstraction and figuration. Having been on a lifelong journey of creating as healing, I look to my own familial relationships and ancestry as sources of inspiration. Being Oromo, so rich in culture, I explore the many ways we distinguish ourselves from other ethnic groups, and focus on our style of hair. I draw intimate black and white cutouts of different people from the tribes I belong to and depict the act of braiding the hair of children. These drawings are rooted in my own memories of being a child and having my head braided by many of the women in my family. My illustrations and sculptures intertwine lineage and hair culture. Being in conversation with ancestors through spirit I am able to understand and learn about the past, live in the present, and dream about the future.