![](https://amt.parsons.edu/finearts/files/2018/10/FULLER_KATIE_20182.jpg)
Pocket, detail, 2018 dimensions: 13.5 x 19.5 x 2.5 inches acrylic paint, oil stick, ink, paper, string, photographs, and studio debris on wood panel
![](https://amt.parsons.edu/finearts/files/2018/10/FULLER_KATIE_20183.jpg)
![](https://amt.parsons.edu/finearts/files/2018/10/FULLER_KATIE_20181.jpg)
Second variation of three assemblages on the wall, 2018 dimensions variable Enamel and acrylic paint, paper, oil pastel, studio debris, ply wood
![](https://amt.parsons.edu/finearts/files/2018/10/FULLER_KATIE_2018.jpg)
Third variation of three assemblages on the wall, 2018 Enamel and acrylic paint, paper, oil pastel, studio debris, pipe, fabric, ply wood 4’ x 7’ x 3.5”
![](https://amt.parsons.edu/finearts/files/2018/10/FULLER_KATIE_20184.jpg)
First variation of three assemblages on the wall, 2018 dimensions variable Enamel and acrylic paint, paper, oil pastel, studio debris, ply wood
![](https://amt.parsons.edu/finearts/files/2018/10/FULLER_KATIE_2018-1.jpg)
Bat Garden, 2017 Oil stick, acrylic paint, paper, ink, fabric, thread on plywood 12 x 15 inches
What is a good use of time?
—
I combine fragments to make a whole.
The assimilation of various materials neutralize the surface.
It seems like they couldn’t belong anywhere else.
The work represents a nonlinear record that elicits a mood through fragile, intuitive connections.
The pieces absorb their environment.
The space of uncertain familiarity encourages a new way of seeing.