Tag Archives: Society of Illustrators

6 Parsons Students Awarded Scholarships from the Society of Illustrators; Masuko Jo gets top prize!

Six Parsons Illustration students were awarded scholarships in the 2013 Society of Illustrators Student Scholarship Competition. Only 33 works from the 271 selected by the jury for the show from the initial 8,595 submissions received scholarships. Congratualtions to them for this incredible achievement.

Masuko Jo, $5,000 Nancy Lee Rhodes Roberts Scholarship  for OdoriJordin Isip (faculty)

Monica Ramos, $2,000 MicroVisions Scholarship for Naked Ladies 2Jordin Isip (faculty)

Julee Yoo, $1,500 In Memory of Les Kanturek Scholarship for Offering, Nora Krug (faculty)

Annie Seo, $1,000 in Memory of Lila Dryer Scholarship for Meeting,  Steven Guarnaccia (faculty)

Rachel Levit, $500 in Memory of Harry Rosenbaum Scholarship for Pool, Jordin Isip (faculty)

Chelsey Pettyjohn, $250 Leo & Diane Dillon Scholarship for To Covet, Jordin Isip (faculty)

 

 

images: Masuko Jo, Monica Ramos, Julee Yoo, Annie Seo, Rachel Levit, Chelsey Pettyjohn

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19 works from the Parsons Illustration Program selected for the 2013 Society of Illustrators Student Scholarship Exhibition

Parsons Illustration seniors Kristin Chae, Kristen Davis, Annalise Olson, Annie Seo, and Meghann Stephenson, and recent graduates Leah Goren, Katie Gross, Masuko Jo, Su-kyung Lee, Rachel LevitChelsey PettyjohnMonica Ramos, and Julee Yoo  (class of  2012) were selected by a distinguished jury to appear in the 2013 Society of Illustrators Student Scholarship exhibition. Only 271 works were chosen from a record 8,595 submissions. Congratulations to them and their teachers!

Scroll down to view the selected works or go to: Parsons Illustration Program Winning Images

Kristin Chae, Happy Birthday, Noel Claro (faculty); Underground, George Bates (faculty)

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Kristen Davis, Go to the Devil, Junior Concepts, Sergio Ruzzier (faculty)

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Leah Goren, Kurosawa Pattern, James Yang (faculty); Bees Pattern, Jordin Isip (faculty)

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Katie Gross, Play Ball 01, Printmaking, Scott Nobles (faculty)

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Masuko Jo, Odori, Senio Thesis 2, Jordin Isip (faculty); Wifi, Senior Thesis 2, Jordin Isip (faculty)

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Su-kyung Lee, The Bedroom, Senior Thesis 2, Jordin Isip (faculty)

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Rachel Levit, Pool, Sr. Thesis, Jordin Isip (faculty); Philip Larkin, Sr. Thesis, Jordin Isip (faculty)

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Annalise Olson, Skeleton Parade, Senior Thesis, Steven Guarnaccia (faculty)

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Chelsey Pettyjohn, Commandments: To Covet, Senior Thesis 2, Jordin Isip (faculty)

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Monica Ramos, Naked Ladies 2Jordin Isip (faculty); Blue Eyes, George Bates (faculty)

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Annie Seo, Meeting, Senior Thesis, Steven Guarnaccia (faculty)

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Meghann Stephenson, Wet and Dry, Junior Concepts, Sergio Ruzzier (faculty)

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Julee Yoo, Offering, Independent Study, Nora Krug (faculty)

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Julee Yoo, Whim, Senior Thesis 2, Frank Olinsky (faculty)

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Student of the Week: Kristin Chae

This week’s student of the week is Kristin Chae. She enjoys working in the contexts of both illustration and design, and specializes in pattern, illustration, and hand-drawn typography.

Scroll down to view a sample of her work and artist statement:

Kristin Chae, Underground Type, Sketchbook Warehouse, George Bates
(Chosen for the Society of Illustrators Student Scholarship Competition 2013)

undergroundKristin Chae, Cake and Plant Pattern, Illustration Design Studio, Noel Claro

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Kristin Chae, Christmas Type, Beyond the Page, Noel Claro

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Artist Statement:

Inspired by both illustration and design, Kristin Chae enjoys creating work that embodies elements of the two worlds. She enjoys working with traditional mixed media as well as digital tools for her illustration, design, and hand lettering works. Often very minimal in design and limited in color palette, Kristin’s works are playful and light.

To view more of Kristin’s work, please be sure to visit her website: kristinchae.com

Parsons 2012 Zankel Scholar nominees

This past spring Juniors Franca BaroneKristin Chae, Leigh CunninghamMeghann Stephenson, and Janet Sung were selected by the faculty as our school’s nominees for the the Society of Illustrators Zankel Scholarship. The annual competition is open to full-time Illustration majors completing their Junior Year from schools throughout the United States. A renowned jury of illustrators chooses one student- the best of the Junior class- and financially supports the student’s Senior year with a scholarship of $20,000. We were very proud to have them represent the Parsons Illustration Program.

Please scroll down to see sample images from each student.

below: Franca BaroneGirl That Smokes (detail), Advanced Drawing, Jeff Quinn (faculty)

 

below: Kristin ChaeTroll Etiquette, Illustration Design Studio, Noel Claro

below: Leigh Cunnignham, Confession, Materials and Methods II, Chang Park

 

below: Janet SungCity Murder, Junior Concepts 4, Guy Billout

 

below: Meghann Stephenson, January (left); February (right), personal

 

Chelsey Pettyjohn and Hazel Lee Santino Awarded Scholarships from the Society of Illustrators

Parsons Illustration seniors  Chelsey Pettyjohn and Hazel Lee Santino were awarded  scholarships in the 2012 Society of Illustrators Student Scholarship Competition. Congratulations to them on this great achievement!

Chelsey was awarded the $1,500 Nancy Lee Rhodes Roberts Scholarship  for “Night Religion 02” which was done in Jordin Isip‘s Senior Thesis 1 class.

Hazel was awarded the $1,000 In Memory of Effie Bowie Scholarship for “Bigfoot in the Woods” which was done in Martin Mazorra‘s Relief Printmaking class.

Chelsey Pettyjohn (left); Hazel Lee Santino (right)

PART TWO: 10 Parsons students selected for the 2012 Society of Illustrators Student Scholarship Exhibition

Here are the next five of the ten stellar pieces that were selected by a distinguished jury to appear in the 2012 Society of Illustrators Student Scholarship exhibition in May (see previous post for the first five):

Yasmin Liang (class of 2012)

YASMIN LIANG, "Tantrums", Senior Thesis 1, Jordin Isip

Chelsey Pettyjohn (class of 2012)

CHELSEY PETTYJOHN, "Night Religion 02", Senior Thesis 1, Jordin Isip

Monica Ramos (class of 2012)

MONICA RAMOS, "Internal Landscape I", Senior Thesis 1, Lauren Redniss

Leslie V. Robertson (class of  2011)

LESLIE V. ROBERTSON, "Washed Up", Senior Thesis II, Jordin Isip

Hazel Lee Santino (class of 2012)

HAZEL LEE SANTINO, "Bigfoot in the Woods", Relief Printmaking, Martin Mazorra

10 Parsons students selected for the 2012 Society of Illustrators Student Scholarship Exhibition (Part 1)

Parsons Illustration seniors Iain BurkeCiara Gay, So Yoon Kim, Rachel Levit, Yasmin Liang, Chelsey Pettyjohn, Monica Ramos, and Hazel Lee Santino, and recent graduates William Hatch Crosby and Leslie V. Robertson (class of  2011) were selected by a distinguished jury to appear in the 2012 Society of Illustrators Student Scholarship exhibition. Only 250 works were chosen from a record 8,119 entries. Congratulations to  them and their teachers!

Here are five of the ten pieces (the next five will be posted soon):

Iain Burke (class of 2012)

IAIN BURKE, Stumpy G, Senior Thesis I, Jordin Isip

William Hatch Crosby (class of 2012)

WILLIAM HATCH CROSBY, "Wandering Giant", Printmaking Studio, Paul Marcus

Ciara Gay (class of 2012)

CIARA GAY, "Styling Heads #2", Screenprint: Sequential Art, Scott Nobles

So Yoon Kim (class of 2012)

SO YOON KIM, "Fragmented Face", Senior Thesis I, Jordin Isip

Rachel Levit (class of 2012)

RACHEL LEVIT, "Panties", Beyond the Page, Noël Claro

R. Crumb Retrospective at the Society of Illustrators

R. Crumb Retrospective – NYC 2011
Friday, March 25, 2011 – 7:00pm-10:00pm
Society of Illustrators, 128 E. 63rd St., NYC

The Society of Illustrators proudly presents “R. Crumb: Lines Drawn on Paper,” an exhibition of original artwork spanning the past four decades.

This 90-piece exhibit showcases seminal covers and interior pages from ZAP, HEAD COMIX, THE EAST VILLAGE OTHER, MOTOR CITY COMICS, BIG ASS, HOMEGROWN FUNNIES, SAN FRANCISCO COMICS, and much, much more.

This retrospective, curated by BLAB! magazine founder Monte Beauchamp, editor of The Life & Times of R. Crumb (St. Martin’s Press), presents key pieces culled from the private art collection of Eric Sack, with contributions from John Lautemann, Paul Morris, and David Zwirner.

Both R. Crumb and Aline Kominsky-Crumb will be attending the show.

Artists Against the War Panel tonight

Artists Against the War
A panel discussion and book signing with Steve Brodner, Frances Jetter, Victor Juhasz, Peter Kuper and Wendy Popp
February 10, 2011 6:30 p.m. – 8:30 p.m.

Based on the 2008 Society of Illustrators’ exhibit, “Artists Against the War”, Artists Against the War draws from the history of graphic protest and demonstrates the many ways that illustrators — in comics, editorial cartoons, illustrations for magazine articles, and so on — have reflected on the representations and misrepresentations of war, specifically the Wars in Iraq and Afghanistan.

The history of commercial illustration in the United States encompasses the images of artists like Charles Dana Gibson, Maxfield Parish, N.C. Wyeth, James Montgomery Flagg, Frederic Remington, and Norman Rockwell. These and many other artists helped to shape and define the American experience. After the Second World War, a divide grew between the worlds of illustration and fine art. Commercial publishers bankrolled illustrators to produce images on demand that were essential to marketing. Fine artists, meanwhile, generally struggled on their own to create unique and contemplative works of a decidedly non-mercantile nature.

Early on, some editorial illustrators, while still on paid assignments sponsored by commercial interests, managed to bridge this gap between illustration and high art—creating evocative works that told of real world events. Harper’s Weekly employed Winslow Homer as a war correspondent, sending him to the front lines of the American Civil War to sketch soldiers on the battlefield. Afterwards Homer evolved into one of America’s finest 19th-century painters. Business-related foundations aside, illustration commonly shared with fine art—up until the post WWII era—an exploration of the world through the traditions of objective realism. That relationship disappeared with the ascendancy of abstract art. The high art world is currently unable to provide thoughtful examinations that connect with the general public.

Surprisingly, the world of commercial illustration offers a model for the advancement of contemporary fine art. Endeavoring to communicate clearly, illustrators never abandoned realist aesthetics, which are the most direct way to deliver a thought or concept to a large audience. More importantly, illustration art does not wallow in the cynical disengagement and alienation that is so fashionable in today’s high art. Therein lies the potency and importance of Artists Against the Wars.

Steve Brodner will lead a panel discussion with Frances Jetter, Victor Juhasz, Peter Kuper and Wendy Popp. A book signing will follow.

Tickets
$15 non-members, $10 members, $7 students
rsvp@societyillustrators.org