Category Archives: Illustration Industry

mini mini 4 x 4 art show from spraygraphic

minimini

Here are the official rules straight from Spraygraphic:

MINI MINI: A 4×4 Mini Art Show
Spraygraphic.com is asking artists from all over the world to submit works of art (all mediums) that are no larger than 4 x 4 inches and that can be hung flat against the a wall. The depth of the artwork can exceed 4inches (ex. Sculpture) but it must be able to be hung on a wall without extraneous assistance. We expect to end up with a gallery full of diverse, compelling, and exquisite little pieces of art.

Requirements: IMPORTANT – Read This to Avoid Problems With Your Submission

1) The Deadline for Entry is March 5th, 2009. THERE IS NO ENTRY FEE!!!

2) NO FRAMES OR FRAMING OF ART

3) The MINI MINI show will be displayed at Push Gallery (Phoenix)on March 6th (Phoenix First Friday) and then moved on March 7th to Cartel Coffee/Art Gallery in Tempe for the rest of the month and and then installed atConspire Art Gallery in Phoenix (5th and Garfield) on April 1st for a month long showing.

4) All submissions must come in a 4×4 format that can be hung flat on a wall. The art can be no larger than 4 inches. but the art’s depth can exceed four inches. The show is open to all traditional and non-traditional genre and media, but it must be able to be hung flat on the wall from the back.

5) All artists that submit a piece must have a spraygraphic profile to be accepted for submission. No profile, no hanging.

6) All artists must send information on a typed piece of paper and it must include: their spraygraphic address (Ex. www.spraygraphic.com/chuckb) along with their name, location, title of piece, and price (if selling art), along with any other pertinent info you can think of.

7) All media is accepted. Sculpture, paint, markers, stickers, crayon, etc. are all acceptable.

8) Each artist is allowed up to two (2) pieces.

9) Please make sure your piece is completely dry before shipping. Allow at least 48 hours drying time before packing and shipping your artwork. Also wrap them in plastic or other film, DO NOT USE PAPER.

10) Time is of importance because the show is on March 6th and we would like to begin hanging on March 4th.If you haven’t started it yet then start it, finish it, and send it out…

Everyone that submits a work will be hung at the show on March 6th.

All questions about the show can be directed to minimini@spraygraphic.com.

Keep reading for more details!
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Liz Lomax: The Making of Noel Gallagher

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Illustration Alum Liz Lomax passed along this video she recently created.  It documents her unique creative process which involves:

sculpting characters, building environments and then photographing them digitally for illustration.

You can check out more of her work and projects at her blog.

Thanks for sharing, Liz!


Quick Hit: New Header and Poster Series for Next New Networks

threadblogger

First things first, look up at the top of the blog and check out our new website header designed by Illustration Adjunct Frank Olinsky!

Secondly, Mr. Olinsky has been busy with some other great projects as well, including his work on a series of posters for Next New Networks.  Frank’s favorite so far (soon to be published) is above and you can check the rest out at his blog.

Thanks, Frank!

The Vinyl Frontier Spotlight vol. 12: Tara McPherson

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Check out this great video of Parsons Illustration faculty Tara McPherson talking about her artwork, specifically her work with vinyl toys.  This featurette will be part of a larger documentary called The Vinyl Frontier, by Daniel Zana.  In addition to Tara, the documentary will feature work and interviews with a ton of other amazing artists like Attaboy, Tim Biskup, Dalek, Tristan Eaton, Ron English, Frank Kozik, and Gary Baseman. Here’s an excerpt from an interview with the film’s creator, Daniel Zana, which was featured on ToyCyte last year:

TC: For those who haven’t seen the trailer, describe your movie in a nutshell.

DZ: When I tell people I’m making a movie on vinyl toys, some ask, “Are you making a movie on vinyl records or sex toys?” You’d be surprised at how many people don’t know these toys exist. I think it would be neat to show the history of why you have this piece of plastic in your hands. The history of the toy isn’t necessary but you have more appreciate once you understand its history.

I want to talk about where they came from – to intellectualize the discussion about vinyl toys. Are these toys or pieces of art? Why should people take a look at it one way or the other? I want to re-shape the discussion about toys.

There’s so much history behind the pieces. The movie is for members who visit toy forums and are really into particular artists. I’m also making the movie for people who like counter-culture, who are into art. I want vinyl toys to be legitimized as an art form, and I want toy artists to be known for their work. How often do you see on-camera interviews with these artists? Every artist deserves a time to shine.

You can read the whole interview here.

Keep your eye out for the film, which should be released sometime this year!

Fellowship for Research in the Humorous Arts of Caricature and Cartoon

Fellowship for Research in the Humorous Arts of Caricature and Cartoon
Library of Congress/Swann Foundation
Deadline: 02/13/09

The Swann Foundation seeks to award 1 fellowship annually (with a stipend of up to $15,000) to assist the fellow in his/her ongoing scholarly research and writing projects in the field of caricature and cartoon. In lieu of 1 fellowship, the board has made smaller awards to several recipients in recent years due to the number, nature, and quality of fellowship applications. To be eligible, one must be a candidate for an MA or PhD degree in an accredited graduate program in a university in the US, Canada, or Mexico and working toward the completion of a dissertation or thesis for that degree, or be engaged in postgraduate research within 3 years of receiving an MA or PhD. Although research must be in the field of caricature and cartoon, there is no limitation regarding the place or time period covered. For full application details, please visit http://www.loc.gov/rr/print/swann/swann-fellow.html.

Click here for a direct link to the application!
Expires on 02/13/09 at midnight.

Viktor Koen at NY Comic-Con

koencomicon_2009

Parsons Illustration Adjunct Faculty Viktor Koen‘s TOYPHABET prints have been exhibited extensively as part of the series Dark Peculiar Toys, around the world, including Berlin, Athens and Beijing. This illustrated typeface is included in numerous books about typography, digital art and fantasy and has been featured in a full length article by Steven Heller in the prestigious Baseline magazine.

This is the first time the letters have been available in book form, featuring texts by author and long time collaborator Jeffrey Lee Simons.

TOYPHABET is a limited edition book made specially for the 2OO9 New York Comic Con and is carried exclusively by Baby Tattoo Books at booth#1622 this weekend at NY Comic-con.

Keep up the great work, Viktor!

Jules Feiffer at the YIVO Institute tomorrow night!

feffer

***Reduced Admission of $10 AT THE DOOR ONLY for the JULES FEIFFER interview at the YIVO Institute THIS TUESDAY, FEBRUARY 3, AT 7:00 PM*** For reduced admission just say the secret word: “Explainers”

Royal Flush & YIVO’s “Comics and the Jewish American Dream” interview series (moderated by DANNY FINGEROTH) continues TUES. FEB. 3 at 7:00 pm with:

“JULES FEIFFER: MAN OF MANY MUSES”
An intimate evening with the multitalented writer and artist.

Learn how an angst-ridden, impoverished Jewish guy from the Bronx became an acclaimed cartoonist, playwright, animator, screenwriter, novelist, and author of children’s books, earning himself a Pulitzer Prize, an Obie, and an Oscar along the way. With pop culture critic and historian Danny Fingeroth. Q&A to follow.

About JULES FEIFFER:
In 1956, FEIFFER, who began his career working as an assistant to the legendary Will Eisner, creator of The Spirit and father of the modern Graphic Novel, created the eponymous, satirical cartoon strip that would run in the Village Voice for 42 years. A multitalented man who’s also enjoyed success as a novelist (HARRY THE RAT WITH WOMEN), playwright (LITTLE MURDERS), and screenwriter (CARNAL KNOWLEDGE), he has in recent years turned to writing and illustrating children’s books, including THE MAN IN THE CEILING. The first volume of the “Feiffer” strip compilation EXPLAINERS: THE COMPLETE VILLAGE VOICE STRIPS (1956-1966) was published by Fantagraphics in 2008.

“His versatility may be accidental, but he has become masterly in each of his various roles, as artist, playwright and author.” – The New York Times

“Samuel Johnson said he hoped God would think he had made good of his God-given talents. Jules Feiffer need have no dread of such an audit… What has made his services so welcome for so many years now is his possession, in addition to high intelligence, of something no hypocrite or egomaniac could claim, which is a human sense of humor.” – Kurt Vonnegut

About DANNY FINGEROTH:
Series curator and moderator DANNY FINGEROTH, a longtime writer and editor at Marvel Comics, has spoken about comics at the Smithsonian Institution and The Metropolitan Museum. He’s the author of DISGUISED AS CLARK KENT: JEWS COMICS, AND THE CREATION OF THE SUPERHERO (Continuum) and THE ROUGH GUIDE TO GRAPHIC NOVELS (Penguin).

An Evening with Jules Feiffer
Tuesday, February 3, 2009
7:00pm – 9:00pm
The YIVO INSTITUTE FOR JEWISH RESEARCH
15 West 16th Street,
New York, NY
212.868.4444

Jerelle Kraus at 92nd Street Y and Society of Illustrators

krausThe official description of the event:

Kraus, Suares and Holland will discuss the beginnings, the development and the current state of The New York Times Op-Ed Page, whose illustrations started to revolutionize journalism in the 1970s. The lecture will focus on the Op-Ed’s use of illustration over the years, how illustration is commissioned and why, the artists that helped create its image and the importance of message-driven illustration.

The lecture will be followed by book signings by all three paticipants.

Moderated by Fernanda Cohen

Limited to 120 people $15 non-members $10 members $7 students

RSVP kevin@societyillustrators.org or call 212 838 2560

The Society of Illustrators
128 East 63rd Street (between Park and Lexington Avenues)
New York, NY 10065
Tel: (212) 838-2560

Earlier that the same day–February 4th–Jerelle Kraus will be appearing at the 92nd Street Y in Tribeca.  There are half-price tickets available for art students!  Here’s the lowdown:

In her 30 years as The New York Times art director, Jerelle Kraus observed many battles between editors and artists over the parameters of respectable journalism. Here she reveals some of the censored treasures that editors deemed too blasphemous to publish and explains how op-ed art has changed the course and purpose of illustration, and why it is more relevant and indispensable than ever. Kraus is the author of All the Art That’s Fit to Print (And Some That Wasn’t): Inside The New York Times Op-Ed Page.


for-art-schools

You can grab your copy of Jerelle’s book here

David Horvath and Sun-Min Kim at Giant Robot New York!

deharavathgrnyParsons Illustration alums David Horvath and Sun-Min Kim (co-creators of Ugly Dolls) will be have new works in a show along with Yukinori Dehara at Giant Robot New York.  Here’s the official scoop:

Giant Robot is proud to host Deharavath 2, a group art show featuring the work of Yukinori Dehara, David Horvath, and Sun-Min Kim.

Dehara’s hand-painted clay depictions of debauched salarymen, brutalized gangsters, happy monsters, and other unique figures stand about 5-inches tall. Although the pieces are detailed and glossy, the subtle and intentional flaws of the Japanese artist’s self-described “crummy” style project more humanity than horror, and are oddly sympathetic. His work has garnered a cult of collectors around the world, and is celebrated in books, stickers, and other merchandise. For this show, his subject will be “otaku.”

David Horvath and Sun-Min Kim are best known for creating UglyDolls, the indie plush dolls that have gained a rabid worldwide following and sparked a movement of cool handmade toys. For this show, Sun-Min is preparing otaku-themed paintings and David is drawing a one-of-a-kind storybook–each page sold separately! (Parents and guardians should note that this is not an UglyDolls event, and will contain works intended for a somewhat more mature audience.)

A reception for the artists will be on Saturday, February 7th from 6:30-10:00 p.m. and the show will be up through March 4th, 2009.  Don’t miss it!

Deharavath 2
Giant Robot Gallery
437 East 9th Street

Between 1st Ave. & Ave. A, in the East Village

New York, New York 10009

(212) 674-GRNY (4769)