Tag Archives: Society of Illustrators

Garret Pruter and Lulu Wolf make it into Illustrators 52!

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Asylum 3, Garrett Pruter, collage, graphite, ink, acrylic paint

It is our pleasure to announce that Senior year Illustration Program students Garrett Pruter and Lulu Wolf have had one piece each selected to be in the Society of Illustrator’s Illustrators 52. The works were created this fall in Senior Thesis with Jordin Isip. The original art will be exhibited at the Society of Illustrators in January as well as published in the accompanying book. This is a high achievement and honor, congratulations to Garrett and Lulu!

Astronomy Parachute, Lulu Wolf, collage and ink on paper

Call for Entries: Illustrators 52!

Call for Entries, Competitions, Current Students, Illustration Faculty, Illustration Industry, News, , , , , , , ,

SOI 52

ILLUSTRATORS 52 is now accepting entries online and Nora Krug, Associate Professor of Illustration, is Chair of the competition this year!

To upload your entries, please format your artwork to these specs:

72 dpi, RGB, JPEG file, 700 pixels on the longest side.

Please provide all of the appropriate credit information for each entry. THIS INFORMATION MUST BE COMPLETED TO BE JUDGED!

ELIGIBILITY

Any illustration created or initially published between October 1, 2008 and November 1, 2009 that has not been accepted in the Annual previously, is eligible. International entries are welcome. Each submission will receive consideration by every member of the jury for its category. Please be certain that the original art will be available for exhibition and can remain at the Society from January through March 2010. High-quality prints will be hung in the case of digitally created art only.

ILLUSTRATORS 52 ANNUAL BOOK

All accepted entries will be reproduced in full color in the Illustrators 52 Annual. Complete credit will accompany the image, including size, media and artist’s and/or rep’s phone number(s). The Hanging/Publication fee is required for reproduction in the book, whether or not the work was displayed in the exhibition.

AWARDS

Gold and Silver Medals will be presented to the illustrators and art directors whose works are judged the best in each category. Medals will be presented only if original art is available to hang in the exhibition. A high-quality print will qualify in case of digitally created work.

GALAS

The Sequential Gala will take place on Friday, January 8, 2010.

The Editorial and Book Gala will take place on Friday, February 5, 2010.

The Advertising, Institutional and Uncommissioned Awards Gala will take place on Friday, March 5, 2010.

Ticket information will follow.

EXHIBITIONS

Sequential: January 6- January 23, 2010

Editorial and Book: January 27 – February 20, 2010

Advertising, Institutional and Uncommissioned- February 24- March 20, 2010

CATEGORIES

All work whether published or not, should be entered in one of the first six categories:

COMICS/SEQUENTIAL
Any multi-image project for which a sequence of images is necessary to fully convey an idea or story. Examples: work that has been produced or published as comics, visual journalism or short visual narratives and picture stories, or graphic novels. Individual images from sequential may also be submitted in their respective categories. Self-published projects must be published in a run of at least 500 copies. Children’s book entries should be entered in the Book category only, not Sequential.

EDITORIAL
Examples: work commissioned by newspapers or magazines, medical and scientific journals or online magazines.

BOOK
Examples: all illustrations originally commissioned for use inside or on the covers of hardbound and paperback books, including fiction and non-fiction; children’s and young adult literature and comic books. Promotional posters or advertisements depicting book art must be submitted in the book category.

ADVERTISING
Examples: illustrations for advertisements appearing in newspapers, magazines or on television; video and CD covers; brochures, fashion, point-of-purchase and packaging illustration; movie and theater posters.

INSTITUTIONAL
Examples: work appearing on merchandise, announcements, annual reports, calendars, corporate projects, government service projects, greeting cards, newsletters, in-house publications, philatelic work and collectibles.

UNCOMMISSIONED
This includes all self-generated work such as portfolio samples, sourcebook ads and uncommissioned stock that are currently unpublished except as promotion for the artist or artist’s representative. Commissioned but un-published work appearing as self-promotion should be entered in the category for which the work was originally created. There will be no art directors or clients credited for uncommissioned works.

ENTRY FEES

$30 per entry for non-members of the Society of Illustrators.

$20 for members of the Society of Illustrators entering their own illustrations.

$35 per entry for non-members of the Society of Illustrators entering Comics/Sequential

$30 for members of the Society of Illustrators entering their own Comics/Sequential

Art directors and designers pay the non-member fees.

Deadline for entry is October 30th!

Illustration by Lorenzo Mattato. Design by Arem Duplessis. Chair: Nora Krug. Co-Chair: Edel Rodriguez

Peter Kuper: All Over the Map (at Society of Illustrators)

Education, Events, Illustration Alumni, Illustration Industry, Publications, Talks/Lectures, , , , , , , , , ,

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Wednesday, September 30, 2009–In a slide presentation at the Society of Illustrators (NY), artist and Parsons Illustration Alum Peter Kuper will present everything from his world travels to political illustrations to graphic novels. Included will be work from his newest book, Diario de Oaxaca, a sketchbook journal of his two years living in Mexico.

Peter Kuper has won both gold and silver medals from the Society of Illustrators and his art has appeared on the covers of Time and Newsweek as well as Mad where he has drawn Spy vs Spy since 1997.

$15 non-members/$10 members/$7 students

Wednesday, September 30, 2009
6:30pm – 9:30pm
Society of Illustrators
128 East 63 Street, NY, NY
RSVP kevin@societyillustrators.org or call 212 838 2560

www.societyillustrators.org

A Blue Sky Evening: Creating Buck, Star of Ice Age Dawn of the Dinosaurs

animation, Education, Events, Illustration Alumni, Illustration Industry, Inspiration, Talks/Lectures, , , , , , , , , , ,

iceage1

At the Society of Illustrators on September 24th, Parsons Illustration Alum Peter de Sève will lead a presentation of Blue Sky artists who will take you through the process of creating the unforgettable character Buck with a Power Point presentation and film clips. Each artist will speak about their specific area of expertise:

Peter de Sève, Character Designer
Talks about the process of design showing sketches of Buck through final design.

Mike DeFeo, Sculpting Supervisor
Describes the process of traditional sculpting referring to the Buck macquette, and the digital sculpting and 3D model evolution.

Mike Knapp, Art Director
Speaks to the design of the Lost World, color choices for the character Buck as they relate to the world as well as the fur and materials processes.

Tony Maki, Story Artist
Discusses the story boarding process with a focus on the sequences FLASHBACK and CAMPFIRE.

Galen Chu, Supervising Animator
Discusses animating the character Buck and will touch on his unique physical expressions.

The evening will close with Q & A.
$15 non-members $10 members $7 students
Thursday, September 24, 2009
6:30pm – 9:30pm
Society of Illustrators
128 East 63 Street, NY, NY

RSVP kevin@societyillustrators.org or call 212 838 2560
www.societyillustrators.org

Quick Hit: Educating Illustrators panel tonight!

Education, Events, Illustration Faculty, Illustration Industry, News, Talks/Lectures, , , , , , , ,

sg-soi
Featuring Ann Field (Art Center, L.A.), Steve Guarnaccia (Parsons The New School for Design) and Tom Woodruff (School of Visual Arts).

The Chairs behind the illustration programs of three of the top art schools in the United States will discuss how they educate each next generation of illustrators; what their goals are for young illustrators in the real world; the differences among their programs; the endless possibilities found in the illustration market today; the role of fine arts and graphic design in illustration; and trends in the east and west coasts.

Moderated and coordinated by Fernanda Cohen.

$15 non-members $10 members $7 students and educators

RSVP kevin@societyillustrators.org or
call 212 838 2560 www.societyillustrators.org

Wendy Popp and students help kids with figure drawing at SOI

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Editor’s Note: This entry is brought to us by Adjunct Faculty Wendy Popp, who participated in a cool project with the NYC Department of Parks and the Society of Illustrators.

si-parks-dept-kids-091

Two weeks each year, the Society of Illustrators, in conjunction with the NYC Department of Parks,  sponsors eight figure drawing classes for gifted 8- to 12-year-olds. Each class, lasting 1½ hours, is led by an Artist member who instructs the students in basic drawing skills from the urban centers of a few boroughs. I was invited to be a guest instructor on Friday, April 17th and I invited my students to participate. Ema ( I Chieh ) Chen and Emily Trenk are the sophomores who volunteered, and they were very generous with their time and creativity and the kids responded to their presence and expertise. I gave the students some information about children’s book illustration, signed a few books. We thought about skateboard deck design and worked with them conceiving ideas and executing their sketches as a  theme for the session. We worked in conte crayon and pastel.

si-parks-dept-kids-09

Thanks for sharing, Wendy!  And thanks to Emma and Emily for volunteering their time and efforts to such a wonderful cause.

David Polonsky at Society of Illustrators

animation, Current Students, Education, Events, film, Illustration Industry, Interviews, Talks/Lectures, , , , , , , ,

waltz_with_bashir

Tuesday, March 3rd at 6:30 at The Society of Illustrators (128 East 63rd) meet David Polonsky, the illustrator and art director of Ari Forman’s Waltz with Bashir. Polonsky will discuss the techniques that were used to make this unique animated documentary. The talk will be accompanied by clips from the film. A Q and A session will follow and a book signing for the release of a graphic novel based upon the film.

$10 members, $15 non-members.
RSVP to kevin@societyillustrators.org

Here’s a trailer for the movie if you haven’t already seen it:

[vodpod id=ExternalVideo.784760&w=425&h=350&fv=]

Jerelle Kraus at 92nd Street Y and Society of Illustrators

Current Students, Events, Illustration Industry, Publications, Talks/Lectures, , , , , ,

krausThe official description of the event:

Kraus, Suares and Holland will discuss the beginnings, the development and the current state of The New York Times Op-Ed Page, whose illustrations started to revolutionize journalism in the 1970s. The lecture will focus on the Op-Ed’s use of illustration over the years, how illustration is commissioned and why, the artists that helped create its image and the importance of message-driven illustration.

The lecture will be followed by book signings by all three paticipants.

Moderated by Fernanda Cohen

Limited to 120 people $15 non-members $10 members $7 students

RSVP kevin@societyillustrators.org or call 212 838 2560

The Society of Illustrators
128 East 63rd Street (between Park and Lexington Avenues)
New York, NY 10065
Tel: (212) 838-2560

Earlier that the same day–February 4th–Jerelle Kraus will be appearing at the 92nd Street Y in Tribeca.  There are half-price tickets available for art students!  Here’s the lowdown:

In her 30 years as The New York Times art director, Jerelle Kraus observed many battles between editors and artists over the parameters of respectable journalism. Here she reveals some of the censored treasures that editors deemed too blasphemous to publish and explains how op-ed art has changed the course and purpose of illustration, and why it is more relevant and indispensable than ever. Kraus is the author of All the Art That’s Fit to Print (And Some That Wasn’t): Inside The New York Times Op-Ed Page.


for-art-schools

You can grab your copy of Jerelle’s book here!