Category Archives: Talks/Lectures

Esther Pearl Watson and Mark Todd visit Parsons on Nov. 16th

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Esther Pearl Watson and Mark Todd, creators of the great book “Whatcha mean, What’s A Zine?”, will be visiting Peter Hamlin‘s Sophomore Concepts class on November 16th from 10:20 till 11:40 a.m.  All are welcome to attend.

Filming Henry Darger: A special presentation by Mark Stokes on Nov. 18th

HenryDarger

The Illustration program, Parsons the New School for Design presents…

Filming Henry Darger: A special presentation by Mark Stokes, director of a new feature-length documentary film on the outsider artist Henry Darger. Mr. Stokes will shows clips from his upcoming film and discuss his research, discoveries and adventures in Chicago!

Wednesday, November 18th, 2009 at 6pm
Parsons The New School for Design
Kellen Auditorium,
66 5th Avenue (between 12th and 13th Streets)
New York, NY

[Image credit–Henry Darger: At Jennie Richee. At shore of Aronburg Run river storm comes up anew (Detail) © Kiyoko Lerner.]

Spotlight on Moving Picture Symposium Participant: Richard McGuire

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Moving Pictures

A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

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RICHARD McGUIRE is an artist whose work has appeared in The New Yorker, the New York Times, McSweeney’s, Le Monde, and other publications. He is the founder and bass player of the punk-funk band Liquid Liquid. Currently a fellow at the New York Public Library’s Cullman Center for Scholars and Writers, McGuire is working on an illustrated book entitled HERE. His most recent animated film, Peurs du Noir, will be released on DVD this fall.

To give you a taste of what Richard is all about, here is a collection of links and visuals.

  • Here is a short animated film Richard created called Micro Loup–it is about a microscopic wolf!

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[Image from: Peur(s) du noir, a film by : Blutch, C. Burns, M. Caillou, P. di Sciullo, L. Mattotti, R. McGuire // Production: Prima Linea Productions]

This symposium is presented with support from…

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Spotlight on Moving Picture Symposium Participants: Jody Rosen and Joel Smith

movingpicturesposter

Moving Pictures
A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

–––––––––––––––––––––––––––––––––––––––––––––––
JODY ROSEN is the music critic for Slate and a frequent contributor to the New York Times, The Nation, and other publications. He is the author of White Christmas: The Story of an American Song and the compiler of Jewface, an acclaimed anthology of early-20th-century Jewish vaudeville recordings. Rosen is working on a new book, The Knowledge, about London, cartography, and taxi drivers.  Here is a passel of links to more writings by Jody so you can brush on his work.

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JOEL SMITH is the author of Steinberg at The New Yorker (2005) and Saul Steinberg: Illuminations, the catalog of a traveling retrospective of the artist that opened at the Morgan Library & Museum in 2006. Smith is the curator of photography at the Princeton University Art Museum, where he is working on exhibitions about architecture and memory, pictures of pictures, and the history of photographs of nothing.  Here is an image of the Steinberg book, along with a few links to more information.

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This symposium is presented with support from…

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Moving Pictures: A Symposium on Illustration and Motion on Nov. 11

movingpicturesposter

Moving Pictures
A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

 

 

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

–––––––––––––––––––––––––––––––––––––––––––––––
RICHARD McGUIRE is an artist whose work has appeared in The New Yorker, the New York Times, McSweeney’s, Le Monde, and other publications. He is the founder and bass player of the punk-funk band Liquid Liquid. Currently a fellow at the New York Public Library’s Cullman Center for Scholars and Writers, McGuire is working on an illustrated book entitled HERE. His most recent animated film, Peurs du Noir, will be released on DVD this fall.
–––––––––––––––––––––––––––––––––––––––––––––––
LAUREN REDNISS is an artist and writer who recently joined the full-time faculty at Parsons The New School for Design. She is the author of Century Girl: 100 Years in the Life of Doris Eaton Travis, Last Living Star of the Ziegfeld Follies. Redniss was a 2008–2009 fellow at the New York Public Library’s Cullman Center for Scholars and Writers. Her new book, Radioactive: Marie and Pierre Curie & Other Stories of Love and Fallout will be published in fall 2010.
–––––––––––––––––––––––––––––––––––––––––––––––
JODY ROSEN is the music critic for Slate and a frequent contributor to the New York Times, The Nation, and other publications. He is the author of White Christmas: The Story of an American Song and the compiler of Jewface, an acclaimed anthology of early-20th-century Jewish vaudeville recordings. Rosen is working on a new book, The Knowledge, about London, cartography, and taxi drivers.
–––––––––––––––––––––––––––––––––––––––––––––––
JOEL SMITH is the author of Steinberg at The New Yorker (2005) and Saul Steinberg: Illuminations, the catalog of a traveling retrospective of the artist that opened at the Morgan Library & Museum in 2006. Smith is the curator of photography at the Princeton University Art Museum, where he is working on exhibitions about architecture and memory, pictures of pictures, and the history of photographs of nothing.

 

This symposium is presented with support from…

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Special Halloween Wonder Cabinet at NYIH!

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The New York Institute for the Humanities & the Humanities Initiative at NYU present an all-day

HALLOWEEN WONDER CABINET
curated by Lawrence Weschler

A day of illustrated talks, screenings, and multimedia presentations with Laurie Anderson, Michael Benson, Chandler Burr, Walter Murch,David Wilson and many others.

Saturday October 31
11 am till 9:30 pm
NYU’s Cantor Film Center
36 East 8th Street, NYC

Free and Open to the Public (on a first-come, first-in basis)
Every once in a while, Lawrence Weschler, the director of the New York Institute for the Humanities, and author, among others, of the Pulitzer-nominatedMr. Wilson’s Cabinet of Wonder (a work of “magic-realist nonfiction” arising out of an investigation of the premodern roots of the postmodern Museum of Jurassic Technology in Los Angeles), gets it into his head to contrive a day of sublimely odd, wonderflecked and just plain cool presentations, braided one after the next in a thematic order intermittently evident to himself, if no one else. This year, he proposes to do so on Saturday October 31, which is to say Halloween.

As you will see from the program below, the first half of the day will focus generally on the stellar, the planetary, the cosmological and the astronomic. Later in the day, presentations will begin to morph into a consideration of the experience itself of drop-jawed amazement. Toward the end of the procession, attention will turn to things somewhat more infinitesimal: the molecular basis of smell, insect camouflage, and (to round out the day, Halloween after all) the downright hallucinogenic.

SESSION I

11:00 am

A celebratory fanfare by avant garde, downtown (and well nigh breathless) saxophone player COLIN STETSON

11:10 am

LAURIE ANDERSON, the celebrated performance artist and hipster sage, who will dilate on her days, a few seasons back, as visiting artist-in-residence with the good folks at NASA. (Note: She will be replacing the previously announced bead-artist Liza Lou in this slot.)

11:45 am

Filmmaker and photographic archivist MICHAEL BENSON will be evoking the entire universe as seen from the point of view of the Hubble and other deep space observatories, subject of his latest book, Far Out,which in turn follows on from his last, the critically celebrated,Beyond, which took the same sort of survey of the photographic legacy of interplanetary space probes.

SESSION II

1:45 pm

The eminent film and sound editor WALTER MURCH (Apocalypse Now, The Unbearable Lightness of Being, The English Patient, The Conversations, etc.) will reveal a whole other side of his famously overbrimming curiosity, which is to say his excavation and systematic rehabilitation of a long discredited theory as to the placement of planets and moons in relation to the bodies around which they orbit, a formula which turns out to accurately predict 85% of such orbits, and which, when properly rejiggered, turns out to coincide with the formula for the Pythagorean octave (talk about the music of the spheres!).

3:00 pm

DAVID WILSON, the MacArthur winning Jurassic Technologist himself, will evoke the Russian mystical origins of the Soviet space program, subject of a trilogy of heartrendingly lovely short films, a full decade in the making, currently coming to closure at the fourteen-seat Borzoi Theater atop his LA museum.

4:00 pm

A rarely screened short, filmed during the last months of the Khrushchevite Thaw, in which the Soviet master PAVEL KOGAN trains a hidden camera on a succession of common Russians at the Hermitage Museum in Leningrad, as they gaze, positively awestruck, at Leonardo’s rendition of a Virgin and Child. That film will in turn be coupled with an uncanny set of recent shorts in whichJOSH MELNICKtrains a highspeed high-definition excruciatingly slow-motion digital camera upon wayfarers on the New York city subway, staring, positively dumbstruck, at nothing in particular.

5:00 pm

A similar pairing, as in the above, this time two vantages of life on earth; the first in which the renowned avant garde filmmaker PETER HUTTON, of Bard College, trains his attention on the play of light dappling an Icelandic fjord; and the second in which MATT COOLIDGE, of LA’s Center for Land Use Interpretation (sister institution to David Wilson’s Museum of Jurassic Technology) trains his camera out the side of a helicopter for a jaw-dropping twenty-minute single-take survey of Houston’s petrochemical channel, arguably the most ecstatically industrialized swath of real estate in the world.

SESSION III

6:30 pm

New York Timesscent critic CHANDLER BURR (The Emperor of Scentand The Perfect Scent: A Year inside the Perfume Industry in Paris and New York), singing the Nose Fantastic, which is to say plumbing the still mind-boggling mysteries involved in how it is that we smell anything at all (complete with blotter-swatch demonstrations).

7:30 pm

Entomologist Extraordinaire MAY BERENBAUM of the University of Illinois, Champagne-Urbana (Ninety Nine Gnats,Nits and Nibblers;Bugs in the System; and The Earwig’s Tale: A Modern Bestiary of Multi-Legged Legends), who in honor of the evening’s festivities will consider Insects that Ape Shit (which is to say exceptionally novel, if creepy, insect disguises).

8:30 pm

HAMILTON MORRIS, the disconcertingly enterprising young pharmacopia correspondent of Vice Magazine, will round out the evening by reporting on all manner of oddities (penis mushrooms, Amazonian frog sweat, etc.) that he has ingested and that you might want to avoid.

Times above are approximate at best.

* SPECIAL NOTE *

{We hope as many of you as possible will be able to spend the day with us, feasting on the Wonder Cabinet in its entirety. However, should you be unable to stay for the whole program, we strongly recommend that you come for each session in full—you’ll understand why when you do!}

Nearest Subway Lines to Cantor Film Center, located at 36 East 8th Street (btw University Pl. & Greene St.), with caveat to check MTA’s weekend service advisories prior to heading over:

A, C, E, B, D, F, V to West 4th Street (6th Ave.)
R, W to 8th St.–NYU (Broadway)
6 to Astor Place

For further information, visit www.nyih.as.nyu.edu or contact the New York Institute for the Humanities at NYU at nyih.info@nyu.edu

The Humanities Initiative at NYU sponsors research, collaborative teaching, conferences, working groups, and outreach by way of fostering a university-wide community in the humanities. Launched in 2007, its mission replaces and significantly expands that of the former Humanities Council. For further information on the Humanities Initiative, please visit www.humanitiesinitiative.org or call 212.998.2190.

The New York Institute for the Humanities at NYU was established in 1976 for promoting the exchange of ideas between academics, professionals, politicians, diplomats, writers, journalists, musicians, painters, and other artists in New York City–and between all of them and the city. It currently comprises 220 fellows. Throughout the year, the NYIH organizes numerous public events and symposia.

Upcoming Comics History/New York History events

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The New York Center for Independent Publishing presents:

Comics History/New York History

New York City was the birthplace of the modern comic book, and the city has had a starring role in some of the greatest and most influential work the medium has produced. The New York Center for Independent Publishing will be presenting a series of events looking at the rich history of Comics and the City. Join us at our historic building at 20 West 44th Street as we explore the city through comics, from Riverdale to the Baxter Building, from Dropsie Avenue to Forest Hills, to untangle the relationship between the world’s greatest city and the comics that chronicle its history. Visit  www.nycip.org for more information!

Cartooning and New York City Politics
Tuesday, November 3rd, 6:30 pm

Boss Tweed may have been the most powerful man in the City, but he was still tormented by Thomas Nast’s biting cartoons. Parsons Illustration faculty member Bill Kartalopoulos will host a panel exploring the interaction between political cartoons, New York City politicians, and the public.

New York, the Super-City
Tuesday, March 9th, 6:30 pm

New York served as the model for Gotham City, inspired Will Eisner as he created the noirish adventures of The Spirit, and became a recurring character during the 1960s resurgence of Marvel in comics such as Spider-Man and Iron Man.ForeWord Magazine contributing editor Peter Gutiérrez will moderate a talk on the relationship between superheroes and their favorite hometown… and on how comics culture has promoted potent and memorable images of New York to readers worldwide.

“Carousel” in New York

Tuesday, April 20th, 6:30 pm

The series closes with a multimedia presentation hosted by R. Sikoryak, Parsons faculty member and author of Masterpiece Comics. This event will feature work and performances from some the of the top comics artists working in New York.

Admission is $15, $10 for Members, and $5 for students.

R. Sikoryak and Isabel Samaras at APE in San Francisco

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One of the country’s most popular and vibrant alternative comics shows returns to its San Francisco home, The Concourse Exhibition Center, for another two big days of fall fun this October. APE, the Alternative Press Expo, rolls into the city by the bay on October 17 and 18, 2009.  Parsons Illustration Alums R. Sikoryak (also adjunct faculty!) and Isabel Samaras will be appearing at APE for a Pop Perversity event, and Bob will be doing signings of his new book, Masterpiece Comics.  Here are the details:

Saturday, October 17

11:00am APE Opens
12-3pm Marc Signing
1-3pm R Sikoryak Signing
3-5pm Anders Signing
7:00pm APE Closes

Sunday, October 18

5:00–5:45 Pop Perversity: Parody in Comics and Art—Isabel Samaras (On Tender Hooks) and R. Sikoryak (Masterpiece Comics), parodists from the worlds of art and comics, show their work and describe how their sharp, sly images blur the boundaries between the popular and the profound, the propagandistic and the profane. Parody is a familiar part of our culture, but when done right it can still shock and awe, revealing deep truths while it makes us cackle.

The APE programming room is located adjacent to the Exhibit Hall.

11:00am APE Opens
12-3pm Marc Signing
1-3pm R Sikoryak Signing
3-5pm Anders Signing
6:00pm APE Closes

The Concourse
620 7th Street
San Francisco

http://www.comic-con.org/ape/ape_prog.shtml