Esther Pearl Watson and Mark Todd, creators of the great book “Whatcha mean, What’s A Zine?”, will be visiting Peter Hamlin‘s Sophomore Concepts class on November 16th from 10:20 till 11:40 a.m. All are welcome to attend.
Category Archives: Illustration Industry
Illustration Week Highlights
Isabel Samaras at La Luz de Jesus Gallery on Nov. 13
Lisa Petrucci and Isabel Samaras double book signing:
“Kickass Cuties – the Art of Lisa Petrucci” and
“On Tender Hooks – the Art of Isabel Samaras”
Friday, November 13, 2009 6 pm – 9 pm
La Luz de Jesus Gallery
4633 Hollywood Blvd
Los Angeles, CA 90027
These two original “ladies of lowbrow art” are featured in the books ” Pop Surrealism: The Rise of Underground Art” by Kirsten Anderson and ” Vicious, Delicious and Ambitious – 20th Century Women Artists” by Sherri Cullison. Both Lisa Petrucci and (Parsons Illustration Alum) Isabel Samaras are making a special trip to Los Angeles for this event only. Please join us at La Luz de Jesus for a fabulous night of female fun! We will have on hand numerous items by both artists and of course, there will be free refreshments for all!
“ On Tender Hooks – The Art of Isabel Samaras”
Isabel Samaras folds in familiar icons from classic TV shows, comic books, and movies to create imagery that is very much of the now. Any archetype, from the Bride of Frankenstein to Little Red Riding Hood, Gilligan to the Creature from the Black Lagoon, can find true love (or at least a sexy entanglement) in a painting by Samaras. Never failing to shock and delight with their eagle-eyed perceptions of human folly and animal passion, the paintings in On Tender Hooks tell stories that are tender, bewitching, and fascinating. On Tender Hooks is a look at Pop Culture as filtered through the eyes of an artist with a bent for twisted narrative, saucy erotica and quirky humor. According to Samaras, “People who like classic monsters, fairy tales, and cheesy American cultural icons will get a kick out of this book.” Essay and orchestration by Colin Berry, Text by Justin Giarla, Lucy Blue, Shag, and The Pizz, published by Chronicle Books.
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“ Kickass Kuties: The Art of Lisa Petrucci”
Walk through a sparkling wonderland of make-believe, a cotton-candy-colored dreamworld of hearts, flowers and switchblades, of glamorous, dewey-eyed cartoon pin-up gals, kutie-pie kowgirls, leopard-skinned sweeties, hatchet-wielding honeys, and the cuddliest devil kitties Hell has to offer. The art of Lisa Petrucci is a honey-coated maelstrom of contradictions — the innocence of lost Americana, childhood nostalgia, and traditional feminine iconography all presented with a rebellious spirit. “Kickass Kuties: The Art of Lisa Petrucci,” is the first collection of the artist’s remarkable catalog, a hallucinatory tour through an emporium of cultural chaos, a bipolar gallery of imagery both sacred and profane. Foreword by Kirsten Anderson, Published by Chronicle Books.
Spotlight on Moving Picture Symposium Participant: Richard McGuire
Moving Pictures
A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design
NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public
2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY
LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.
Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design
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RICHARD McGUIRE is an artist whose work has appeared in The New Yorker, the New York Times, McSweeney’s, Le Monde, and other publications. He is the founder and bass player of the punk-funk band Liquid Liquid. Currently a fellow at the New York Public Library’s Cullman Center for Scholars and Writers, McGuire is working on an illustrated book entitled HERE. His most recent animated film, Peurs du Noir, will be released on DVD this fall.
To give you a taste of what Richard is all about, here is a collection of links and visuals.
- Here is a short animated film Richard created called Micro Loup–it is about a microscopic wolf!
[vodpod id=ExternalVideo.891066&w=425&h=350&fv=]
- Richard’s homepage: http://www.richard-mcguire.com
- A film excerpt: http://www.richard-mcguire.com/fears.html
- Other work, posters, NYer covers, etc: http://www.primalinea.com/mcguire/
- Interview with Steven Heller: http://www.aiga.org/content.cfm/whos-afraid-of-noir-an-interview-with-richard-mcguire
- Toys: http://daddytypes.com/2006/12/29/the_toys_of_artist_richard_mcguire_a_dt_interview.php
- Liquid Liquid clip: http://www.youtube.com/watch?v=70wxKJMCRHQ&feature=related
[Image from: Peur(s) du noir, a film by : Blutch, C. Burns, M. Caillou, P. di Sciullo, L. Mattotti, R. McGuire // Production: Prima Linea Productions]
This symposium is presented with support from…
Alumni Updates
Courtesy of Alumni Relations, here are a few updates on Illustration Alums:
- Arleen Schloss, Certificate, Illustration ’64, with Alan Raymond and Douglas Reichter, has put together a selection of four short films and videos to document the redefinition of the Bowery through the last 40 years. The films are called How Do You Like the Bowery?, Performance Art Workshop On Subway NYC 1979, New York Underground Venues Late 70s/Early 80s, and Ducks in the Window.
- Susan Andreasen, Illustration ’69 is an “EcoArtist,” teaching an eight-week class at the Armory Arts Center in Palm Beach, Florida on how to capture live wild animals on canvas and collect landscape information. She is also an environmentalist and an endangered species advocate who has devoted her career to promoting “green consumerism” and environmental awareness through her artwork. In addition, she donates a portion of her paintings sold to an environmental or endangered species charity.
- Lois Joy Johnson, Illustration, ’70, is a well-known beauty and fashion editor, who has spent 25 years interviewing, reporting and shooting about and with the best of the best. Her versatility as a writer, editor, and media spokesperson on style for the 40-plus market is well established and respected in both industries. From supermodels like Christie Brinkley, Paulina Porizkova, and Lauren Hutton to hair and makeup gurus like Frederic fekkai, Laura Mercier and Bobbi Brown, to fashion icons like Diane Von Furstenberg, Vera Wang and Norma Kamali, every “name” has graced her editorial pages. Johnson is a highly sought after media pro who appears on television and radio shows. She has been a frequent contributor to The Today Show, The Early Show, Extra and CNN. As beauty & fashion director of MORE magazine from 1998 to 2008, her lively personal column was also syndicated in Knight Ridder newspapers. Johnson has given speeches on beauty, fashion and dermatology at conventions and workshops. She adored her years at Parsons and has great gratitude to her former teachers, Marvin Israel and Albert Elia who started her on the road.
Are you an Alumni? Make sure to let us know what you’re doing these days! Email us. And while you’re at it, get in touch with Alumni Relations too.
[image: Single Roar, giclee print by Susan Andreasen]
Spotlight on Moving Picture Symposium Participants: Jody Rosen and Joel Smith
Moving Pictures
A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design
NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public
2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY
LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.
Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design
–––––––––––––––––––––––––––––––––––––––––––––––
JODY ROSEN is the music critic for Slate and a frequent contributor to the New York Times, The Nation, and other publications. He is the author of White Christmas: The Story of an American Song and the compiler of Jewface, an acclaimed anthology of early-20th-century Jewish vaudeville recordings. Rosen is working on a new book, The Knowledge, about London, cartography, and taxi drivers. Here is a passel of links to more writings by Jody so you can brush on his work.
- Slate archive: http://www.slate.com/default.aspx?id=3944&qt=jody+rosen
- A recent Slate article on Michael Jackson: http://www.slate.com/id/2221482/
- A front page article in the NY Times: http://tinyurl.com/ygr8b5x
- Jody on twitter: http://twitter.com/jodyrosen
- Jody’s writings for NPR: http://tinyurl.com/ygbzey7
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JOEL SMITH is the author of Steinberg at The New Yorker (2005) and Saul Steinberg: Illuminations, the catalog of a traveling retrospective of the artist that opened at the Morgan Library & Museum in 2006. Smith is the curator of photography at the Princeton University Art Museum, where he is working on exhibitions about architecture and memory, pictures of pictures, and the history of photographs of nothing. Here is an image of the Steinberg book, along with a few links to more information.
- http://yalepress.yale.edu/yupbooks/book.asp?isbn=0300115865
- http://www.saulsteinbergfoundation.org/news.html
- http://artmuseum.princeton.edu/about/staff-directory/joel-smith/
This symposium is presented with support from…
If you’re in Paris…Avril at Galerie Martine Gossieaux
Adjunct Faculty Edward del Rosario’s new show opens tomorrow!
Upcoming Comics History/New York History events
The New York Center for Independent Publishing presents:
Comics History/New York History
New York City was the birthplace of the modern comic book, and the city has had a starring role in some of the greatest and most influential work the medium has produced. The New York Center for Independent Publishing will be presenting a series of events looking at the rich history of Comics and the City. Join us at our historic building at 20 West 44th Street as we explore the city through comics, from Riverdale to the Baxter Building, from Dropsie Avenue to Forest Hills, to untangle the relationship between the world’s greatest city and the comics that chronicle its history. Visit www.nycip.org for more information!
Cartooning and New York City Politics
Tuesday, November 3rd, 6:30 pm
Boss Tweed may have been the most powerful man in the City, but he was still tormented by Thomas Nast’s biting cartoons. Parsons Illustration faculty member Bill Kartalopoulos will host a panel exploring the interaction between political cartoons, New York City politicians, and the public.
New York, the Super-City
Tuesday, March 9th, 6:30 pm
New York served as the model for Gotham City, inspired Will Eisner as he created the noirish adventures of The Spirit, and became a recurring character during the 1960s resurgence of Marvel in comics such as Spider-Man and Iron Man.ForeWord Magazine contributing editor Peter Gutiérrez will moderate a talk on the relationship between superheroes and their favorite hometown… and on how comics culture has promoted potent and memorable images of New York to readers worldwide.
“Carousel” in New York
Tuesday, April 20th, 6:30 pm
The series closes with a multimedia presentation hosted by R. Sikoryak, Parsons faculty member and author of Masterpiece Comics. This event will feature work and performances from some the of the top comics artists working in New York.
Admission is $15, $10 for Members, and $5 for students.
Call for Entries: Illustrators 52!
ILLUSTRATORS 52 is now accepting entries online and Nora Krug, Associate Professor of Illustration, is Chair of the competition this year!
To upload your entries, please format your artwork to these specs:
72 dpi, RGB, JPEG file, 700 pixels on the longest side.
Please provide all of the appropriate credit information for each entry. THIS INFORMATION MUST BE COMPLETED TO BE JUDGED!
ELIGIBILITY
Any illustration created or initially published between October 1, 2008 and November 1, 2009 that has not been accepted in the Annual previously, is eligible. International entries are welcome. Each submission will receive consideration by every member of the jury for its category. Please be certain that the original art will be available for exhibition and can remain at the Society from January through March 2010. High-quality prints will be hung in the case of digitally created art only.
ILLUSTRATORS 52 ANNUAL BOOK
All accepted entries will be reproduced in full color in the Illustrators 52 Annual. Complete credit will accompany the image, including size, media and artist’s and/or rep’s phone number(s). The Hanging/Publication fee is required for reproduction in the book, whether or not the work was displayed in the exhibition.
AWARDS
Gold and Silver Medals will be presented to the illustrators and art directors whose works are judged the best in each category. Medals will be presented only if original art is available to hang in the exhibition. A high-quality print will qualify in case of digitally created work.
GALAS
The Sequential Gala will take place on Friday, January 8, 2010.
The Editorial and Book Gala will take place on Friday, February 5, 2010.
The Advertising, Institutional and Uncommissioned Awards Gala will take place on Friday, March 5, 2010.
Ticket information will follow.
EXHIBITIONS
Sequential: January 6- January 23, 2010
Editorial and Book: January 27 – February 20, 2010
Advertising, Institutional and Uncommissioned- February 24- March 20, 2010
CATEGORIES
All work whether published or not, should be entered in one of the first six categories:
COMICS/SEQUENTIAL
Any multi-image project for which a sequence of images is necessary to fully convey an idea or story. Examples: work that has been produced or published as comics, visual journalism or short visual narratives and picture stories, or graphic novels. Individual images from sequential may also be submitted in their respective categories. Self-published projects must be published in a run of at least 500 copies. Children’s book entries should be entered in the Book category only, not Sequential.
EDITORIAL
Examples: work commissioned by newspapers or magazines, medical and scientific journals or online magazines.
BOOK
Examples: all illustrations originally commissioned for use inside or on the covers of hardbound and paperback books, including fiction and non-fiction; children’s and young adult literature and comic books. Promotional posters or advertisements depicting book art must be submitted in the book category.
ADVERTISING
Examples: illustrations for advertisements appearing in newspapers, magazines or on television; video and CD covers; brochures, fashion, point-of-purchase and packaging illustration; movie and theater posters.
INSTITUTIONAL
Examples: work appearing on merchandise, announcements, annual reports, calendars, corporate projects, government service projects, greeting cards, newsletters, in-house publications, philatelic work and collectibles.
UNCOMMISSIONED
This includes all self-generated work such as portfolio samples, sourcebook ads and uncommissioned stock that are currently unpublished except as promotion for the artist or artist’s representative. Commissioned but un-published work appearing as self-promotion should be entered in the category for which the work was originally created. There will be no art directors or clients credited for uncommissioned works.
ENTRY FEES
$30 per entry for non-members of the Society of Illustrators.
$20 for members of the Society of Illustrators entering their own illustrations.
$35 per entry for non-members of the Society of Illustrators entering Comics/Sequential
$30 for members of the Society of Illustrators entering their own Comics/Sequential
Art directors and designers pay the non-member fees.
Deadline for entry is October 30th!
Illustration by Lorenzo Mattato. Design by Arem Duplessis. Chair: Nora Krug. Co-Chair: Edel Rodriguez