Category Archives: Illustration Faculty

14 Artists featuring Jordin Isip

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New Image Art is pleased to announce a new group show entitled “14 Artists.” Selected through a series of studio visits and correspondences 14 young artists have to come together culminating figurative style in various mediums from painting and drawings to sculpture and collage.

Dennis McNett (Brooklyn, NY) will be exhibiting his striking sculpture of a giant Wolfbat. Offsetting these are evocative images by Paul Wackers (San Francisco, CA), pairing decorative and organic, textile-like patterning to create colorful landscapes. Paintings by Richard Colman (San Francisco, CA) along with collages by Erik Foss (New York, NY) depict edgy erotic subject matter that enchant or shock, to the viewers delight. Drawing on psychedelic counterculture is the vivacious portraiture of Eddie Ruscha (Los Angeles, CA), alongside equally spirited painterly images of popular magazine covers by Kellesimone Waits (Los Angeles, CA). Lori D. (Portland, OR), a regular jane of all trades adds to all of this with folk-like paintings that are often humorous in nature with an animated quality to them. Layers and layers of torn, collaged newspaper under every painting give texture and depth to (Parsons Illustration Adjunct Faculty) Jordin Isip‘s (Brooklyn, NY) images of pensive figures. Juxtaposing the whimsical appeal of Jordin Isip is artist Cleon Peterson (Los Angeles, CA). His hyper-violent paintings reflect the anxiety of our times with clashing figures symbolizing struggle between power and submission in the fluctuating architecture of contemporary society. Recycled artwork by The Date Farmers echoes Mexican-American heritage rooted in California pop culture. Their paintings, collages and three-dimensional sculptures contain elements influenced by graffiti, Mexican street murals, traditional revolutionary posters, sign painting, prison art and tattoos. Keeping the blood flowing through the veins of the streets is the art of Judith Supine (Brooklyn, NY) with his distinct color palette, subject matter, technique, and bold themes; his street installations and collages resonate with a growing audience. Reverberating this is graphic imagery of Skullphone’s (Los Angeles, CA) large painted canvas. Adding a playful yet charming element to the group is muralist and painter My Mo (Berlin, Germany) with hand-painted monsters on brown paper bags.

Spotlight on Moving Picture Symposium Participant: Richard McGuire

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Moving Pictures

A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

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RICHARD McGUIRE is an artist whose work has appeared in The New Yorker, the New York Times, McSweeney’s, Le Monde, and other publications. He is the founder and bass player of the punk-funk band Liquid Liquid. Currently a fellow at the New York Public Library’s Cullman Center for Scholars and Writers, McGuire is working on an illustrated book entitled HERE. His most recent animated film, Peurs du Noir, will be released on DVD this fall.

To give you a taste of what Richard is all about, here is a collection of links and visuals.

  • Here is a short animated film Richard created called Micro Loup–it is about a microscopic wolf!

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[Image from: Peur(s) du noir, a film by : Blutch, C. Burns, M. Caillou, P. di Sciullo, L. Mattotti, R. McGuire // Production: Prima Linea Productions]

This symposium is presented with support from…

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Spotlight on Moving Picture Symposium Participants: Jody Rosen and Joel Smith

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Moving Pictures
A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

–––––––––––––––––––––––––––––––––––––––––––––––
JODY ROSEN is the music critic for Slate and a frequent contributor to the New York Times, The Nation, and other publications. He is the author of White Christmas: The Story of an American Song and the compiler of Jewface, an acclaimed anthology of early-20th-century Jewish vaudeville recordings. Rosen is working on a new book, The Knowledge, about London, cartography, and taxi drivers.  Here is a passel of links to more writings by Jody so you can brush on his work.

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JOEL SMITH is the author of Steinberg at The New Yorker (2005) and Saul Steinberg: Illuminations, the catalog of a traveling retrospective of the artist that opened at the Morgan Library & Museum in 2006. Smith is the curator of photography at the Princeton University Art Museum, where he is working on exhibitions about architecture and memory, pictures of pictures, and the history of photographs of nothing.  Here is an image of the Steinberg book, along with a few links to more information.

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This symposium is presented with support from…

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Moving Pictures: A Symposium on Illustration and Motion on Nov. 11

movingpicturesposter

Moving Pictures
A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

 

 

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

–––––––––––––––––––––––––––––––––––––––––––––––
RICHARD McGUIRE is an artist whose work has appeared in The New Yorker, the New York Times, McSweeney’s, Le Monde, and other publications. He is the founder and bass player of the punk-funk band Liquid Liquid. Currently a fellow at the New York Public Library’s Cullman Center for Scholars and Writers, McGuire is working on an illustrated book entitled HERE. His most recent animated film, Peurs du Noir, will be released on DVD this fall.
–––––––––––––––––––––––––––––––––––––––––––––––
LAUREN REDNISS is an artist and writer who recently joined the full-time faculty at Parsons The New School for Design. She is the author of Century Girl: 100 Years in the Life of Doris Eaton Travis, Last Living Star of the Ziegfeld Follies. Redniss was a 2008–2009 fellow at the New York Public Library’s Cullman Center for Scholars and Writers. Her new book, Radioactive: Marie and Pierre Curie & Other Stories of Love and Fallout will be published in fall 2010.
–––––––––––––––––––––––––––––––––––––––––––––––
JODY ROSEN is the music critic for Slate and a frequent contributor to the New York Times, The Nation, and other publications. He is the author of White Christmas: The Story of an American Song and the compiler of Jewface, an acclaimed anthology of early-20th-century Jewish vaudeville recordings. Rosen is working on a new book, The Knowledge, about London, cartography, and taxi drivers.
–––––––––––––––––––––––––––––––––––––––––––––––
JOEL SMITH is the author of Steinberg at The New Yorker (2005) and Saul Steinberg: Illuminations, the catalog of a traveling retrospective of the artist that opened at the Morgan Library & Museum in 2006. Smith is the curator of photography at the Princeton University Art Museum, where he is working on exhibitions about architecture and memory, pictures of pictures, and the history of photographs of nothing.

 

This symposium is presented with support from…

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Seoul Train: Screening and discussion

LINK screening

Seoul Train

A public film screening, art donation event and discussion about the situation of North Korean refugees.

Last year, Parsons Illustration students collaborated with Artfully Unforgotten (http://www.artfullyunforgotten.com) donating their art and raising $5000 for an orphanage in Kigali, Rwanda. This semester, Parsons students collaborate with LINK, an organization supporting North Korean refugees in China, by donating art work which will be auctioned off to supporters of the cause, in Spring 2010.

Today, an estimated 250,000 of North Koreans, having escaped the food crisis in North Korea, live as secret refugees in China. The Chinese government arrests and forcibly repatriates illegal North Korean refugees who face human rights abuses upon their return, including forced labor and execution.

Please join us for the screening of Seoul Train, a documentary about North Korean refugees in China, and a discussion with LINK, on Thursday, October 29th, 2009, 7:30 PM at Kellen Auditorium, 66th 5th Avenue.

For more information, visit www.seoultrain.com or www.linkglobal.org.

[Photo copyright by Incite Productions.]

Upcoming Comics History/New York History events

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The New York Center for Independent Publishing presents:

Comics History/New York History

New York City was the birthplace of the modern comic book, and the city has had a starring role in some of the greatest and most influential work the medium has produced. The New York Center for Independent Publishing will be presenting a series of events looking at the rich history of Comics and the City. Join us at our historic building at 20 West 44th Street as we explore the city through comics, from Riverdale to the Baxter Building, from Dropsie Avenue to Forest Hills, to untangle the relationship between the world’s greatest city and the comics that chronicle its history. Visit  www.nycip.org for more information!

Cartooning and New York City Politics
Tuesday, November 3rd, 6:30 pm

Boss Tweed may have been the most powerful man in the City, but he was still tormented by Thomas Nast’s biting cartoons. Parsons Illustration faculty member Bill Kartalopoulos will host a panel exploring the interaction between political cartoons, New York City politicians, and the public.

New York, the Super-City
Tuesday, March 9th, 6:30 pm

New York served as the model for Gotham City, inspired Will Eisner as he created the noirish adventures of The Spirit, and became a recurring character during the 1960s resurgence of Marvel in comics such as Spider-Man and Iron Man.ForeWord Magazine contributing editor Peter Gutiérrez will moderate a talk on the relationship between superheroes and their favorite hometown… and on how comics culture has promoted potent and memorable images of New York to readers worldwide.

“Carousel” in New York

Tuesday, April 20th, 6:30 pm

The series closes with a multimedia presentation hosted by R. Sikoryak, Parsons faculty member and author of Masterpiece Comics. This event will feature work and performances from some the of the top comics artists working in New York.

Admission is $15, $10 for Members, and $5 for students.

Big News: Neil Swaab is a finalist for the Nicholl Fellowship

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Parsons Illustration’s very own Neil Swaab [Adjunct Faculty and creator of the fantastic comic “Rehabilitating Mr. Wiggles”] is currently a finalist for the prestigious Nicholl Fellowship in screenwriting. His  movie script, EDDIE FANTASTIC!, was selected as one of the top ten of over 6,000 entries.

The Nicholl Fellowship is run by the Academy of Motion Picture Arts and Sciences (The Oscars) and getting this far is a very big deal. If you want to check out more info about the Nicholl Fellowship, you can read it here:
http://www.oscars.org/awards/nicholl/index.html

Variety also has a write-up here on the current finalists (including Neil):
http://www.variety.com/article/VR1118009717.html?categoryid=13&cs=1

The five recipients of the Nicholl Fellowship will be decided later this month. Winners get $30,000 and must write a screenplay in the next year.

Best of luck, Neil!  Go all the way!

[image by AMPAS]

Call for Entries: Illustrators 52!

SOI 52

ILLUSTRATORS 52 is now accepting entries online and Nora Krug, Associate Professor of Illustration, is Chair of the competition this year!

To upload your entries, please format your artwork to these specs:

72 dpi, RGB, JPEG file, 700 pixels on the longest side.

Please provide all of the appropriate credit information for each entry. THIS INFORMATION MUST BE COMPLETED TO BE JUDGED!

ELIGIBILITY

Any illustration created or initially published between October 1, 2008 and November 1, 2009 that has not been accepted in the Annual previously, is eligible. International entries are welcome. Each submission will receive consideration by every member of the jury for its category. Please be certain that the original art will be available for exhibition and can remain at the Society from January through March 2010. High-quality prints will be hung in the case of digitally created art only.

ILLUSTRATORS 52 ANNUAL BOOK

All accepted entries will be reproduced in full color in the Illustrators 52 Annual. Complete credit will accompany the image, including size, media and artist’s and/or rep’s phone number(s). The Hanging/Publication fee is required for reproduction in the book, whether or not the work was displayed in the exhibition.

AWARDS

Gold and Silver Medals will be presented to the illustrators and art directors whose works are judged the best in each category. Medals will be presented only if original art is available to hang in the exhibition. A high-quality print will qualify in case of digitally created work.

GALAS

The Sequential Gala will take place on Friday, January 8, 2010.

The Editorial and Book Gala will take place on Friday, February 5, 2010.

The Advertising, Institutional and Uncommissioned Awards Gala will take place on Friday, March 5, 2010.

Ticket information will follow.

EXHIBITIONS

Sequential: January 6- January 23, 2010

Editorial and Book: January 27 – February 20, 2010

Advertising, Institutional and Uncommissioned- February 24- March 20, 2010

CATEGORIES

All work whether published or not, should be entered in one of the first six categories:

COMICS/SEQUENTIAL
Any multi-image project for which a sequence of images is necessary to fully convey an idea or story. Examples: work that has been produced or published as comics, visual journalism or short visual narratives and picture stories, or graphic novels. Individual images from sequential may also be submitted in their respective categories. Self-published projects must be published in a run of at least 500 copies. Children’s book entries should be entered in the Book category only, not Sequential.

EDITORIAL
Examples: work commissioned by newspapers or magazines, medical and scientific journals or online magazines.

BOOK
Examples: all illustrations originally commissioned for use inside or on the covers of hardbound and paperback books, including fiction and non-fiction; children’s and young adult literature and comic books. Promotional posters or advertisements depicting book art must be submitted in the book category.

ADVERTISING
Examples: illustrations for advertisements appearing in newspapers, magazines or on television; video and CD covers; brochures, fashion, point-of-purchase and packaging illustration; movie and theater posters.

INSTITUTIONAL
Examples: work appearing on merchandise, announcements, annual reports, calendars, corporate projects, government service projects, greeting cards, newsletters, in-house publications, philatelic work and collectibles.

UNCOMMISSIONED
This includes all self-generated work such as portfolio samples, sourcebook ads and uncommissioned stock that are currently unpublished except as promotion for the artist or artist’s representative. Commissioned but un-published work appearing as self-promotion should be entered in the category for which the work was originally created. There will be no art directors or clients credited for uncommissioned works.

ENTRY FEES

$30 per entry for non-members of the Society of Illustrators.

$20 for members of the Society of Illustrators entering their own illustrations.

$35 per entry for non-members of the Society of Illustrators entering Comics/Sequential

$30 for members of the Society of Illustrators entering their own Comics/Sequential

Art directors and designers pay the non-member fees.

Deadline for entry is October 30th!

Illustration by Lorenzo Mattato. Design by Arem Duplessis. Chair: Nora Krug. Co-Chair: Edel Rodriguez

Create Art in Support of Afghan Women & Children

artfully unforgotten

Create Art in Support of Afghan Women & Children
October 19th, 10 am-11:40, Kellen Auditorium, 66 5th Ave

Last year, Parsons Illustration students collaborated with Artfully Unforgotten (http://www.artfullyunforgotten.com) donating their art and raising $5000 for an orphanage in Kigali, Rwanda. This semester, we collaborate again, this time with the goal of raising funds for women entrepreneurs in Afghanistan. The artwork will be displayed and sold in a silent auction held at the Benefit for Afghan Women and Children at Best Buy’s Soho Loft on December 4th.

If you want to participate, please join us at Kellen Auditorium from 10:00 – 11:40 for a short film presentation and panel discussion about Afghanistan.  Panelists will include  members of Artfully Unforgotten, Women for Afghan
Women and an American member of the US military who has served in Afghanistan.