All posts by amt

Alumni Update: Brad Hamann

hamman

We received this email from Alum Brad Hamann (’77) the other day:

I am happy to announce the launch of my new campaign for DKNY’s special limited-edition Be Delicious scent, for which I have designed all the new illustrations. The artwork will be seen on everything from packaging and posters to billboards, p.o.p. items and taxi tops! An interactive version of the comic book I designed for DKNY can also be viewed at www.dknyfragrances.com My love for pop and comic book art has long been one of my main sources of inspiration and I’m very excited about this campaign.

Congrats, Brad! And for the rest of you, you can see more of Brad’s work at his website.


NY Art Book Fair

1249495258image_web_full

THE NY ART BOOK FAIR presents
CONTEMPORARY ARTISTS BOOKS CONFERENCE
New York City | October 2-3 20
09

http://nyartbookfair.com

ABOUT THE CONFERENCE

In collaboration with Printed Matter’s NY Art Book Fair, the Art Libraries Society of New York (ARLIS/NY) announces a conference on contemporary artists’ books. The program will include speakers, panels, artists’ presentations, and receptions. The conference focuses on recent developments in artists’ books. Sessions this year focus on zines, data-oriented artists’ books, reprints, print on demand, and criticism. These and other themes are intended to encourage dialog amongst scholars, collectors, artists, and librarians.

The conference opens with a free preview of the NY Art Book Fair on Thursday, October 1, from 6-8 pm. Over 150 exhibitors from 20 countries present contemporary art books, art catalogs, artists’ books, art periodicals, and ‘zines. The featured exhibition is a survey of books, posters and ephemera by RICHARD PRINCE. Don’t miss project rooms by the legendary super-school Werkplaats Typographie (Netherlands), and artist/designers Dexter Sinister (New York), together with JAPANESE POP THEN AND NOW, presented by Gallery 360 (Tokyo). And FRIENDLY FIRE is a no-holds-barred curated zone of the young and the restless, independent artist-producers and artist-activists.

The conference continues on Friday and Saturday with a series of eight conference sessions, including:
Print On Demand First-Hand: Artist-professor Andrea Robbins (University of Florida) shows how a student project took advantage of POD’s unique characteristics. Robbins, librarian-historian Jennifer Tobias (MoMA Libraries), and another commentator will then discuss POD in the larger context of artists’ books.

Zines, Institutional Collecting: Zine collections, conferences, & culture are percolating into large institutional collections and onto the radar of institutional curators and administration. Are Zines representative of a broader institutional interest in small-scale craft and artisanal book forms? Are there political ramifications to the authorship and production of Zines that make them anathema to library collections? Ryan Haley of the NYPL speaks with Jenna Freedman (Barnard College Library), Alycia Sellie (Pratt Institute Library), and Susan Thomas (City University of New York).

Redux, Reuse, Recycle: Artists’ Books Reprints and Digitizations: What do File Magazine, Avalanche, Sophie Ristelhueber, Walker Evans, and Interview have in common? They’ve all been reprinted or digitized. In this session, re-publishers will discuss the trend, specifically regarding the market for and reception of these blasts from the past.

…and much, much more.

LOCATION:

The NY Art Book Fair will be held at P.S.1 Contemporary Art Center, Long island City, Queens, with the Contemporary Artists’ Books Conference situated on the third floor.

REGISTRATION AND OPENING:

The Conference opens with a preview of the NY Art Book Fair on Thursday, October 1, 6 to 8 pm. Registration will take place on the third floor. The Preview is free and open to the general public.

CONFERENCE SESSIONS (speakers to be announced shortly):

1. Keynote (TBA)
2. Criticism Panel / moderator: Tony White
3. Print On Demand First-Hand: / moderator: Jenny Tobias
4. Zines: Institutional Collecting / moderator: Ryan Haley
5. Zines: some artists speak / moderator: Deirdre Lawrence
6. Redux, Reuse, Recycle: Artists’ Books Reprints and Digitizations / moderator: Jenny Tobias
7. The Informational Book / moderator: Deirdre Donohue
8. artist session / moderator: Carol Rusk

TICKETS:

You may order conference tickets at http://nyartbookfair.com/conference
The NY Art Book Fair is FREE and open to the public.

CONFERENCE ORGANIZERS:

Kate Adler, Frick Art Reference Library
AA Bronson, Printed Matter, Inc.
Deirdre Donohue, International Center for Photography
Ryan Haley, New York Public Library
Milan Hughston, Museum of Modern Art Library
Catherine Krudy, Printed Matter, Inc.
Deirdre Lawrence, Brooklyn Museum
James Mitchell
Christina Peter, ARLIS/NY President
Faith Pleasanton
Carol Rusk, Whitney Museum
David Senior, Museum of Modern Art Library
Jennifer Tobias, Museum of Modern Art Library
Tony White, Indiana University

Reminder–Lines on Paper: Drawing and Cartooning is tomorrow

drawing

The Comic Book Legal Defense Fund proudly presents Conversational Comics: a new summer speaker series taking place on three separate Saturday afternoons at Union Pool in Williamsburg, Brooklyn.

Please join us for lively panel discussions with artists currently changing the face of comics, all moderated by comics critic (and Parsons Illustration Adjunct) Bill Kartalopoulos. Then stick around to get a book signed, hit the taco truck, and sip a summer drink with our featured cartoonists.

The event takes place at 2:00 pm in the back room at Union Pool. Union Pool is located at 484 Union Ave., Brooklyn, NY 11211, one block from the Lorimer-Metropolitan G and L stop.

August 15 @ 2:00 pm
Lines on Paper: Drawing and Cartooning

Austin English (Windy Corner, Christina and Charles), Lisa Hanawalt (Stay Away From Other People, I Want You), and Dash Shaw (Bottomless Belly Button, Bodyworld) will discuss the relationship between image-making and drawing for comics. How do pictures work differently in comics than they do on gallery walls?

Suggested donation is $5. All proceeds go to benefit the Comic Book Legal Defense Fund.

Bill Kartalopoulos
teaches classes about comics and illustration at Parsons. He is a Contributing Editor at Print Magazine, where he frequently writes about comics.

The Comic Book Legal Defense Fund was founded in 1986 as a 501(c)3 non-profit organization dedicated to the preservation of First Amendment rights for members of the comics community.

For additional information, donations, and other inquiries please visit www.cbldf.org

Last Night: Dime Bag at Giant Robot

dimebag_3uplow
Curated by Jordin Isip (Illustration Faculty) and Rodger Stevens (Illustration Alum and Faculty), Dime Bag closes tonight at Giant Robot New York.  The show has been getting some fantastic press, including coverage by NYMag’s Culture Vulture blog (great slideshow included!) and Peggy Roalf at DART.  Here’s an excerpt from Peggy’s write-up:

The show is the brainchild of Jordin Isip and Rodger Stevens, art school buddies who came up with the idea when they realized what a huge art network of artists they had just from hanging out socially. They wanted to bring as many artists together as possible to create new work with only one small – but huge – restriction: Each piece must fit into a 3-by-3-inch ziplock bag.

Isip and Rodgers invited artists representing an extraordinary variety of disciplines, including painters, illustrators, graphic designers, filmmakers, photographers, and product designers. Each of the artists was sent one of the little baggies and asked to fill it in any way they wished.

I found Jordin by phone in his studio today and he said, “We wanted to have an exhibit where the show itself, as well as the individual pieces, are a work of art.” He certainly succeeded, and GR/New York’s small gallery space proves to be an ideal environment for the art. I found myself looking at each of the three walls of the installation as a whole element before zeroing in on individual images. In fact, I spent quite a while looking at each piece, with the idea of purchasing one.

Read the rest of Peggy’s article here and for goodness sake, if you haven’t already, get over to GRNY for the show.

dimebagwebs_final

[top photo strip: Heads Up at Giant Robot. Left: Trapped in a Bag by Calef Brown. Center: I Didn’t Bust No, Uh, Hip-Hop Moves by Gregory Benton. Right: Head by Jordin Isip. All copyright the artists, photos: Peggy Roalf.]

Follow-up: Alumni Event at SDCC

Parsons Alumni at Comic Con

Here’s a follow-up recap of Parsons Illustration at San Diego Comic-con from Angie Wojak:

Comic-con was great!  Everyone who came to the Rock Bottom event had the most wonderful, in-depth conversations and all enthusiastically thanked us for the event and said that it was different from other events they’d been to, since it offered lengthy, intimate conversations w/fellow illustrators/animators.

Guests who came included:
Peter de Seve
-Michael Davis – Early 80’s Illustration grad and writer/animator/director of Clive Owen’s “Shoot ‘Em Up”
Graham Smith (Illustration grad from mid-80’s, lives in CA, has done Rolling Stone covers among other projects)
-Tom Akel (DT grad working for MTV on a website dedicated to original comic content, I believe)
Robert Sikoryak (His panel went well!).

I can’t tell you how thrilled Peter and Michael were to chat and they sat for almost an hour looking at each other’s work and talking about their films.  Michael did this fab, brief animation of his plan for shots in Shoot ‘Em Up and based on that alone, he got the movie greenlighted and got the directing gig. He’s very cool and enthusiastic about Parsons/New School.

Parson's-Rock-Bottom-009

Thanks to Angie and everyone else involved.  See you next year, San Diego!

[pictured abovel: R. Sikoryak, Michael Davis, Peter de Seve, Graham Smith, and Angie Wojak!]

UMOVE Online Videodance Festival

umove-1-11-crop50

UMOVE Online Videodance Festival
October 1-31, 2009     On the web and live at select locations

Pentacle’s Movement Media announces the First Annual UMove Online Videodance Festival from October 1-31, 2009 on the web and at select screening locations across the US and around the world in 2009-10. Submission deadline is August 15, 2009.

UMove celebrates the creativity and diversity of kinetic cinema in all its forms, from dance/film to gaming, from animation to mash-ups – created for sharing on the web, on mobile devices and on ipods.

To date, the web format for dance and kinetic-based film has been under-recognized and under-valued by dance film presenters and curators.  It’s time to give these videos a platform to receive both feedback and critical praise. UMove seeks work that is strong in concept and execution, rather than sporting fancy production values or large budgets. Film-makers are free to use a variety of high and low tech media to create their work.

SUBMISSION DEADLINE: August 15, 2009

If your submission is chosen you will be required to submit digital stills and a finished copy of your video on DVD (NTSC only) for screening and publicity purposes by September 15, 2009. All submissions regardless of selection will be made available for public viewing on our blog, Move the Frame.

Please visit our blog, for general rules and submission details: http://movetheframe.wordpress.com/umove-festival/

Email all information to movementmedia@pentacle.org

UMOVE SUBMISSION CATEGORIES

·    Animation/Gaming- including digital animation, machinima, Second life, and Virtual Reality games.
·    Cell phone – videos made using a cell phone.
·    Gone in 60 seconds – videos under one minute long
·    Low/No Budget – videos made for under $1,000
·    Surprise me! – unique uses of dance and new media or digital technology

ABOUT THE FESTIVAL

The First Annual UMove Online Videodance Festival will take place October 1-31, 2009. The festival will feature short dance and movement-based videos that were made specifically for the web and other new media formats including cell phones, gaming, virtual reality worlds, and mash-ups. In addition to online programming on YouTube and Movement Media’s blog, Move the Frame, the festival will include a launch party and live screenings in New York, Philadelphia, Los Angeles, UK, and other locations to be announced.

UMove was started by three dance film-makers: Kriota Willberg, Marta Renzi, and Anna Brady Nuse (Pentacle’s Director of Movement Media) who are passionate about promoting dance film through any means possible. We seek to find the most innovative and engaging dance videos on the web and to highlight rising talent in the field.

October 1st will mark the launch of the festival online and there will be a live screening and party in New York after which the festival will tour to select locations around the country and the world in 2009-10.

Quick Hit: Katie Turner designs for Parade of One!

paradeofone_blog

Illustration student Katie Turner recently designed the above for Parade of One. Here’s the mission statement for the group:

Parade of One, Inc. is an arts oriented company, currently awaiting its 501c3 legal status as a nonprofit organization. The company’s primary purpose is to focus on the unlikely ideas that originate in the back of the creative person’s mind. We don’t want to throw away these ideas for their lack of feasibility or their absurdity. We want to take these ideas very seriously and try to make them happen.

Founder Jeremy Danneman dislikes drawing distinctions between art that promotes positive social change and art for its own sake. Parade of One, Inc. promotes both. There are numerous ways to be creative in manners that interact positively with the wold, and Parade of One, Inc. supports them all.

Audiences, performers, and artists will all benefit from our activities. Too often, creative minds are crippled by a lack of funding, when just a little money will open the doors for them to change the world. Meanwhile, audiences are left thirsty for original music, art, theater, and film that seeks, not so much, to profit its sponsors, but to benefit the greater community. Parade of One, Inc. seeks not only to find the funding for creative ideas, but also to provide a forum for the discussion and promotion of such ideas.

Lovely work, Katie!  And thanks to Nora Krug for passing along the info!

Quick Hit: Bonnie Gloris’ Brain Topography

BrainTopEmailFinal.jpg

“The Immersion of the Senses,” by Parsons Illustration Alum Bonnie Gloris, appears in the May issue of Brain Topography,  A Journal of Cerebral Function and Dynamics. The oil painting, which depicts the five boroughs of New York City,  each representing a sensory organ, illustrates the journal’s preface. This special issue was widely distributed at the International Multisensory Research Forum’s 10th annual conference in New York this past June 29 – July 2, 2009.

Congrats, Bonnie!

Conversational Comics–Lines on Paper: Drawing and Cartooning

drawing

The Comic Book Legal Defense Fund proudly presents Conversational Comics: a new summer speaker series taking place on three separate Saturday afternoons at Union Pool in Williamsburg, Brooklyn.

Please join us for lively panel discussions with artists currently changing the face of comics, all moderated by comics critic (and Parsons Illustration Adjunct) Bill Kartalopoulos. Then stick around to get a book signed, hit the taco truck, and sip a summer drink with our featured cartoonists.

The event takes place at 2:00 pm in the back room at Union Pool. Union Pool is located at 484 Union Ave., Brooklyn, NY 11211, one block from the Lorimer-Metropolitan G and L stop.

August 15 @ 2:00 pm
Lines on Paper: Drawing and Cartooning

Austin English (Windy Corner, Christina and Charles), Lisa Hanawalt (Stay Away From Other People, I Want You), and Dash Shaw (Bottomless Belly Button, Bodyworld) will discuss the relationship between image-making and drawing for comics. How do pictures work differently in comics than they do on gallery walls?

Suggested donation is $5. All proceeds go to benefit the Comic Book Legal Defense Fund.

Bill Kartalopoulos
teaches classes about comics and illustration at Parsons. He is a Contributing Editor at Print Magazine, where he frequently writes about comics.

The Comic Book Legal Defense Fund was founded in 1986 as a 501(c)3 non-profit organization dedicated to the preservation of First Amendment rights for members of the comics community.

For additional information, donations, and other inquiries please visit www.cbldf.org