Will Eisner’s New York at MoCCA

The Museum of Comic and Cartoon Art – MoCCA – is proud to announce Will Eisner’s New York: From the Spirit to the Modern Graphic Novel, an exhibit showcasing work of the comics and graphic novel master that was inspired by, and which spotlighted, his hometown, the city he always held closest to his heart: New York. The exhibition will run from March 1st-June 30, 2011. It is curated by Denis Kitchen and Danny Fingeroth.

From the Golden Age of Comics through the creation of the modern graphic novel (a form he was instrumental in popularizing), you will find New York City at the heart of Will Eisner’s work. Whether thinly disguised as “Central City” in the pages of his legendary creation, The Spirit, or more directly presented in his autobiographical graphic novels, New York was portrayed by Eisner as only a native of the city could know it.

This exhibition spotlights the city as reflected in all eras of Eisner’s work. It includes Spirit artwork, art from many of his classic graphic novels, including A Contract with God and To the Heart of the Storm, and original paintings by Eisner, as well as art by significant creators who were influenced by him, including Peter Kuper, Art Spiegelman, and Harvey Kurtzman.

Historical context for the over 100 pieces in the exhibit will be provided by wall text by the curators, as well as by a continually running slide show that traces the evolution of Eisner’s work. Also on continuous view will be Jon and Andrew Cooke’s award-winning 2007 documentary, Will Eisner: Portrait of a Sequential Artist.

Like the legendary metropolis itself, there are infinite perspectives from which to look at and appreciate Eisner’s work. Will Eisner’s New York: From the Spirit to the Modern Graphic Novel provides surprising insights and moving revelations about the artist, his work, and his city.

ABOUT WILL EISNER:
Born in 1917, Will Eisner was raised in the tenement Bronx of the Great Depression. He was a pioneer in the creation of comics of the “golden age” of the 1930s and ’40s, achieving immortality with his noir crime fighting superhero, THE SPIRIT, the first character to star in a comics insert distributed in newspapers. At one time or another, just about every comics great of his own and succeeding generations worked with and for Eisner, including JULES FEIFFER, WALLACE WOOD, JACK KIRBY, AL JAFFEE, and MIKE PLOOG. When the Spirit ceased publication in 1952, Eisner devoted himself to producing educational and instructional comics. Then, in 1978, Eisner reinvented himself—and the medium—with his graphic novel A CONTRACT WITH GOD, the first of a series of works focused, for the most part—with a compassionate yet unsentimental lens—on early 20th century Jewish life in America. Other notable graphic novels included To The Heart of the Storm, A Life Force, and The Name of the Game. At the time of his 2005 death, Eisner was working on THE PLOT, a comics-form refutation of the resurgent Protocols of the Elders of Zion, which was released posthumously.

ABOUT THE CURATORS:

DENIS KITCHEN: As one of the original underground cartoonists, he founded Kitchen Sink Press in 1969 and for thirty years published the work of numerous leading artists, including Will Eisner. In 1986 he founded and for eighteen years oversaw the Comic Book Legal Defense Fund, the non-profit dedicated to defending First Amendment rights. After the demise of Kitchen Sink in 1999, he became a partner in Kitchen & Hansen Agency, then Kitchen, Lind & Associates, each representing prominent comics creators. His Denis Kitchen Art Agency handles original art sales for clients including the Eisner estate. As a writer and comics historian he has produced numerous books, including the award-winning Art of Harvey Kurtzman and Underground Classics for Abrams/ComicArts. Coming full circle as an artist, Dark Horse recently published The Oddly Compelling Art of Denis Kitchen and his Chipboard Sketchbook is just out from Boom Town.

DANNY FINGEROTH is MoCCA’s Sr. VP for Education. He was a longtime editor and writer for Marvel Comics. Fingeroth has written books about comics including Disguised as Clark Kent: Jews, Comics and the Creation of the Superhero (Continuum) and The Rough Guide to Graphic Novels (DK Publishing). For his TwoMorrows-published Write Now magazine, Fingeroth interviewed Will Eisner, in depth, in 2003. The interview has been reprinted in The Best of Write Now. Fingeroth has spoken about Eisner and his career at Columbia University and other venues. His upcoming book, The Stan Lee Universe, co-edited with Roy Thomas, will be published by TwoMorrows later in 2011. Danny’s MoCCA course,  “How to Write Comics and Graphic Novels,” starts May 2nd, and he will be teaching comics writing this June in Milan, Italy, at the MiMaster Open Workshop.

The Museum of Comic and Cartoon Art is located at:
594 Broadway, Suite 401 (between Houston and Prince), New York, NY 10012

The Museum of Comic and Cartoon Art – MoCCA is a 501(c)(3) nonprofit arts education organization dedicated to the preservation, study and display of all forms of comic and cartoon art.  The museum promotes greater understanding and appreciation of the artistic, cultural and historical significance of comic and cartoon art through a variety of events, exhibitions, and educational programs.

For more information about MoCCA, please visit www.moccany.org

MoCCA is open to the public Tuesdays through Sundays from 12:00-5:00 pm.
Suggested donation to the museum is $5 but free for MoCCA Members as well as for children 12 and under (when accompanied by a paying adult).

Zack Zezima on death and zines

An email from recent Illustration graduate, Zack Zezima:

I just finished up making a zine called “Theories in Death and Nature”…It’s about death (morbid, I know) and 7 of the many religious/spiritual beliefs around it.

You can grab your own copy of the zine online via Etsy or in person at Desert Island in Brooklyn.

Go Zack go!

Upcoming Events featuring Parsons Illustration Prof Ben Katchor

Catch Parsons Illustration Associate Professor Ben Katchor at this upcoming events in February and March!

Friday, Feb. 25, 2011 at 4pm
Festival of New French Writing
French and American authors in conversation
David B. in discussion with Ben Katchor, moderated by Francoise Mouly
Hemmerdinger Hall, ground floor, Silver Center, New York University, 100 Washington Sq. East.

Bilbolbul Festival Internazionale di Fumetto
Bologna, Italy
March 2 – 6, 2011

Tuesday, March 15, 2011 at 7pm
The Strand bookstore,
12th Street and Broadway, NYC

Wednesday, March 16, 2011 at 7pm
Discussion with (Parsons Illustration Adjunct) Jerry Moriarty
PowerHouse Arena,
37 Main Street Brooklyn, NY 11201

Thursday, March 17, 2011 at 7pm
Reading and signing
Porter Sq. Books,
Porter Square Shopping Center
25 White Street
Cambridge, MA

Tuesday, March 29, 2011 at 7pm
Corcoran Gallery of Art
500 Seventeenth Street NW
Washington, DC
(202) 639-1700
Tickets: $15.00

Abby Denson’s Dolltopia wins 4th International Manga Award!

Parsons Illustration Alumna Abby Denson’s graphic novel Dolltopia has received a Bronze International Manga Award!

The International Manga Award  – the “Nobel Prize of manga” was created by  Former Japanese Foreign Minister Taro Aso to encourage non-Japanese manga artists the world over. The Committee comprises the Minister for Foreign Affairs, the President of the Japan Foundation, and the members of the special committee for pop culture of the Council on the Movement of People Across Borders.

This honor, coming closely after Dolltopia’s win of the Moonbeam Children’s Book Award, drives home the universality of Dolltopia’s themes. Abby’s comics explore issues of identity, individuality and making a mark within a society that seeks to sterilize and monopolize.

Dolltopia is the story of Kitty, a ballerina doll forced into a not-so-happily-ever-after living arrangement with a male jock toy. Filled with discontent, Kitty takes it upon herself to escape her human-imposed domesticity and create a new life and a new image for herself away from the persecution of the human world. On this mission, she finds not only a host of like-minded individuals, but a safe haven for the unique doll: Dolltopia.

The 4th International MANGA Award Winners

Gold Award winner:
Si loin et si proche…(Belgium) Xiao Bai

Silver Awards winners:
Face cachée(France) Olivier Martin , Sylvain Runberg
La Isla sin Sonrisa(Spain) Enrique Fernández
“The story begins with …”(Thailand) Verachai  Duangpla

Bronze Awards winners:
Dolltopia(America) Abby Denson
Kylooe  (Belgium) Little Thunder
Pandora Book(Thailand) Akekarat Milintapas
The Little Polar bear(Taiwan) Chang Fung-Chih
The Passionate Sword(Taiwan) Yeh Yu Tung and Syu Shu Hao
Samurai(Belgium) Frédéric Genet and France’s Jean-François Di Giorgio

Congratulations, Abby!

Fashion Illustration: Visual Poetry at gallery hanahou

Fashion Illustration: Visual Poetry
gallery hanahou
Through February 25, 2011

Curated by renowned artist, fashion illustrator, and educator Bil Donovan, “Fashion Illustration: Visual Poetry” brings together 14 of the most talented and innovative artists working in fashion illustration today for an exhibition that showcases the possibilities of the genre to complement, respond to, and sometimes transcend fashion.

The pieces in the exhibition represent artists from a number of different countries and a broad spectrum of styles. Taken together, their client lists cover every perspective of fashion, from small labels to large retailers and all manner of media.

Statement from the curator

Fashion Illustration is Unique. The ideas, practice and concepts that drive this genre of work are not easily defined. Fashion Illustration documents a window in time, presenting trends and fashion through a historical perspective. It revolves around a fascination with the figure, its form, gesture, movement and grace, filtered through the lens of fashion. Traditionally, stylization has been the guiding force behind this fascination, grounded in a foundation of figure drawing and anatomy, revealing the spirit and essence of the figure.

Today, the fascination with the figure and fashion continues, but is now played against a backdrop of new techniques, technologies, and concepts resulting in work that is graphic, dynamic and blurs the boundaries between high and low art. Themes such as abstraction, mythology, and fantasy, whether representational, expressive or minimal are projected through the personal vision of the artist.

It is an exciting period for Fashion Illustration as this genre of art continues to evolve with captivating images that nurture the imagination, grace the page and charm the viewer. In essence, Fashion  Illustration is visual poetry.

Bil Donovan

Artists

Bil Donovan
Carlos Aponte
Cecilia Carlstedt
Daniel Egneus
David Downton
Eveline Tarunadjaja
Jeffrey Fulvimari
John Jay Cabuay
Laura Laine
Samantha Hahn
Sara Singh
Stina Persson
Tina Berning
Tobie Giddio

gallery hanahou
611 Broadway, Suite 730, NYC
7th Floor of the Cable Building, NW corner of Broadway + Houston

Mon-Fri noon-6 pm, Sat by appt only
646-486-6586
press@galleryhanahou.com
info@galleryhanahou.com
www.galleryhanahou.com

Artists Against the War Panel tonight

Artists Against the War
A panel discussion and book signing with Steve Brodner, Frances Jetter, Victor Juhasz, Peter Kuper and Wendy Popp
February 10, 2011 6:30 p.m. – 8:30 p.m.

Based on the 2008 Society of Illustrators’ exhibit, “Artists Against the War”, Artists Against the War draws from the history of graphic protest and demonstrates the many ways that illustrators — in comics, editorial cartoons, illustrations for magazine articles, and so on — have reflected on the representations and misrepresentations of war, specifically the Wars in Iraq and Afghanistan.

The history of commercial illustration in the United States encompasses the images of artists like Charles Dana Gibson, Maxfield Parish, N.C. Wyeth, James Montgomery Flagg, Frederic Remington, and Norman Rockwell. These and many other artists helped to shape and define the American experience. After the Second World War, a divide grew between the worlds of illustration and fine art. Commercial publishers bankrolled illustrators to produce images on demand that were essential to marketing. Fine artists, meanwhile, generally struggled on their own to create unique and contemplative works of a decidedly non-mercantile nature.

Early on, some editorial illustrators, while still on paid assignments sponsored by commercial interests, managed to bridge this gap between illustration and high art—creating evocative works that told of real world events. Harper’s Weekly employed Winslow Homer as a war correspondent, sending him to the front lines of the American Civil War to sketch soldiers on the battlefield. Afterwards Homer evolved into one of America’s finest 19th-century painters. Business-related foundations aside, illustration commonly shared with fine art—up until the post WWII era—an exploration of the world through the traditions of objective realism. That relationship disappeared with the ascendancy of abstract art. The high art world is currently unable to provide thoughtful examinations that connect with the general public.

Surprisingly, the world of commercial illustration offers a model for the advancement of contemporary fine art. Endeavoring to communicate clearly, illustrators never abandoned realist aesthetics, which are the most direct way to deliver a thought or concept to a large audience. More importantly, illustration art does not wallow in the cynical disengagement and alienation that is so fashionable in today’s high art. Therein lies the potency and importance of Artists Against the Wars.

Steve Brodner will lead a panel discussion with Frances Jetter, Victor Juhasz, Peter Kuper and Wendy Popp. A book signing will follow.

Tickets
$15 non-members, $10 members, $7 students
rsvp@societyillustrators.org

Book trailer for Dan Yaccarino’s “All the Way to America”

[youtube=http://www.youtube.com/watch?v=CVWBJG2l66o]

Parsons Illustration Alum Dan Yaccarino has a new children’s book coming out next month.  You can watch the book trailer for “All the Way to America” above and then go check out Dan’s website for more information about his books and projects.

Way to go, Dan!

Nora Krug illustrates a childen’s book!

Full-time faculty Nora Krug has illustrated a children’s book for Penguin/Putnam! The book, MY COLD WENT ON VACATION, written by Molly Rausch, tells the story of a germ who travels the world. Publisher’s Weekly says:

A cross between the work of Maira Kalman and Roz Chast, Krug’s quirky, electric-hued pictures combine folk art and cartoon sensibilities. The latter surfaces in her portrayal of the cold, a mucus-green, egg-shaped figure with a red Pinocchio-like nose and pinkeyes. Odd subject matter, but Krug’s artwork makes for a visually arresting journey.

The book is available here. Congrats to Nora!