Howard Zinn’s illustrated “A People’s History of the American Empire”

Historian and activist Howard Zinn, working with comic artist Mike Konopacki, has produced an illustrated book called A People’s History of the American Empire. Here’s an excerpt from the publisher’s write-up:

Adapted from the bestselling grassroots history of the United States, the story of America in the world, told in comics form.

Since its landmark publication in 1980, A People’s History of the United States has had six new editions, sold more than 1.7 million copies, become required classroom reading throughout the country, and been turned into an acclaimed play. More than a successful book, A People’s History triggered a revolution in the way history is told, displacing the official versions with their emphasis on great men in high places to chronicle events as they were lived, from the bottom up.

Now Howard Zinn, historian Paul Buhle, and cartoonist Mike Konopacki have collaborated to retell, in vibrant comics form, a most immediate and relevant chapter of A People’s History: the centuries-long story of America’s actions in the world. Narrated by Zinn, this version opens with the events of 9/11 and then jumps back to explore the cycles of U.S. expansionism from Wounded Knee to Iraq, stopping along the way at World War I, Central America, Vietnam, and the Iranian revolution. The book also follows the story of Zinn, the son of poor Jewish immigrants, from his childhood in the Brooklyn slums to his role as one of America’s leading historians.

Shifting from world-shattering events to one family’s small revolutions, A People’s History of American Empire presents the classic ground-level history of America in a new form.

Grab your copy here!

Bonus: Here’s a short film called “Empire or Humanity?: What the Classroom Didn’t Teach Me about the American Empire” by Howard Zinn and narrated by Viggo Mortensen.

[youtube=http://www.youtube.com/watch?v=Arn3lF5XSUg&hl=en]

Extra Special Bonus: This weekend, Howard Zinn and Mike Konopacki will be appearing at Cooper Union to talk about the book.

Parsons and Jazz students collaborate on “Visual Music Works”

“Dreamers Night” 
From The Team Of:
Christine Young, Myeong Jae Lee And Martin Isenberg

Animation students from Parsons The New School for Design and composers from The New School for Jazz and Contemporary Music will take the stage on Sunday, May 4, to present “visual music works,” which bring music and animation together in new and compelling ways. The event marks the culmination of the university’s first studio course in jazz and animation, in which students from the two schools worked together at a high level of collaboration to create original work.

The class, called Jazz and Animation, is taught by Parsons faculty member Ben Katchor, an award-winning and widely published illustrator, and Parsons and Jazz faculty member Ernesto Klar, a media and sound artist whose work was recently featured at the PULSE Contemporary Art Fair in New York. Among the works to be presented are an animated ecosystem that changes and grows in response to a musical score; a piece that brings to life children’s dreams, with the music and animation depicting the movement from consciousness to unconsciousness; and a performance in which the musicians are transformed into on-screen avatars who act out virtual stories through the music played onstage.

“From Wassily Kandinsky to Oskar Fischinger, artists have long been exploring the relationship between image and sound,” said Klar. “Today’s technology brings the work of visual artists and musicians to a whole new level, and over the past several months our students have experimented with a variety of analog and digital technologies to create innovative audiovisual works.”

The course harks back to founding decades of The New School, when it was a major center for modernist visual and performing arts. Artists such as Martha Graham and John Cage resided at the school and worked in egalitarian, collaborative ways, challenging traditional divisions between the arts. Jazz and Animation reflects the direction of the university today as it strives to weave together arts disciplines.

The performance will take place at 4:00 p.m. in the Theresa Lang Community and Student Center, Arnhold Hall, 55 West 13th Street, 2nd floor. It is free and open to the public.

Alumni Bulletin: News from Illustration Grads

Larry Roibal (’82) recently had his piece “Sunday Morning” accepted for the Communication Arts Illustration Competition. Larry’s unique style was also highlighted by the fine folks over at Drawn a couple of weeks ago.  See more of Larry’s work at his website. Congrats!

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Alum Chris Roth has been creating like crazy, including tons of animations for CBS (like this!), a Spiderman stained-glass window in honor of legendary artist Stan Lee, and this great spot for Channel Frederator (the first piece is his!):

[youtube=http://www.youtube.com/watch?v=NDNEGAJfHiU&hl=en]

See more of Chris’s work at his website. Keep up the great work, Chris!

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Alum Angie Mason recently had her work included in the Fusion 5 Festival, which is an amazing new art festival put together by Strychnin Gallery Owner Yasha Young and Hotel 3.14’s creative director Dani Morla.

The artists included in this event were:

Bijou (France), Diva (Spain), David Hochbaum (USA),
Angie Mason (USA),Till Krautkraemer (USA),
Manuel Cortez & Philipp Baben (Germany), Brian Horton (USA),
Chichi Menendez (Australia), Natalie Shau (Lithuania),
Chris von Steiner (France), Mark Verhaagen (Netherlands)
David Stoupakis (USA), Daniel van Nes (Netherlands),
BORIS + NATASCHA (Germany & Australia), Mkan (France),
Virginie Ropars (France), Ansgar Noeth (Germany),
Matthew Bone (USA), Mimi S. (Germany),
Kristen Ferrell (USA), Oksana Badrak (GUS),
Mijn Schatje (France)

Angie also posted images up also at her flickr site and had this to say about her experience:

It was a great event where each artist was given a room/suite that matched their art (no two rooms are a like at this very unique hotel) and the artists had to fill the space with their work making the room their own and then have it viewed during the opening party exhibits and public openings. There was wonderful music and art and press and an ever flowing amount of absolute vodka since they were one of the main sponsors.

Thanks for sharing the news, Angie!

Liz Lomax gives lecture at Society of Illustrators

We just got this email from Illustration Alum Liz Lomax:

I wanted to let you know about a lecture I am giving at the Society of Illustrators at the end of this month. I’ll be talking about how I got started as a 3D Illustrator ten years ago and how I’ve turned some wire, tinfoil and Sculpey into a career. I’d love to see you there if you can make it.

Liz Lomax, a three dimensional illustrator in New York, is widely recognized as one of the leading figures in her field. She illustrates using a unique process she developed herself over ten years as a professional. Her work has won awards and appeared in many annuals and books on illustration. Her clients include some of the best names in advertising and magazines.

April 30 at 6:30 pm
“An Evening With Liz Lomax”
$10 ($6 for students)

The Society of Illustrators
128 East 63rd Street (between Park and Lexington Avenues)
New York, NY 10065

Book Signing for Leah Hayes’ new book tomorrow!

WHAT: Book signing for Parsons Illustration Alum Leah Hayes‘ new graphic novel Funeral of The Heart.

WHERE: Spoonbill & Sugartown
218 Bedford Ave.
Brooklyn, NY 11211
718.387.7322

WHEN: Thursday, April 24, 7PM

Funeral of the Heart is Leah Hayes’ stylistic tour-de-force and graphic novel debut, featuring a series of short stories by Hayes and illustrated entirely using the otherworldly medium of scratchboard. Hayes creates a world of unease and ambiguity populated by obsessive characters, forlorn animals, and mysterious, inanimate objects; odd occurrences, unnerving deaths and unconventional but genuine love bind these characters and their stories together. In “The Bathroom,” a middle-aged couple discover a mysterious tunnel in their pool house after a neighbor’s child accidentally drowns in their pool — leading to an immaculate bathroom and another drowning. In “The Needle,” two sisters suffer the death of their grandmother as well as her possible resurrection at the hands of the woman with the needle.

The stories are hand lettered and juxtaposed against stark, highly stylized, graphically powerful, black and white images. Stories with titles like “The Bathroom,” “The Needle,” and “The Hair” may sound innocuous, but they aren’t fables that should be read to one’s children — unless your children enjoy being made uneasy by beautiful things.

Come out and support Leah, but if you can’t make it, the grab your copy of Funeral of the Heart over at Fantagraphics.

Quick Hit: The New Yorker’s Naked Campaign

Over the past couple of months, The New Yorker has been posting video shorts of the fantastic illustrator Steve Brodner, drawing and discussing the Presidential campaign, its candidates, and the social dynamics surrounding this historic race for the White House. Here’s one installment, but make sure to visit the Naked Campaign YouTube channel to see all of them.

[youtube=http://www.youtube.com/watch?v=jVQRQRtZN_c&hl=en]

Quick Hit: The Illustrated Letter show at NY Times

The Illustrated Letter:
Four Decades of Letters to the Editor Spots

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Thursday, April 24, 2008
7:00-9:00 PM

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The New York Times
620 8th Avenue, 7th Floor

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RSVP Required to
galleryseven@nytimes.com

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“Lots of Things Like This” at apexart (curated by Dave Eggers)

A great exhibition–Lots of Things Like This–organized by Dave Eggers and currently on view at apexart through May 10th, features a huge range of exceptional artists. Here’s an excerpt from an Eggers-penned essay discussing the show’s concept:

This show, titled Lots of Things Like This, came about when apexart asked for an idea for a show. The first thought that occurred to us was an exhibit that would highlight work that included these three elements:

1. An image
2. Some words (usually referring to the image)
3. A sense of humor

The show never got much more complicated than that. We started with the artists we knew we had to include: Raymond Pettibon, Tucker Nichols, Maira Kalman and David Shrigley. All four of them had found a place in the fine art world, even though in many cases their work was both narrative and funny, a combination that’s historically been rare in galleries and museums. For the most part, artists who use text in their work don’t write punchlines – the text is usually abstract or oblique, open to interpretation. But the rise of comics-based art, and of Pettibon in particular, had opened the doors to new hybrids of words and images, thank god.

In any case, being loathe to draw conclusions about the artists’ motivations or methods, because, again, so many of these people are dead, we’re instead going to list some questions that occurred to us and might occur to you and might help the show blow your mind completely:

Why is it that so many of these artists aren’t so great at spelling? And why is it that when they screw up one of their words, instead of starting over, they just cross the word out and write it again? Many people would choose to start over.

Why is it important to many of the artists that the drawings appear casual, even rushed? Is the loose draftsmanship part of its appeal, in that it seems more intimate and disarming? Is absurdity more appealing when it comes across as humble?

What is the line between a doodle, a cartoon, a gag, a work of fine art, and will there ever be a time when someone doesn’t insist on writing a similar kind of silly and rhetorical sentence in an art catalog?

Read the whole essay here and make sure to catch this unique show before it comes down.

Lots of Things Like This
organized by Dave Eggers

April 2 – May 10, 2008

291 Church Street
(between Walker and White)
New York, NY 10013 USA

Tote Bag Exhibition in Beacon

Illustration Adjunct Dan Weise runs Open Space gallery in Beacon, NY (just a short trip north of the city) and he has an exciting new show up that features another Parsons faculty–Jordin Isip.  Here’s the official description:

The average family brings home 1,000 plastic bags every year. It is time for us to switch from a disposable society to one which reduces, reuses and recycles. This show will help spread the message that we care about our planet and do not want to just consume until there is nothing left. We are certain that we will all make a difference. The proceeds from the sales of the show will go to the Hudson River Sloop Clearwater, a New York based organization committed to enviromental advocacy and education.

Tons of fantastic artists are involved in this show and it benefits a good cause so hop on the Metro North line and go visit!

TOTE / BAG
April 12th
– May 3rd
Open Space Beacon
510 Main Street
Beacon NY 12508

R. Sikoryak in 3D Comic Carousel at Comic Con!

NICK MAG PRESENTS 3-D COMIC CAROUSEL

Sunday, April 20
3 PM – 4 PM

At the New York Comic Con
Jacob K. Javits Center (655 West 34th Street)
Location:  Kids Room 1E09

A series of cartoon slide shows of comics from Nickelodeon Magazine,  
presented by an array of artists and other characters.

Plenty of gags, goofiness, audience participation and 3-D action!  
Definitely for kids and alternative-comics-loving adults.

Free 3-D glasses and magazines!

Speaker(s):
Chris Duffy – Magazine Editor – Nickelodeon
Dave Roman – Magazine Editor – Nickelodeon
R. Sikoryak (Drawn and Quarterly, Parsons Illustration Alum & Adjunct Faculty)
Sam Henderson (Magic Whistle)
Kim Deitch (Alias the Cat)
Michael Kupperman (Tales Designed To Thrizzle)

Assisted by Karen Sneider (Pony Up!)
Adapted for 3-D projection by Gerald Marks

For more info and tickets:
www.nycomiccon.com

Children 12 and under are admitted for free on Kids Day!

Also make sure to check out the Facebook event page for full details (add Parsons Illustration as a friend while you’re there!), as well as R. Sikoryak’s website for more of his great artwork.

 

[image by R. Sikoryak]