Category Archives: Call for Entries

3×3 Call for Entries!

messing

Passed along by Parsons Full-time Faculty Nora Krug, here’s the scoop on 3×3 magazine‘s most recent call for entries:

Mark Your Calendars!  As our 3×3 Illustration Annual No. 5 is coming off the press it’s time to start thinking about our next international illustration competitions. Here is our schedule and a few details.

3×3 Student Show
As always this show is open to all undergraduate and graduate students in all art schools, colleges and universities around the globe. Work must have been completed in calendar year 2008. A partial list of this year’s judges include illustrators/educators Alexandra Kardinar, Germany; Gary Embury, United Kingdom; Clemente Botelho, Canada and Martha Rich, John Hendrix, Nora Krug of the US. Rounding out the judges is artist representative Pat Lindgren, Lindgren & Smith.Entry deadline: February 14, 2009

3×3 ProShow
Open to all art directors, editors, designers and illustrators. Categories include: Advertising, Animation, Books, Editorial, Fashion, Gallery, Institutional, Self-Promotion, Sequential, Three-Dimensional and Unpublished. Our judges to date include art directors Alexandre Lagoet, Amsterdam, Raban Ruddigkeit, Germany and SooJin Buzelli and Darlene Simidian, the US as well as illustrators Roman Klonek and Monika Aichele, Germany, Marco Ventura, Italy and Yuko Shimizu, the US.Entry deadline: March 14, 2009

3×3 Children’s Book Show
Open to all art directors, editors, authors, designers and illustrators from around the world. All published and unpublished children’s books completed in 2008 are eligible. We are in the process of naming our judges for this year’s show. Entry Deadline: April 14. 2009

We will begin accepting entries on January 5 but full details are available online at 3x3mag.com. All entries must be either uploaded or received by the deadline. Winners will be featured in the 3×3 Illustration Annual No. 6 coming out in late 2009.  Full details on both shows are online. Remember you can pay and upload your images online. Children’s book details will be available beginning in February.

Thanks for sending along the info, Nora!

[image by Illustration Alum Jake Messing, who is listed in 3×3’s New Talent Gallery]

Night of 1000 Drawings

nightof1000-web
NIGHT OF 1,000 DRAWINGS

Choose from among more than 1,000 original works on paper by hundreds of emerging and acclaimed artists at this signature event to benefit ARTISTS SPACE’s dynamic, artists-centered programming!

Participating artists already include Nathan Carter, Willie Cole, Stefan Kürten, Robert Longo, and Kate Shepherd

Saturday, December 13th, 2008, 3-8 pm

Original Drawings only $50-$100
Admission at the door $10
Participating artists admitted free!
Complimentary cocktails 6-7:30pm

All proceeds directly support Artists Space’s exhibitions and programs. Cash, checks, and credit cards accepted.
We are incredibly grateful to participating artists for their generous contributions of artwork.

PROCEDURE FOR SUBMISSIONS

Artists Space will accept up to two unframed, unmatted works on paper from any individual artist.
Works must be NO LARGER than 11 x 14 inches.
Photographs and digital prints are acceptable as long as they are the original media, i.e, no digital reproductions of paintings, etc.

On the back of each work, write your name, address, and email address. NO Post-It notes, please.

Mail or drop off your work to:

Night of 1000 Drawings
Artists Space,
38 Greene Street, 3rd Floor
New York, NY 10013.

If dropping off work in person, please do so during regular gallery hours:

Tue, Thu, Fri & Sat 12-6pm
Wed 12-8pm

Drawings will be accepted from now through Saturday, November 22. If a drawing is mailed in, it must be received at Artists Space by this date to be included; this is NOT the postmark date.

For the return of unsold work, Include a self-addressed, stamped envelope.  Please be sure the envelope is of adequate size and has the proper postage.

IF YOU DO NOT INCLUDE A SELF-ADDRESSED, STAMPED ENVELOPE AND THE WORK DOES NOT SELL, IT WILL NOT BE RETURNED TO YOU.

You will receive a thank you letter and notification of sale by March, 2009.

Go here for a list of FAQ and more information.  Good luck!

[Image: Jay Henderson, Untitled, 2008, ink on paper, 11 x 8.5 inches.]

From the Inbox: “Dangers of Debt” Cartoon Contest

Timothy Marvin, a grassroots organizer with the Consumers Union passed along this contest opportunity…

The Consumers Union “Dangers of Debt” Cartoon Contest site is live now! Anyone 18-25 can go upload their submissions. The deadline to submit is November 3rd. The grand prize winner gets $1,000 and whatever exposure is provided through our campaign and media outreach.

Our panel of celebrity judges is made up of:

Tom Gammill is a TV writer whose credits include Saturday Night Live, Late Night with David Letterman, Seinfeld and Monk.  He’s been a consulting producer at The Simpsons since 1998.
He also has a comic strip that runs weekly in the Pasadena Independent and other small weekly newspapers.

Jen Sorenson is the creator of the award-winning alternative political comic strip Slowpoke.

Lalo Alcaraz is a Mexican-American cartoonist and multimedia humorist now best known for his daily syndicated comic strip La Cucaracha.

Please check out the website and cartoons. Online voting to select the finalists begins November 6th.

Check out the official rules here and the official homepage for the contest here.

Design a bumper sticker, rock the vote…

Good Magazine recently posted this cool opportunity.  It combines activism AND creativity!  Here are the official details:

The bumper sticker is one of the most ubiquitous and pithy forms of political expression. For the 2006 midterm elections we asked you to create an original bumper sticker on the subject of voting. Your submissions blew us away. So we’re bringing Project 001 back for the 2008 presidential election. You’re invited to get involved. Guidelines and submissions below.

We’ve updated the original Project 001 text below, and we’ll add new submissions to those from the Project’s original 2006 run.

the OBJECTIVE
To get people to vote (or at least think about it)

the ASSIGNMENT
Create a bumper sticker

the PARAMETERS
3 x 9 inches, full color

the REQUIREMENTS
The word “vote” must appear on your bumper sticker. As long as that word is included, everything else is up to you.

the DIRECTIONS
Please email your art in JPEG, PDF, or Adobe Illustrator format to project001@goodinc.com, with the subject heading: ‘PROJECT No. 1.’ Make sure to include your name as you would like it to appear in the credits. We will feature submissions here until Election Day 2008.

ABOUT THIS PROJECT:
This is the first in a series of what we call GOOD Projects, in which we challenge GOOD readers to come up with an idea and share it with the world.

There’s a grand tradition of posters being created and posted in the streets to support political causes, movements, and candidates. Unfortunately, with everyone hanging out at the mall or watching TV these days, there aren’t a lot of opportunities left to communicate through posters in the public square (except for advertising, but that’s a whole other thing.

But there’s another tradition of free expression that is still alive: the humble bumper sticker. From my child is an honor student to support our troops, Americans have been using their cars to get messages out for a long time. And if you’ve ever been stuck in traffic, you’ve had time to contemplate quite a few messages being broadcast from the suv in front of you.

This project is simple: a bumper sticker. The message is simpler: vote. Actually, you can take some liberties with the message (as designer James Victore has done, above), as long as you include the word “vote.” Just to keep things fair, we’ve set a rule on how big the sticker should be: 3 by 9 inches.

Use whatever tools you want to make your artwork. Contributions will be viewable on-and downloadable from-this page, so anyone can print out a sticker to put on his or her car. If everything works out, somebody will see that sticker and think twice about voting the next time the midterm elections roll around.

We’ll post submissions until November 4, 2008.

You can see some of the other submissions from this year and from 2006 at the official website.

Repost and Reminder: Beasts! in Movies Competition

Jitter-Magazine has announced an international illustration competition: Beasts! in Movies.  Here are the details they passed along to us:

Jitter is the only German magazine focusing on illustration, comic art, and animation. Each issue covers a key issue like “drawing”, “music”, “laughter”, “fashion”–the forthcoming issue (October) covers “beasts”. In our categories interview, artist portrait, art show, image+narration, we present illustrators and designers, talk with art directors, publishers, university lecturers, gallery owners; we review comics, dvd, books on illustration, design, animation and fine art and related theory.

The main purpose of jitter is not only to show great artwork and artists but to have a close look at their context. We look on contemporary and historic illustration in regard to philosophy, psychology of perception, semiotics, media theory and art history. We believe that picture making is deeply rooted in mankind and not a thing of modernity or luxury.

Beasts! in Movies Competition
Entry of this competition is free.

Deadline is September 30th, 2008.

Beasts! What would man be without the creature? Whether admiration or contempt, emotion or horror, the ambivalent relationship between man and creature has been the source of countless stories of all cultures.

Seeing himself as creation’s crowning glory, man keeps his distance to nature only to use it as screen for all kinds of desires and fears. Over and over again this has been the reason for movies; whether they aim for a romantic view of a primordial lost world, used at the same time as a metaphor for the innocent of childhood or they aim for the darkest nightmares of an unnameable evil hidden in any unknown terrain — even in our own basement. The fascination of the creature is a never ending source.

All professional illustrators and students of art programs are eligible to enter. Work must be dated after August 2007 and should have beasts who appeared in movies as a theme. These beasts can be real, fantastic, harmless or menacing. The manner of the beast’s demeanor, its appearance alone, in pairs or in masses, as well as the staging of the encounter between human and beast are interesting starting points.

Work must have the size relations 1:2,35 (cinemascope) and be submitted in digital format. Work will be evaluated through a professional jury. All selected work will be showcased in Berlin in an exhibition at a cinema of the Yorck cinema-group. Faber-Castell and Adobe have kindly made available prizes amounting to Euro 3300.

We are especially happy to have a distinguished panel of judges including Armin Abmeier, Publisher (Die Tollen Hefte), GER; Andrew Coningsby, Representative (DebutArt Ltd & The Coningsby Gallery), London GB; Dr. Rolf Giesen, Deutsche Kinemathek Berlin, expert for phantastic film, GER; Steven Guarnaccia, Parsons New School for Design, New York USA; Andrea Offermann, Illustrator, GER; Prof. Albrecht Rissler, Illustrator, GER; Sabine Witkowski,Curator and Cultural Manager, H. Torsten Wolber, Illustrator, GER.

Download an entry form here!  Good luck.

Submit your work to The Best American Comics!

What is The Best American Comics?
It’s an annual anthology of the best comics short stories and (excerpts of) graphic novels by North American authors each year, published by Houghton Mifflin. It is part of the prestigious Best American series, which also includes The Best American Short Stories, Essays, Non-Required Reading, and so on.

Eligibility
The author must be North American (i.e. from Canada, United States, or Mexico). Work published between September 1, 2007 and August 31, 2008 is eligible for the 2009 volume. The 2010 volume will cover work published from 9/1/08 * 8/31/09, and so on. Individual issues, collections, original graphic novels, and self-published comics (including mini-comics) are eligible for consideration. We must see your comics in order to consider them! Please send one copy of each book you publish to us at the address on the left. Please clearly label each book submitted with contact information and date of publication. Comics published on-line must be submitted in the form of print-outs.

How does it work?
The series editors (that’s us) are responsible for collecting, reviewing, and selecting semi-finalists from all comics published by North American authors in a given year. Each year the editorial team (ourselves and Houghton Mifflin in-house editor Anjali Singh) select an established comics author to act as guest editor. The guest editor is responsible for choosing among the semi-finalists (and adding to the list if he or she sees fit) to create the list of works for inclusion in the book. If your work is on the final list, you will be contacted by us in October or November for permission.

Send Us Your Comics!
We hope you will put the Best American Comics on your finished book mailing list and automatically send in anything that might be eligible. Keep in mind that even if you miss one year’s deadline a book will be eligible for the following year’s volume.

Note that the publishing deadline for the 2009 volume is coming up at the end of this month.  We will only accept books for this volume until mid-September so send your books in sooner rather than later!

Please send your books to us at the address below. If you have questions don’t hesitate to e-mail us at either jabel@jessicaabel.com or matt@mattmadden.com.

Mail all your eligible comics to:
Jessica Abel & Matt Madden
Series Editors
The Best American Comics
Houghton Mifflin
215 Park Avenue South
New York, NY 10003

Good luck!

“Beasts! in Movies” Competition

Jitter-Magazine has announced an international illustration competition Beasts! in Movies.  Here are the details they passed along to us:

Jitter is the only German magazine focusing on illustration, comic art, and animation. Each issue covers a key issue like “drawing”, “music”, “laughter”, “fashion”–the forthcoming issue (October) covers “beasts”. In our categories interview, artist portrait, art show, image+narration, we present illustrators and designers, talk with art directors, publishers, university lecturers, gallery owners; we review comics, dvd, books on illustration, design, animation and fine art and related theory.

The main purpose of jitter is not only to show great artwork and artists but to have a close look at their context. We look on contemporary and historic illustration in regard to philosophy, psychology of perception, semiotics, media theory and art history. We believe that picture making is deeply rooted in mankind and not a thing of modernity or luxury.

Beasts! in Movies Competition
Entry of this competition is free.
Deadline is September 30th, 2008.

Beasts! What would man be without the creature? Whether admiration or contempt, emotion or horror, the ambivalent relationship between man and creature has been the source of countless stories of all cultures.
Seeing himself as creation’s crowning glory, man keeps his distance to nature only to use it as screen for all kinds of desires and fears. Over and over again this has been the reason for movies; whether they aim for
a romantic view of a primordial lost world, used at the same time as a metaphor for the innocent of childhood or they aim for the darkest nightmares of an unnameable evil hidden in any unknown terrain — even in our own basement. The fascination of the creature is a never ending source.

All professional illustrators and students of art programs are eligible to enter. Work must be dated after August 2007 and should have beasts who appeared in movies as a theme. These beasts can be real, fantastic, harmless or menacing. The manner of the beast’s demeanor, its appearance alone, in pairs or in masses, as well as the staging of the encounter between human and beast are interesting starting points.

Work must have the size relations 1:2,35 (cinemascope) and be submitted in digital format. Work will be
evaluated through a professional jury. All selected work will be showcased in Berlin in an exhibition at a cinema of the Yorck cinema-group. Faber-Castell and Adobe have kindly made available prizes amounting to Euro 3300.

We are especially happy to have a distinguished panel of judges including Armin Abmeier, Publisher (Die Tollen Hefte), GER; Andrew Coningsby, Representative (DebutArt Ltd & The Coningsby Gallery), London GB; Dr. Rolf Giesen, Deutsche Kinemathek Berlin, expert for phantastic film, GER; Steven Guarnaccia, Parsons New School for Design, New York USA; Andrea Offermann, Illustrator, GER; Prof. Albrecht Rissler, Illustrator, GER; Sabine Witkowski,Curator and Cultural Manager, H. Torsten Wolber, Illustrator, GER.

Download an entry form here!  Good luck.

Repost and Reminder: Wallpaper design for Sheila Johnson Design Center

Please take this opportunity to review the following exhibition opportunity, which is perfect for any student in our department and only requires you to submit images of your best work that you have already completed and a short written piece.  (details below:)

In Spring 2008 a group of Parsons faculty, staff and students were selected by the Dean’s Office and Student Senate to form a committee in charge of curating the student wallpaper spaces in the Sheila Johnson Design Center.  These three locations are currently covered with student work that will be rotated for Fall 2008.  Below is the  interim process to receive and select new work for consideration for the NorthEast corner location.

CALL FOR SUBMISSIONS
Due July 10th to FalerG01@newschool.edu

We are looking for submissions from students or recent graduates that:

1. Were completed in any class at Parsons (individual or group-based) through Summer 2008

2. Consider the core values as stated in the paragraphs included below.

3. Consider how the wallpaper in these highly visible public spaces can reflect our community.

4. Consider the scale of the architecture.

5. Engage with a social or critical thematic.

Each student can submit up to three images and statements.  Please email your low resolution jpeg or pdf to George Falero at FalerG01@newschool.edu as well as a 100-word statement describing each submission and how it reflects Parsons’ mission statement below.

MISSION STATEMENT: WHY PARSONS THE NEW SCHOOL FOR DESIGN?
A forerunner in art and design education for over a century

Parsons prepares students to be independent thinkers who creatively and critically address the complex human conditions of 21st century culture. We are committed to creating a diverse learning environment for developing self-reflective practices through studio-based research and critical scholarship in order to make meaningful and sustainable contributions to contemporary global societies. Situated within The New School, Parsons builds on the University’s legacy of progressive ideals, scholarship, and educational methods.  Our faculty challenges convention through a setting and philosophy that encourages formal experimentation, nurtures alternative world-views, and cultivates forward-thinking leaders and creative professionals across multiple fields in a world increasingly influenced by art and design.

PARSONS CORE VALUES
A shared commitment to:

*the urban – understanding New York City and other urban areas as sites where, through engaged research and creative practices, we can work with inhabitants to co-create and co-design, reflecting the urgent needs and possibilities of 21st Century art and design and beyond;

*sustainability – addressing the need to work for both human and environmental sustainability through understanding and designing systems that allow for or produce longevity and renewal;

*diversity – being an institutional leader by working to recruit and retain individuals and communities who have been historically under-represented in art and design schools and the professional fields they help to create. We also recognize our responsibility to consider how all people are impacted by and interact with the goods, systems, and spaces we design;

*the global – nurturing a more nuanced understanding of political and social economies, global dynamics of exchange and production, and historical specificities in order to prepare students to work creatively and ethically in a changing world;

*art/design as an agent for social change – challenging all members of the Parsons community to understand our work in relationship to its social and political possibilities, embodying the legacy of The New School.

The committee will meet to review all submissions and make selections according to the criteria listed above.  Decisions will be announced by August 1st.

Good luck!

Quick Hit: Art at the Fireside Cocktail Cuisine

Fireside Cocktail Cuisine is an elegant restaurant located in the Omni Berkshire Hotel on East 52nd Street. World travelers and locals alike love Fireside for the innovative cocktail cuisine and wonderful ambiance. The design is simultaneously warm and edgy, and enclosed glass cases throughout the restaurant are ideal for incredible artwork. In addition to a large main fireplace, there are 2 hanging boxes (18” x 48”) and 3 window boxes (13” x 36”).

We are open to students’ creativity and vision, and welcome any appropriate interpretations of a “New York” theme. All artists will be credited in the restaurant and their work will be for sale at the end of the exhibition. Students have the rare opportunity to display their work in a well-known hotel and highly acclaimed restaurant.

If interested, please contact Camilla Warner at JS2 Communications via email at cwarner@js2comm.com.