Category Archives: Inspiration
R. Crumb Retrospective at the Society of Illustrators
R. Crumb Retrospective – NYC 2011
Friday, March 25, 2011 – 7:00pm-10:00pm
Society of Illustrators, 128 E. 63rd St., NYC
The Society of Illustrators proudly presents “R. Crumb: Lines Drawn on Paper,” an exhibition of original artwork spanning the past four decades.
This 90-piece exhibit showcases seminal covers and interior pages from ZAP, HEAD COMIX, THE EAST VILLAGE OTHER, MOTOR CITY COMICS, BIG ASS, HOMEGROWN FUNNIES, SAN FRANCISCO COMICS, and much, much more.
This retrospective, curated by BLAB! magazine founder Monte Beauchamp, editor of The Life & Times of R. Crumb (St. Martin’s Press), presents key pieces culled from the private art collection of Eric Sack, with contributions from John Lautemann, Paul Morris, and David Zwirner.
Both R. Crumb and Aline Kominsky-Crumb will be attending the show.
R. Sikoryak: Sponge Bob and Mitterand!
Parsons Illustration Alum and Adjunct Faculty Member R. Sikoryak is full of news these days! First off: he’ll be drawing a one page Pirate cartoon for each issue of the new bimonthly series, “SpongeBob Comics.” The first issue is out now, and it features “The Pirates’ Code o’ Comics Collectin’.” See above for a peek at his work! You can find more info about the book here.
Secondly, during Bob’s visit to the Angouleme Comics Festival, he met Frédéric Mitterrand, the French Minister of Culture and Communication (and nephew of François Mitterrand), at the museum’s Parodies Exhibit. A number of Bob’s original pages of art are also in the gallery! Check it out:
You can see more pix from the exhibition here.
Congrats all the amazing stuff, Bob!
Maira Kalman exhibition at the Jewish Museum
The Jewish Museum presents:
Maira Kalman: Various Illuminations (of a Crazy World)
March 11, 2011 – July 31, 2011
Working as an illustrator, author, and designer, Kalman illuminates contemporary life with a profound sense of joy and a unique sense of humor. This exhibition features a selection of original works on paper that span thirty years of illustration for publication. Also on view are less widely seen works in photography, embroidery, textiles, and performance. As a context for this survey, Kalman has created a special installation by furnishing the gallery with chairs, ladders, and “many tables of many things”—drawn from her collections.
The exhibition opens this Friday. You can see more information about the exhibition and events schedule here.
Will Eisner’s New York at MoCCA
The Museum of Comic and Cartoon Art – MoCCA – is proud to announce Will Eisner’s New York: From the Spirit to the Modern Graphic Novel, an exhibit showcasing work of the comics and graphic novel master that was inspired by, and which spotlighted, his hometown, the city he always held closest to his heart: New York. The exhibition will run from March 1st-June 30, 2011. It is curated by Denis Kitchen and Danny Fingeroth.
From the Golden Age of Comics through the creation of the modern graphic novel (a form he was instrumental in popularizing), you will find New York City at the heart of Will Eisner’s work. Whether thinly disguised as “Central City” in the pages of his legendary creation, The Spirit, or more directly presented in his autobiographical graphic novels, New York was portrayed by Eisner as only a native of the city could know it.
This exhibition spotlights the city as reflected in all eras of Eisner’s work. It includes Spirit artwork, art from many of his classic graphic novels, including A Contract with God and To the Heart of the Storm, and original paintings by Eisner, as well as art by significant creators who were influenced by him, including Peter Kuper, Art Spiegelman, and Harvey Kurtzman.
Historical context for the over 100 pieces in the exhibit will be provided by wall text by the curators, as well as by a continually running slide show that traces the evolution of Eisner’s work. Also on continuous view will be Jon and Andrew Cooke’s award-winning 2007 documentary, Will Eisner: Portrait of a Sequential Artist.
Like the legendary metropolis itself, there are infinite perspectives from which to look at and appreciate Eisner’s work. Will Eisner’s New York: From the Spirit to the Modern Graphic Novel provides surprising insights and moving revelations about the artist, his work, and his city.
ABOUT WILL EISNER:
Born in 1917, Will Eisner was raised in the tenement Bronx of the Great Depression. He was a pioneer in the creation of comics of the “golden age” of the 1930s and ’40s, achieving immortality with his noir crime fighting superhero, THE SPIRIT, the first character to star in a comics insert distributed in newspapers. At one time or another, just about every comics great of his own and succeeding generations worked with and for Eisner, including JULES FEIFFER, WALLACE WOOD, JACK KIRBY, AL JAFFEE, and MIKE PLOOG. When the Spirit ceased publication in 1952, Eisner devoted himself to producing educational and instructional comics. Then, in 1978, Eisner reinvented himself—and the medium—with his graphic novel A CONTRACT WITH GOD, the first of a series of works focused, for the most part—with a compassionate yet unsentimental lens—on early 20th century Jewish life in America. Other notable graphic novels included To The Heart of the Storm, A Life Force, and The Name of the Game. At the time of his 2005 death, Eisner was working on THE PLOT, a comics-form refutation of the resurgent Protocols of the Elders of Zion, which was released posthumously.
ABOUT THE CURATORS:
DENIS KITCHEN: As one of the original underground cartoonists, he founded Kitchen Sink Press in 1969 and for thirty years published the work of numerous leading artists, including Will Eisner. In 1986 he founded and for eighteen years oversaw the Comic Book Legal Defense Fund, the non-profit dedicated to defending First Amendment rights. After the demise of Kitchen Sink in 1999, he became a partner in Kitchen & Hansen Agency, then Kitchen, Lind & Associates, each representing prominent comics creators. His Denis Kitchen Art Agency handles original art sales for clients including the Eisner estate. As a writer and comics historian he has produced numerous books, including the award-winning Art of Harvey Kurtzman and Underground Classics for Abrams/ComicArts. Coming full circle as an artist, Dark Horse recently published The Oddly Compelling Art of Denis Kitchen and his Chipboard Sketchbook is just out from Boom Town.
DANNY FINGEROTH is MoCCA’s Sr. VP for Education. He was a longtime editor and writer for Marvel Comics. Fingeroth has written books about comics including Disguised as Clark Kent: Jews, Comics and the Creation of the Superhero (Continuum) and The Rough Guide to Graphic Novels (DK Publishing). For his TwoMorrows-published Write Now magazine, Fingeroth interviewed Will Eisner, in depth, in 2003. The interview has been reprinted in The Best of Write Now. Fingeroth has spoken about Eisner and his career at Columbia University and other venues. His upcoming book, The Stan Lee Universe, co-edited with Roy Thomas, will be published by TwoMorrows later in 2011. Danny’s MoCCA course, “How to Write Comics and Graphic Novels,” starts May 2nd, and he will be teaching comics writing this June in Milan, Italy, at the MiMaster Open Workshop.
The Museum of Comic and Cartoon Art is located at:
594 Broadway, Suite 401 (between Houston and Prince), New York, NY 10012
The Museum of Comic and Cartoon Art – MoCCA is a 501(c)(3) nonprofit arts education organization dedicated to the preservation, study and display of all forms of comic and cartoon art. The museum promotes greater understanding and appreciation of the artistic, cultural and historical significance of comic and cartoon art through a variety of events, exhibitions, and educational programs.
For more information about MoCCA, please visit www.moccany.org
MoCCA is open to the public Tuesdays through Sundays from 12:00-5:00 pm.
Suggested donation to the museum is $5 but free for MoCCA Members as well as for children 12 and under (when accompanied by a paying adult).
Zack Zezima on death and zines
An email from recent Illustration graduate, Zack Zezima:
I just finished up making a zine called “Theories in Death and Nature”…It’s about death (morbid, I know) and 7 of the many religious/spiritual beliefs around it.
You can grab your own copy of the zine online via Etsy or in person at Desert Island in Brooklyn.
Go Zack go!
Leah Goren designs valentines for Daily Candy
Parsons Illustration student Lean Goren has created some
super sweet downloadable valentines to give to someone special.
Head over to Daily Candy to grab them!
Gabriella Giandelli visits Parsons on Feb. 15th!
Parsons Illustration Alum wins 2011 Caldecott Honor
[youtube=http://www.youtube.com/watch?v=nqB-Jue1oeA]
Parsons Illustration Alum David Ezra Stein has been awarded a 2011 Caldecott Honor for his book, “Interrupting Chicken” (see the trailer above!). Here’s an excerpt from the official press release:
The American Library Association (ALA) announced the top books, video and audiobooks for children and young adults – including the Caldecott, Coretta Scott King, Newbery and Printz awards – at its Midwinter Meeting in San Diego.
Two Caldecott Honor Books were named: “Dave the Potter: Artist, Poet, Slave,” illustrated by Bryan Collier, written by Laban Carrick Hill and published by Little, Brown and Company, a division of Hachette Book Group, Inc.; and “Interrupting Chicken,” written and illustrated by David Ezra Stein and published by Candlewick Press.
Caty Bartholomew interviewed by Groovy Careers
Sophomore Concepts and Toy Design faculty member Caty Bartholomew was recently interviewed by the fine folks over at Groovy Careers. Caty talked about teaching, working as a freelance artist, and how awesome toys are. Here’s a snippet:
You are an artist and a teacher. What’s the grooviest part of your work? What’s the most fun? It’s a great balance. Being an artist is a pretty solitary experience. Teaching is outward and group-oriented.
Illustrating is great. I love making pictures, creating characters and stories, communicating ideas. It’s rewarding to see my image in print, in The New York Times, or some other magazine or newspaper, knowing how many people will come across it.
How did you get into teaching?
I was feeling very fulfilled in my freelance illustration career, when a teaching job kind of fell in my lap. I agreed to do it because I have a knee-jerk response of “yes!” to almost any career opportunity that comes my way. I was truly surprised to discover how creative teaching can be. Art school is a rich and stimulating environment. The student work is inspiring and I often invite guest artists to come in and talk about their work. I also enjoy creating a curriculum and crafting the exercises and assignments to support my teaching goals.
Last year we made people-size marionettes of some of the characters in Pinocchio and dangled them out of the eighth floor window to the street. We had a great time and bystanders seemed to enjoy the show.
Here’s the link to our class blog: toyconceptsparsons.wordpress.com
Make sure you read the rest of her interview here. Stay groovy, Caty!