Chris Mautner interviews Monte Schulz

peanuts

Over at Panels and Pixels, Chris Mautner has posted an enlightening interview with Monte Schultz, the son of legendary comic artist & Peanuts creator Charles Schulz. They discussed the recent release of David Michaelis’ biography about Charles Schulz and the controversy over how the artist was portrayed. Here’s a brief excerpt:

Q: Ok, so let me read to you a little bit of a quote Michaelis gave to me that didn’t make my story. “How could I write a book about a comic strip genius, how could he not be perceived as a complex person? Maybe it’s an overly complex portrait. Maybe it should be simplified. I should have stepped back and let the sun shine in and lighten up a little. That may be an area where the book could have been greater.”

A: Yeah, I think that if he had let dad … this is something we talked about 10 months ago when we first saw the book. If he had just let dad’s life reveal itself, and it’s interesting because David uses this line, “a live reveals.” But he doesn’t do that in this book. He doesn’t allow a life to be revealed. He makes judgements, he interprets, he mythologyzes, he psychoanalizes. David really didn’t have an interest in telling dad’s life story. He had an interest in analyzing dad’s life and that’s different. Because in doing that he becomes very selective with his wiritng. And I think that’s where the error of the book is.

Yeah, he should have simplified this whole thing. You know what he ought to have done, he ought to have taken himself of the book. If David had removed himself and just let dad’s life reveal itself then he could have alowed his readers to make their own interpretations. In fact, David tells you what to think. He is just not content to let the story reveal itself.

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Read the entire text of Chris’s interview here. Other reviews & reactions to the book can be found here & here.

(Image by Charles Schulz, courtesy of United Media)

Ted McGrath, Jillian Tamaki, & Sam Weber visit Illustration

sam weberted mcgrath jillian tamaki

Ted McGrath, Jillian Tamaki, & Sam Weber
10 a.m. on Wednesday, November 28th, 2007
2 W. 13th, Room 311

George Bates’s $ketchbook Warehouse class will play host to a fantastic array of illustrators this upcoming week. Published by the New York Times Op-Ed page, Texas Monthly, Society of Illustrators, Bust, Paste, SEED and a plethora of others, Ted McGrath, Jillian Tamaki, & Sam Weber will be visiting to show their sketchbooks and discuss their work.

All are welcome to attend this unique & exciting event!
(Illustrations by [in order]: Sam Weber, Ted McGrath, and Jillian Tamaki)

From the Vault: Illustration Friday interview with Philip Fivel Nessen

nessen yellow sun

While sifting through the blogroll, I came across this interview from August with recent Illustration alum Philip Fivel Nessen. He talks about the development of his style, his methods of finding work, and what inspires him. Here’s a brief excerpt:

How did you get started in the illustration field?

The first time I noticed illustration was a Henrik Drescher drawing in the New York Times book review. It was an Uncle Sam head, with spider legs, and I think lasers for eyes. It had people running through the spider legs. I think that’s where my interest in visual arts started. I find Monet sort of boring. As for doing work, I got a few jobs just through my website before I started doing any promotion or meeting with anyone. Then I sent out postcards and took my portfolio to a few places and got some good advice and some more jobs. And then I did an Illustration Friday interview.

How did you find your style? Has it changed since you started?

At first it was a very calculated thing. I spent like a month cutting things out and taking notes. Just sort of figuring out where I could fit into the illustration business and be sort of novel but also reflect stuff I really like. I also wanted to sort of look like a late 1950s, early 1960s illustrator. After I started drawing more new stylistic things popped up in response to different things. Thick lines, thin lines, abstract people, figural people. Whatever. Things are still working themselves out. I sort of hope I end up like one of those guys comfortable enough to do work that’s not the same story over and over. There is definitely a fine line between hopeless and multi-dimensional.

Read the rest of the interview here (and make sure you take a look around the rest of the Illustration Friday site for great interviews and image galleries).

(Image by Philip Fivel Nessen)

Illustration Faculty Bob Sikoryak tackles Dostoyevsky

sikoryak batman

Though originally printed in Drawn and Quarterly #3 all the way back in the year 2000, Illustration Faculty Bob Sikoryak’s fantastic interpretation of Dostoyevsky via Batman is making the rounds again on Drawn and Quarterly’s blog and a Very Short List, as well as drawn.ca and Again with the Comics. The comic, along with many others that have been featured in D & Q , will be included in the forthcoming collection of Bob’s work which is scheduled for release in the Spring of 2009.

You can read the entire comic here (or even better, buy the anthology in which it was originally printed) and make sure to keep your eyes open for Bob’s book in the future!

(Image by R. Sikoryak via Drawn and Quarterly)

Illustration Faculty in the new Blab! Magazine

guarnaccia in blab!

Monte Beauchamp’s annual collection of comics, illustrations and graphic design is on the stands and it features two members of the Illustration Department’s finest–our very own chair, Steven Guarnaccia and full-time faculty member, Nora Krug–along with a host of other fantastic illustrators and designers.

From the official press release:

Blab! Vol. 18 delivers like nobody’s business, with a decided focus on the comic arts. Underneath the covers by Ryan Heshka are a slew of all-new comic stories: Mark Zingarelli reveals the “Chick’s Club Taboo”; Euro-comics sensation Paco Alcazar tells a Lynchian superhero tale called “Obedience”; Peter Kuper dishes on the bullies that dogged him as a youth in “Bully for You!”; “Sirens of Silence” is cover artist Heshka’s wordless depiction of a post-global disaster existence; Sue Coe presents the true tale of Coney Island’s “Topsy the Elephant”; underground legend Skip Williamson serves up “Daddy Was a Lady,” a portrait of legendary drag queen Rae Burton; Steven Guarnaccia returns with the story behind the man who created Miniature Golf in “Moe Greene’s Hole in One”; Mark Frauenfelder of boingboing.com fame contributes the comic strip “Juicemaker’s Dream.” This volume introduces amazing new talent to the pages of BLAB!: Travis Louie, Nora Krug, Mark Zingarelli, Travis Lamp and MORE!

krug in blab!

You can see other sample pages from the new issue here, and you can buy the new issue (as well as back issues) from the lovely folks over at Fantagraphics.

Congratulations to Steven and Nora!

News about Illustration Alumni David Horvath & Ugly Dolls

bossy bear bookbossy bear with box

David Horvath, Illustration Department alum and co-creator of Ugly Dolls (with his wife Sun Min Kim, who is also an Illustration alum!), has a new toy out based on the title character from his first picture book, Bossy Bear. Both the book and the toy are available now at Giant Robot and online.

Additionally, the first ever Uglycon will be held this December. Here’s some info from David’s blog:

uglycon

UGLYCON!
Saturday December 8th at 6PM!
GIANT ROBOT
618 Shrader St
San Francisco, CA 94117

COSTUME CONTEST! Dress up as your favorite or least favorite UGLY
and win super secret prizes!

What is Uglycon? It’s original art, prints, paintings, hand made Uglys,
limited production Uglycon exclusives, and fun for all!

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Congratulations to David and Sun Min on their continued success after Parsons!

(all images by David Horvath and Giant Robot)

Daniel Clowes–In the New York Times and on the Simpsons

mr wonderful title

mr. wonderful

For those of you who missed it, the New York Times magazines has been running a new installment of Mr. Wonderful, a comic created by Daniel Clowes (of Eightball fame), every week since mid-September. Luckily, you can access the first strip here and download the rest, as well! The strip runs through mid-January, 2008.

Also, I hope that some of you caught the episode of The Simpsons episode last night that featured not only Dan Clowes , but also Art Spiegelman (Pulitzer-prize winning creator of Maus) and Alan Moore (creator of Watchman–who discusses his appearance on the show here). Great stuff.

For a New York Times slideshow about the language of the graphic novel, go here.

Gagosian mixed media exhibition: Fit to Print

fit to print

Fit to Print
Printed Media in Recent Collage
November 12th-December 22nd, 2007

Gagosian Gallery
New York, NY

Fit to Print exposes the artist’s compulsion to react to the steady stream of information that the print media delivers on a daily basis. The works on view range from meditations on formal composition to personal perspectives on current events.

All works included in this exhibition have been made since January 2000, illuminating the vast extent to which contemporary international artists share an interest in the myriad forms of printed media while working within the traditional definition of collage. A thoroughly modernist invention, the use of collage first appeared in the work of Picasso and Braque and was embraced by the international Dada movement as a mode of political critique. Whether referring to autobiography, disposable pop culture, or actualities of global politics, the artists in this exhibition acknowledge the legacy of past practice by immediately utilizing mass-distributed, readymade print, and incorporating it directly into their work.

Read more information and see additional images here.

Gagosian Gallery
980 Madison Ave.
New York, NY
info@gagosian.com

Rian Hughes @ the ADC November 15th

 

rian hughes

Veer Presents: Rian Hughes Design, Tea and Biscuits
Thursday, November 15, 2007 @ ADC Gallery
106 West 29th Street, NYC
6:30-9:30 PM

Make your way to the Art Directors Club for an evening of genteel design discussion and civilized refreshment with British illustrator, graphic designer, comics artist and typographer Rian Hughes.

For over 20 years, Rian Hughes has been fusing visual design with pop aesthetics. His distinctive panel art revolutionized the British comic industry, and his modernist graphic design and illustration style have been widely copied. Since 1996, Rian has released an astoundingly diverse range of display and text typefaces under the Device Fonts moniker.

Admission: $15.00
RSVP: http://www.veer.com/ideas/rianhughes/

Documentary and Book about Jay Ryan

jay ryan 3   jay ryan 1   jay ryan 2

Here this a short documentary about Chicago-based screenprinter and musician Jay Ryan. Besides being a former member of the band Braid and a current member of the band Dianogah, Jay is well known for his limited-run, hand-printed posters for events and bands. You might recognize his work from Andrew Bird’s recent album, Andrew Bird and the Mysterious Production of Eggs (below) as well as countless gig signs and illustrations.

andrew bird jay ryan

A book about Jay’s work was already recently produced called, 100 Posters, 134 Squirrels: A Decade of Hot Dogs, Large Mammals, and Independent Rock: The Handcrafted Art of Jay Ryan. With writing by legendary producer Steve Albini and an introduction by rock-journalist Greg Kot, the book explores the history of Jay’s art and his process.