Category Archives: Illustration Industry

Guest Entry: Cat Lauigan on the Torino Book Fair

Back in early May, I had the privilege of flying out to Italy to participate in the Torino International Book Fair. Several students along with myself submitted book projects that were collected by the department which were then selected by the well-known Italian art and design publisher, Corraini. In addition to Parsons School of Design, the MFA School of Visual Arts, the Estonian Academy of Arts, the School of Design Hongik University of Seoul and the Instituto Europeo de Design were other art and design institutions that participated in the fair.

Here is a recap of my three day trip…

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“Crocodile Tears” at Giant Robot NY

Crocodile Tears: Small Works of Art by Over 50 Artists
GRNY, July 19 – August 13, 2008
Reception: Saturday, July 19, 6:30 p.m. – 10:00 p.m.

Giant Robot is proud to present Crocodile Tears: Small Works of Art by Over 50 Artists at the GRNY Gallery.

Following up on 2007’s hugely popular Look Behind You and Snack Isle group shows, Crocodile Tears will feature a large assortment small works that measure 5″ x 7″ or smaller. Each of the over 50 artists (editor’s note: featuring Parsons Illustration alums and faculty!) will be contributing two to five pieces in his or her own eclectic style. Mediums will range from painting to stitching to drawing to sculpture.

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Japanese Illustrators in NY Cre8

Straight from the Illustration Inbox…

JAPANESE ILLUSTRATORS IN NY Cre8-Vol. 5
NY Coo Gallery

July 9th-July 26th, 2008
Opening Reception : July 11th, 5:00PM-7:30PM

“JAPANESE ILLUSTRATORS IN NY Cre8-vol.5” is the fifth installment of group exhibition presented by Cre8 (pronounced “create”), the Japanese artist management agency established in 1972. The company, which represents over 300 illustrators, acts as a bridge that spans artists and businesses.

In Japan, illustrations can be found in every printed medium – from advertisement and magazines to newspapers and even textbooks. As a result, there is an abundance of work opportunities for illustrators including freelancers.

Illustrations were originally conceived as ways to literally ‘illustrate’ complex matters, ideas and information to make them easier to understand, or see. With advancement of computer graphics and new creative materials, as well as growing popularity of anime and manga, the importance of illustrations as communication medium has increased dramatically in recent years. Today, illustrations, with a seemingly endless array of available creative possibilities, have become the centerpiece of Japanese media culture.

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Parsons Illustration at Comic-con in San Diego!

Parsons will host a panel at Comic-con in July 2008, featuring Parsons Faculty and alumni in a conversation about how art school, and in particular a Parsons Illustration education, prepares young artists to enter these areas of professional activity. The panel is titled:

“Toys, Comics and Characters: Illustrators as Entertainment Entrepreneurs”
Friday, July 25th, 2008
3:30-4:30 p.m.
Comic-con
International
Room 32AB
San Diego Convention Center
111 W. Harbor Drive
San Diego, CA

Faculty and alumni joining us on the panel include: Tara McPherson (Parsons faculty, Vertigo Comics creator), Abby Denson (Alumna and Lulu Award Winning Cartoonist/Author of Tough Love: High School Confidential), Nora Krug (Parsons faculty, BLAB! contributor and internationally published illustrator) and Brian Wood (Parsons alumnus, iconoclastic indie creator of DMZ among other works).  The event will highlight the Illustration department’s curriculum and career paths our alumni have followed, while offering attendees information on Parsons degree programs.

Following the panel will be an alumni reception hosted by New School Alumni Relations.  Alumni attending Comic-con (or located in Southern California) and industry friends are invited to join Parsons faculty and representatives from Alumni Relations and Career Services for refreshments and conversation.  Details to follow!

Eddie del Rosario work in “Tenderly” show at Sunday

TENDERLY

Featuring: Aaron Baker, Erik Bluhm, Martha Colburn, Carl D’Alvia, Edward del Rosario, Echo Eggebrecht, Brent Green, Kirk Hayes, Asuka Ohsawa, Ruby Osorio, Hills Snyder, Rachell Sumpter & others.

Through July 3, 2008

SUNDAY L.E.S.
237 Eldridge Street, South Storefront
New York, NY USA 10002 

The gallery is pleased to announce the group exhibition Tenderly, which assembles paintings, sculptures, films, and works on paper by twelve artists who use dark humor, animation, simplified forms, and characters to soften some of life’s more dramatic, and often tragic, moments.

Eddie del Rosario’s (Brooklyn, NY) paintings often feature miniature people engaged in full-size power struggles and highlight the absurd games people are willing to play to obtain and preserve power within cultural clashes. Meticulously rendered with almost Renaissance-like glazes, his most recent series of contretemps depict unforeseen disruptive events, for example, a handsome young man pissing on the spring flowers while a fashionable young lady looks on.

ArtCal picked “Tenderly” as a top show and it’s only up for a few more days, so get out there and see it.

Congrats to Eddie!

Gareth Hinds launch party for “The Merchant of Venice”

Straight from the Illustration Inbox, we got this announcement from Alum Gareth Hinds:

Hi, everyone. Most of you aren’t local to Boston, but I wanted to let you know that my new graphic novel The Merchant of Venice came out June 10th. I’m having a launch party on June 21st — more details below. Let me know if you might be around, otherwise keep your eye out for the book in your local bookstore or on www.garethhinds.com 🙂

Saturday June 21st, 6:30-9:00 pm (I’ll do some sort of reading/demo/speech around 7:00-7:30) Porter Square Books (in the Porter Square shopping plaza next to Star Market – map) Open to the public; please bring friends!

There will be snacks, wine, and non-alcoholic beverages. There may be a late-dinner expedition afterward. There should be plenty of books on hand, which the friendly staff of the store will sell you, and I will happily sign and personalize.

This particular book was drawn largely from life, and most of the “cast” (i.e., my friends who posed for the characters) will be there, which should be a lot of fun.

RSVPs are not necessary, but would be much appreciated.

One other thing, as long as I’m self-promoting. I have an official blog now, so if you’d like to keep up with my doings, check http://www.garethhinds.com/blog/ (or if you’re on Livejournal, the username “garethhinds” will get you a feed of the same content).

Thanks!
Gareth

If you’re in the Boston area, make sure you stop by and support Gareth on his fantastic new work!

From the Vault: Cartoons for Peace–The Global Art of Satire


Nora Krug (Associate Professor in Illustration) passed along this interesting article about revolutionary international cartoons and animations. Here’s a snippet:

In the fabled ‘60s, Japanese students joined the Revolution, rejected the career-track production-line model of education, hit the streets, shut down the national universities. (Many were inspired by manga). Some set about creating their own idealized institution, based on academic and intellectual freedom, autonomy, internationalism: Kyoto Seika University opened in 1968. (Seika may be translated as something like “quintessence”). Yoshitomi signed on. In 1972, after a grueling series of faculty meetings, he finally gained approval (Seika emphasized democratic debate) for setting up a Cartoon Department. Every day of the next academic year, he invited mass media in, to build the department’s profile and challenge his students’ motivation.

The Kyoto International Cartoon Exhibition, which Yoshitomi-sensei founded
(or commenced conducting) in 1996, exposes Seika students every two years to role models from all over the world, and gives them a wider perspective on the role of cartooning (the 2000 show debuted in the UN headquarters in New York). It creates a priceless accumulation of teaching material, since all submissions remain in the department. And it educates the Japanese general public, revealing that cartoons thrive worldwide as a vital form of expression (serving to “ridicule, inform, and entertain”), and demonstrating beyond all doubt that cartooning is indeed a fine art.

Read the whole write-up here.

Thanks, Nora!