All posts by amt

Liz Lomax gives lecture at Society of Illustrators

We just got this email from Illustration Alum Liz Lomax:

I wanted to let you know about a lecture I am giving at the Society of Illustrators at the end of this month. I’ll be talking about how I got started as a 3D Illustrator ten years ago and how I’ve turned some wire, tinfoil and Sculpey into a career. I’d love to see you there if you can make it.

Liz Lomax, a three dimensional illustrator in New York, is widely recognized as one of the leading figures in her field. She illustrates using a unique process she developed herself over ten years as a professional. Her work has won awards and appeared in many annuals and books on illustration. Her clients include some of the best names in advertising and magazines.

April 30 at 6:30 pm
“An Evening With Liz Lomax”
$10 ($6 for students)

The Society of Illustrators
128 East 63rd Street (between Park and Lexington Avenues)
New York, NY 10065

Book Signing for Leah Hayes’ new book tomorrow!

WHAT: Book signing for Parsons Illustration Alum Leah Hayes‘ new graphic novel Funeral of The Heart.

WHERE: Spoonbill & Sugartown
218 Bedford Ave.
Brooklyn, NY 11211
718.387.7322

WHEN: Thursday, April 24, 7PM

Funeral of the Heart is Leah Hayes’ stylistic tour-de-force and graphic novel debut, featuring a series of short stories by Hayes and illustrated entirely using the otherworldly medium of scratchboard. Hayes creates a world of unease and ambiguity populated by obsessive characters, forlorn animals, and mysterious, inanimate objects; odd occurrences, unnerving deaths and unconventional but genuine love bind these characters and their stories together. In “The Bathroom,” a middle-aged couple discover a mysterious tunnel in their pool house after a neighbor’s child accidentally drowns in their pool — leading to an immaculate bathroom and another drowning. In “The Needle,” two sisters suffer the death of their grandmother as well as her possible resurrection at the hands of the woman with the needle.

The stories are hand lettered and juxtaposed against stark, highly stylized, graphically powerful, black and white images. Stories with titles like “The Bathroom,” “The Needle,” and “The Hair” may sound innocuous, but they aren’t fables that should be read to one’s children — unless your children enjoy being made uneasy by beautiful things.

Come out and support Leah, but if you can’t make it, the grab your copy of Funeral of the Heart over at Fantagraphics.

Quick Hit: The New Yorker’s Naked Campaign

Over the past couple of months, The New Yorker has been posting video shorts of the fantastic illustrator Steve Brodner, drawing and discussing the Presidential campaign, its candidates, and the social dynamics surrounding this historic race for the White House. Here’s one installment, but make sure to visit the Naked Campaign YouTube channel to see all of them.

[youtube=http://www.youtube.com/watch?v=jVQRQRtZN_c&hl=en]

Quick Hit: The Illustrated Letter show at NY Times

The Illustrated Letter:
Four Decades of Letters to the Editor Spots

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Thursday, April 24, 2008
7:00-9:00 PM

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The New York Times
620 8th Avenue, 7th Floor

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RSVP Required to
galleryseven@nytimes.com

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“Lots of Things Like This” at apexart (curated by Dave Eggers)

A great exhibition–Lots of Things Like This–organized by Dave Eggers and currently on view at apexart through May 10th, features a huge range of exceptional artists. Here’s an excerpt from an Eggers-penned essay discussing the show’s concept:

This show, titled Lots of Things Like This, came about when apexart asked for an idea for a show. The first thought that occurred to us was an exhibit that would highlight work that included these three elements:

1. An image
2. Some words (usually referring to the image)
3. A sense of humor

The show never got much more complicated than that. We started with the artists we knew we had to include: Raymond Pettibon, Tucker Nichols, Maira Kalman and David Shrigley. All four of them had found a place in the fine art world, even though in many cases their work was both narrative and funny, a combination that’s historically been rare in galleries and museums. For the most part, artists who use text in their work don’t write punchlines – the text is usually abstract or oblique, open to interpretation. But the rise of comics-based art, and of Pettibon in particular, had opened the doors to new hybrids of words and images, thank god.

In any case, being loathe to draw conclusions about the artists’ motivations or methods, because, again, so many of these people are dead, we’re instead going to list some questions that occurred to us and might occur to you and might help the show blow your mind completely:

Why is it that so many of these artists aren’t so great at spelling? And why is it that when they screw up one of their words, instead of starting over, they just cross the word out and write it again? Many people would choose to start over.

Why is it important to many of the artists that the drawings appear casual, even rushed? Is the loose draftsmanship part of its appeal, in that it seems more intimate and disarming? Is absurdity more appealing when it comes across as humble?

What is the line between a doodle, a cartoon, a gag, a work of fine art, and will there ever be a time when someone doesn’t insist on writing a similar kind of silly and rhetorical sentence in an art catalog?

Read the whole essay here and make sure to catch this unique show before it comes down.

Lots of Things Like This
organized by Dave Eggers

April 2 – May 10, 2008

291 Church Street
(between Walker and White)
New York, NY 10013 USA

Tote Bag Exhibition in Beacon

Illustration Adjunct Dan Weise runs Open Space gallery in Beacon, NY (just a short trip north of the city) and he has an exciting new show up that features another Parsons faculty–Jordin Isip.  Here’s the official description:

The average family brings home 1,000 plastic bags every year. It is time for us to switch from a disposable society to one which reduces, reuses and recycles. This show will help spread the message that we care about our planet and do not want to just consume until there is nothing left. We are certain that we will all make a difference. The proceeds from the sales of the show will go to the Hudson River Sloop Clearwater, a New York based organization committed to enviromental advocacy and education.

Tons of fantastic artists are involved in this show and it benefits a good cause so hop on the Metro North line and go visit!

TOTE / BAG
April 12th
– May 3rd
Open Space Beacon
510 Main Street
Beacon NY 12508

R. Sikoryak in 3D Comic Carousel at Comic Con!

NICK MAG PRESENTS 3-D COMIC CAROUSEL

Sunday, April 20
3 PM – 4 PM

At the New York Comic Con
Jacob K. Javits Center (655 West 34th Street)
Location:  Kids Room 1E09

A series of cartoon slide shows of comics from Nickelodeon Magazine,  
presented by an array of artists and other characters.

Plenty of gags, goofiness, audience participation and 3-D action!  
Definitely for kids and alternative-comics-loving adults.

Free 3-D glasses and magazines!

Speaker(s):
Chris Duffy – Magazine Editor – Nickelodeon
Dave Roman – Magazine Editor – Nickelodeon
R. Sikoryak (Drawn and Quarterly, Parsons Illustration Alum & Adjunct Faculty)
Sam Henderson (Magic Whistle)
Kim Deitch (Alias the Cat)
Michael Kupperman (Tales Designed To Thrizzle)

Assisted by Karen Sneider (Pony Up!)
Adapted for 3-D projection by Gerald Marks

For more info and tickets:
www.nycomiccon.com

Children 12 and under are admitted for free on Kids Day!

Also make sure to check out the Facebook event page for full details (add Parsons Illustration as a friend while you’re there!), as well as R. Sikoryak’s website for more of his great artwork.

 

[image by R. Sikoryak]

AJ Fosik in Illustration Play

Illustration Alum AJ Fosik has an entire section devoted to his work in Illustration Play, edited by the innovative group over at Victionary. Here’s the official press release description:

Getting more boredom from the computer-dominated design world, we always crave for new ways and trends of illustration. Appealing to the curious in all of us, our latest released title Illustration • Play will give you an insight into that! The title reveals the very different signature skills and unique styles of various illustration techniques and experiments, such as paper cutting, stitchery, hand knit, fabric piecing, origami, patchwork, etc. With exclusive interviews, lets’ spread the pages and understand more about diverse yet distinct perspective of each featured artists in a total number of 23 from around the globe!

Pick up your copy of Illustration Play here and read more about AJ in this great article from Swindle Magazine!

Quick Hit: Animations/Fictions show in Bucharest

Artists: Boris Achour, Pierre Bismuth, Wim Delvoye, Gerard Deschamps, Erro, Pierre Huyghe, Bernard Joisten, Pierre Joseph, William Kentridge, Koo Jeong-A, Suzanne Lafont, Bertrand Lavier, François Letaillieur, Mac Adams, David Mach, Petra Mrzyk & Jean François Moriceau, Raymond Pettibon, Alain Sechas, Jim Shaw, Sandy Skoglund, Fabien Verschaere, Wang Du

On display on MNAC Animations / Fictions presents a curatorial research within the Fonds National d’Art Contemporain in Paris spotlighting different ways in which comic strips and cartoons have been used by international contemporary artists. Cartoons and comic strips have appeared in citational form initially in the Pop Art before becoming, at a later stage (from the 1990s onwards) and in a context removed from animation, an explicit source of inspiration.

The featured artists express highly sophisticated concepts in an easily understandable language. Borrowing childhood iconography or creating images referring ironically to Disney, Hannah&Barbera or mangas, beyond their connotations of an all-pervasive subculture, mass culture and media in today’s globalized world, the chosen works act as powerful vectors for sometimes dramatic events. They reveal an adult awareness of the gravity of the present day through a child’s wide-eyed gaze. Very different in their form and message, they also highlight how contemporary figuration draws on its close ties with the various genres of the popular culture, switching towards a different area.

Emphasizing the feedback reality-fiction, focusing on social, political and psychological issues, the works presented become the re-looked reflection of an aggressive reality difficult to endure.

A new Cahiers du Fonds National d’Art Contemporain dedicated to the exhibition will be published.

See more images from the show here!