Tag Archives: parsons illustration alumni

JibJab’s success continues!

Illustration Alum Evan Spiridellis passed along this exciting news about the success of JibJab, a site he co-created with his brother, Gregg.

Four years ago we launched ‘This Land’ which, after almost 5 years of hard work, brought us overnight recognition.  Last night we had the honor of world premiering our 2008 election parody on the Tonight Show with Jay Leno!  That was our 12th premiere on the show in the past 4 years and after the west coast airing of the show the video went live on our newly remodeled website.  We have been working hard for the past 9 months redesigning and rebuilding JibJab.com to better reflect who we are as a studio and a company and I couldn’t be happier with the results.

A final bit of news is that the new video contains a Starring You!® component which enables you to cast yourself, friend or family member in the grand finale.  Since we launched Starring You! less than a year ago our audience has created over 12 MILLION heads (which is larger than the population of our home state, New Jersey!)

So, if you have a few minutes please swing by http://jibjab.com and, if you like what we’ve created, share it with your friends.  Or better yet put your friends IN it and then share it!

Bonus:  Here’s a short video about JibJab’s creation.

[vodpod id=ExternalVideo.646157&w=425&h=350&fv=]

Way to go Evan and Gregg–keep up the exciting work!

Angie Mason’s solo show in Atlanta

Murky Menagerie
[Paintings of a Morose & Unsociable Nature]
A solo exhibition featuring new works by Angie Mason
Opening on September 13th, 2008.

Parsons Illustration Alum Angie Mason has an exhibition of works opening up at the Rabbit-Hole Gallery tomorrow.  Here’s the official press release:

You know in life those tragic moments that are so full of comedy, misguided attempts gone awry, good intentions with terrible outcomes. You know that feeling, the awareness of something being unhealthy yet ingesting it anyhow with disregard for any later consequences. This is a taste of some of what you will find within this collection of works. It is a flawed carnival of creatures that are misplaced, displaced and confused within these painted worlds.

These are Moments that rise up from the darkness in life which we can all at some time or another relate to. These are the rock bottom babies born out of wrong doings and hard times. These are vicious poison snake biters we all battle in life. These are the poison mushroom fungi that grow on us as the blown out wishes from weeds entangle our lives. Rising from the murk a swamp queen dream all full of fungus yet she uses the poison, the illness in life to gain strength to keep on living. These are the golden carrot dreamers that hung for too long. These are the caged moon catchers trying to control things beyond their control. These are the self poisoned bloated beasties, These are the lost,the used and the jealous moody bruised tired souls. These are paintings of a morose & unsociable nature and with that I give you A MURKY MENAGERIE all new works by Angie Mason.

Angie Mason
Murky Menagerie – Paintings of a Morose & Unsociable Nature
The Rabbit-Hole Gallery
195 Arizona Avenue L/W
Atlanta, GA 30307
Phone: 404.550.6136

Abby Denson on comics, dessert, and life

Parsons Illustration Alum Abby Denson was recently written up in the New York Daily News.  She talked about her own work, as well as the education value of comics.  Here’s an excerpt:

Daily News: When did you get into comic art and comic writing?

Abby Denson:
Well, I’ve been reading comics ever since I was a kid. The early comics I would read were the “X-Men,” and “Alpha Flight”, also “Uncle Scrooge” comics and things like that. When I got into college or when I was in high school getting into college I was more into “Love and Rockets” and reading “Ranma 1/2” by Rumiko Takahashi. Those were some pretty big influences. When I was in college, I pretty much ended up strictly reading black and white comics, whether it was indie comics or manga. I also liked Andy Watson, whose stuff is always great.

At first, I didn’t think I would be into drawing [comics]. I mean, I went to Parsons School of Design for illustration but I really wasn’t into the idea of doing my own comic until I had a concept for a comic that kind of drove me through it. [Creating a] comic is a lot of work since you have to write it and then draw it. It’s double the work of just being a novelist or just being an artist, and usually not as well compensated (laughs). You have to have an idea to propel you to do the work; you really have to be passionate about the concept.

Read the rest of Abby’s great interview here.  Currently, Abby is hard at work, writing a dessert column for L Magazine, illustrating, and getting ready to teach a class here at the New School.  Way to go, Abby!

[art from Abby Denson’s Dolltopia]

Illustration Alums in Dark Pop show

Dark Pop: a guest-curated show by Andrew Michael Ford goes up at Last Rites Gallery this week.  Here’s the official description:

Last Rites Gallery and guest curator Andrew Michael Ford (director of Ad Hoc Art, curator of Deep Pop) have decided to find out what several of today’s brightest art stars are capable of when asked to create ONE piece of what could be considered truly ‘dark art’. Many artists find themselves in a nice groove of creating a certain mood or emotion through their work and have, understandably, become quite comfortable following this path in their art-making. We were curious, however, what would happen if things were to get a little uncomfortable, as the artist challenged themselves to search through new or buried feelings and emotions, the kind which might find their place on the ‘darker’ side of the artistic spectrum. With that in mind, Last Rites Gallery and guest curator Andrew Michael Ford proudly present “Dark Pop”: A collection of truly ‘dark art’ from an incredibly talented and diverse group of artists who would normally never get anywhere near this stuff! The results, we believe, are nothing short of astounding!

Artists include: Ron English, Isabel Samaras (Illustration Alum), Gary Taxali, Esao Andrews, Nicole Steen, Yoko D’holbachie, Nathan Lee Picket (Illustration Alum) and more.  Go check out it out!

Dark Pop
Opening Reception: Saturday, 9/6/08, 7:00pm-11:00pm.
Show runs September 6th thru October 11th.

Last Rites Gallery
511 W. 33rd Street, between 10th & 11th Avenues (3 blocks from Penn Station), 3rd floor

212.529.0666


Brian Wood written up in the Village Voice

Illustration Alum Brian Wood (’97) was recently interviewed for an article in the Village Voice.  He talked about why San Francisco just isn’t as good as New York (to him), how his artwork has developed, and the critical and social reaction to his art.  Here’s an excerpt:

Comic-book fame is a funny thing: Even as Hollywood pushes the medium further into the mainstream, a sense of geek solidarity remains. Writers and artists feel compelled to stay in touch with their fans; the fans, in turn, continue to treat creators like best friends. “I’m hesitant to compare him to an emo band, but I feel like Brian has that sort of connection to the audience,” says James Lucas Jones, an editor at Oni Press who worked with Wood on Local. “People feel emotionally invested in him.”

Wood’s own fame was cemented in the late ’90s, after the publication of the William Gibson–esque Channel Zero. He now calls it something of “an art student’s rant”—a ” ‘zine where everybody talks about what pisses them off.” But Zero led to a writing stint at Marvel’s Generation X and paved the way for the series Couriers, Couscous Express, and Pounded, about a rock band in New York. Eventually, Wood transitioned from occasionally drawing into writing full-time, mostly because he “had so many ideas, and not enough time to put them to paper.”

Make sure you read the rest of the article here.  Brian also has a list of other articles about his work here on his official website.  You can pick up a copy of his latest book, The New York Four here.

Congrats on your continuing success, Brian!

Congratulations, Trey!

Wonderful news from Parsons Illustration faculty and alum Trey Hoyumpa:

I went into labor Monday and had a baby girl Tuesday afternoon at 12:34pm. Her name is Madison Grace Hoyumpa and she weighed in at 7lb 4 oz (Parker was 7lb 6oz). She looks a lot like Parker when he was born except she has a dimple on her right check which, of course, is super cute. We were released from the hospital yesterday – both Madison and I are doing great. We are all totally sleep deprived, but are enjoying the time together. It’s a kick seeing Parker with Madison. He’s going to be an awesome big brother.

Congratulations, Trey!  She’s gorgeous.

In the Land of Retinal Delights: The Juxtapoz Factor

In the Land of Retinal Delights: The Juxtapoz Factor
On view through October 5th, 2008
Laguna Art Museum

In the Land of Retinal Delights: The Juxtapoz Factor is an exhibition that presents the work of 150 artists and posits that there has been a huge, but unacknowledged art movement taking place in this country for the last 40 years. Since 1994, this ground swelling of lowbrow, surrealistic, pop, figurative, narrative work has coalesced and found a voice in the pages of Juxtapoz magazine published in San Francisco. This rag has become the most widely read art magazine in the US. It is an influencing force on the aspiring artists of Generation Y and the Millennials, who are now enrolling in art schools in numbers never seen before.

Juxtapoz magazine was founded by Los Angeles-artist Robert Williams. The “Juxtapoz aesthetic or lowbrow art” is almost always figurative, and is inspired by movies, TV, advertising, black-velvet painting, psychedelic posters, pulp porn, sci-fi and horror, carnival art, comics books and all things lower- and middle-class. The Magazine has and does provide a voice and validation for a brand of artist, like Williams, who has not been accepted traditionally by the typical art-world infrastructure of collector, curator, and critic. However, since its founding, it has been the clear focal point for having been the inspiration for the creation of its own infrastructure that supports Juxtapozian art with galleries in Los Angeles, San Francisco, Seattle, and New York, collectors, followed by critical attention, followed by museum exhibitions at adventurous institutions. With it’s growing success Juxtapoz has been a major contributor to the reemergence of painting again as a valid practice for artists since the mid-1990s, running counter to forty-years of art-school canon that focused on the Conceptual practice of context, collectivization, and dematerialization of the art object.

For the last decade the art establishment (collector, curator, and critic) has argued that the idea, or construct, of an art movement is outmoded. This exhibition explores the idea of a “Juxtapoz Factor.” Is it an organized movement operating under a singular manifesto? Or is it a wave of talented overlooked artists who decided to reach out to the public and create their own canon?

Check out the full description here, along with a listing of all the fantastic artists involved.  You might notice Illustration Alum Isabel Samaras in that list.  Congrats to her!  You can also read more about the show in this write-up by Richard Chang in the OC Register, who proclaims that this show “could very well be the art show of the year.”  High praise.

Laguna Art Museum
307 Cliff Drive
Laguna Beach, CA 92651

[ images by Robert Williams (top) and Isabel Samaras (bottom) ]

Ru Kuwahata (’05) works with They Might be Giants

[wpvideo 8DxB8MQC]

Straight from the Illustration Inbox…

This is Ru Kuwahata (graduated in 2005) and I just finished co-directing a music video for the band They Might Be Giants, and it will be released on Playhouse Disney channel within the next few weeks.  The production was done in house with a company that I started with my husband in 2007.

Check out a behind-the-scenes blog post about the creation of the video here–it has tons of fascinating pictures of how this unique artwork was put together.


Congrats to Ru and Tiny Inventions (and TMBG) on the great work!

Last Days: “Crocodile Tears” at Giant Robot NY

Crocodile Tears: Small Works of Art by Over 50 Artists
GRNY, July 19 – August 13, 2008
Reception: Saturday, July 19, 6:30 p.m. – 10:00 p.m.

Giant Robot is proud to present Crocodile Tears: Small Works of Art by Over 50 Artists at the GRNY Gallery.

Following up on 2007’s hugely popular Look Behind You and Snack Isle group shows, Crocodile Tears will feature a large assortment small works that measure 5″ x 7″ or smaller. Each of the over 50 artists (editor’s note: featuring Parsons Illustration alums and faculty!) will be contributing two to five pieces in his or her own eclectic style. Mediums will range from painting to stitching to drawing to sculpture.

Continue reading

Alumni Update: Louisa Bertman (’92)

From the Illustration Inbox, we’ve got some news about Louisa Bertman (’92):

Louisa Bertman is honored to be 1 of 12 artists chosen to illustrate a page for the upcoming 2009 NPR Calendar. While painting Click and Clack, 2 large portraits were born as an offshoot of the actual NPR Illustration.  Check out the portraits as well as her interview with those crazy Car Talk Guys!  They’ve listed her this week under “Links We LIke” from their homepage.

Thanks for passing along the good word, Louisa, and congratulations!