Tag Archives: chris ware

Chris Ware: Building Stories

Adam Baumgold Gallery and Carl Hammer Gallery (Chicago) present an exhibition of 126 drawings by Chris Ware to coincide with the release of his new book Building Stories. Over ten years in the making, several of the drawings from this series were first published in The New York Times Sunday Magazine and The New Yorker. Building Stories takes its final form as 14 discrete books and booklets collected in a printed box. The result is something utterly unique-part graphic novel, part sculpture, and part mobius strip. The show runs from September 8 – October 27, 2012.

Reception for the artist, Saturday, September 8, 5:00 – 8:00 pm.

Adam Baumgold Gallery, 60 East 66th St. NYC

Blab! A Retrospective opens at Society of Illustrators on March 26th

OPENING NIGHT: March 26, 2010; 6:00 pm

100-PIECE EXHIBIT FEATURING:
Parsons Illustration Associate Professor Nora Krug, Parsons Illustration Chair Steven Guarnaccia Gary Baseman, Sue Coe, The Clayton Brothers, Chris Ware, SHAG!, Drew Friedman, Gary Taxali, Tim Biskup, and MANY MORE!

BLAB!, founded in 1986 by Monte Beauchamp, is a periodic anthology featuring work by some of the world’s brightest artists, illustrators, and printmakers.

Join us in this celebration.

BLAB!, a periodic anthology of visual art, was founded by Chicago-based graphic designer and art director Monte Beauchamp in 1986. Characterized by an emphasis on comics, the first seven issues of BLAB! were produced in a digest-sized format (5½” x 8½”), printed in black-and-white with a color cover, and contained illustrated stories by such figures as Joe Coleman, Charles Burns, Daniel Clowes, Drew Friedman, Chris Ware, and ZAP artist Spain Rodriguez.

In 1995, after a three year hiatus, the eighth issue of BLAB! appeared with a redesigned format and a significant shift in editorial focus. It was square (10″ x 10″), included 4-color printing on the interior, and featured a cover commissioned from the then relatively unknown Chris Ware, now a renowned comic artist. Ware’s impeccably drawn cover design and tag line, “Liberating Art from Quality,” heralded BLAB!’s new direction. Beauchamp significantly reduced the number of prose pieces, featured fewer comics artists, and invited illustrators such as Gary Baseman, Christian Northeast, The Clayton Brothers, Jonathon Rosen and Mark Ryden to contribute. He also featured selections of vintage “found” graphics such as depression-era matchbook covers, Valmor cosmetic labels, and European devil postcards. Though it has continued to reflect Beauchamp’s passion for storytelling, BLAB!‘s character is resolutely visual. Each year he invites approximately twenty-five visual artists from the fields of sequential art, graphic design, illustration, painting, and printmaking to contribute to BLAB!, a selection informed by Beauchamp’s distinctive vision and aesthetic.

Today BLAB! is acclaimed as a highly influential periodical of visual art and as a venue for work by some of the world’s brightest artists, illustrators, and printmakers.

BIO:
Monte Beauchamp is an award-winning art director/graphic designer whose work has appeared in Graphis, Communication Arts, SPDA, Print, American Illustration, and The Society of Illustrators Annual. He has received numerous awards and honors, and has served as a juror forAmerican Illustration and The Society of Illustrators.

He is the founder and editor of the graphics-illustration-comics annualBLAB! His books include: The Life & Times of R. Crumb (St. Martin’s Press), Striking Images: Vintage Matchbook Cover Art (Chronicle Books),The Devil in Design (Fantagraphics), and New & Used BLAB! (Chronicle Books).

He is the founder, editor, and designer of BLAB! Picto-Novelettes – a series of story books presented in a faux-children’s book format for adults. Titles include: Sheep of Fools by Sue Coe and Judith Brody, Old Jewish Comedians by Drew Friedman, The Magic Bottle by Camille Rose Garcia,Struwwelpeter by Bob Staake, and SHAG: A to Z.

Quimby The Mouse by Chris Ware, John Kuramoto, and Andrew Bird

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Check out this amazing animation put together by Chris Ware for “This American Life — Live!”   The song in this video is “Eugene” by Andrew Bird. Animation by John Kuramoto.  It’s been around for awhile, but it’s still worth a watch.

Chris Ware designs poster for upcoming movie

chris ware savages

The Los Angeles Times recently interviewed Chris Ware (of Acme Novelty Library & Jimmy Corrigan: The Smartest Kid on Earth fame) who worked on the poster for the upcoming movie, The Savages. Here’s an excerpt:

Just from your poster, it seems you felt some affinity to the wet, wintry landscapes of the film. It also strikes me that “The Savages,” like your work, is an unlikely mix of funny and sad.

I’m not sure if funny and sad are really so terribly different things; I’ve been to violent films that I find patronizing, dishonest and depressing, yet the people around me are all laughing their heads off. As a half-writer myself, I try not to think of what’s funny and sad in a story but simply to think of what, to the best of my ability, seems truest; whether it’s funny or sad is simply how it settles with the reader. In the wake of any horrible natural disaster some well-known religious figure is inevitably asked, “How can a good God allow something as bad as this to happen?” Really, though, what difference does it make to God whether 10,000 people or 10,000 fish die? Good and bad, like funny and sad, are phenomena relative to the perspective of the organism that’s laughing or dying.

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Chris’s work is available through Fantagraphics and you can read other interesting articles/interviews with him here, here & here.