Category Archives: News

Parsons Illustration Faculty Lauren Redniss in the NY Times!

Lauren Redniss, faculty in the Illustration Department at Parsons, was recently featured on the front page of the Arts Section of the New York Times (not to mention the front page of the paper, thumbnail for the Arts section). Her interview focused on her new book “Thunder & Lightning: Weather Past, Present, Future”, which explores weather and certain relationships many individuals have with it. Lauren Redniss mentions:

“I’m interested in things we take for granted, the fact we can look out of our windows every day and see this spectacular, unpredictable panorama.”

Much of her process shows in her books as she spends much of her time interviewing, sketching , and even experiencing what she is writing about. She tears down the walls of what a graphic novel is and showcases an immense amount of experimentation that challenges the conventional medium of books.

“Her books are totally composed in both words and images, but they aren’t quite graphic novels,” Ms. Chute said. “Every time you turn the page, you don’t know what you’re going to get.”

Click here if you’d like to read more from the interview.

 

Invitation to Adrian Tomine – 92Y

“Adrian Tomine has more ideas in twenty panels than novelists have in a lifetime,” wrote Zadie Smith.

The artist behind the comic-book series Optic Nerve, which he began self-publishing at the age of 16, is known for his New Yorker covers and the graphic novels 32 Stories, Sleepwalk and Summer Blonde. His new book, Killing and Dying, is a stunning showcase of the possibilities of the medium and a wry exploration of loss, creative ambition, identity and family dynamics.

Adrian Tomine will sign copies of Killing and Dying and his prints following the event. Books and prints will be available for purchase.

Purchase a ticket and be automatically entered to win a signed print (size 18’”x 24”) of his illustration “Missed Connection,” one of his most popular New Yorker covers!

Click here to purchase your tickets!

NEXT WEEK The New York Comics & Picture-story Symposium

Nik Kowsar on Political Cartooning in Iran



Nik Kowsar is an Iranian-Canadian cartoonist, journalist, and blogger, currently living in Washington DC, US. Kowsar was also a reformist candidate for the second term of city council of Tehran in 2003, an election won by the conservative candidates of Abadgaran.
He studied Geology in the University of Tehran, and joined Gol-Agha, an Iranian political satire magazine as a cartoonist in 1991. He worked forHamshahri from 1992 to 1998, and was a member of Newspapers such asZan, Aftab-e Emrooz,  Sobh-e Emrooz,  Akhbar-e Eghtesadi,  Azad,  Bahar,  Bonyan,  Doran-e Emrooz,  Nosazi,  Hayate No,  Abrar-e Eghteadi,  Hambastegi,  Farhang-e Ashti. Most of these papers were banned by Saeed Mortazavi. He was arrested in Feb. 2000 for drawing a cartoon and spent 6 days at the Evin Prison in Tehran.
Kowsar has been sentenced to prison for his cartoons in absentia. After moving to Canada, he worked in a dry-cleaner’s for a while before joining MarketWire in 2005 and IFEX in 2008. He also has been free-lancing and his cartoons have been recently published by The New York Times, The Washington Post, The Globe and Mail, Maclean’s, and The Guardian. Kowsar is a member of the New York Times Syndicate. He has appeared on CNN, BBC, CBC, CTV, VOA and many political TV shows as a guest analyst and observer. Kowsar now works in Washington DC and is the editor-in-chief of Khodnevis.org, the first Persian citizen journalism platform.
Kowsar is a member of the board of directors of Cartoonists Rights Network International.
Kowsar is also a member of the Association of Canadian Editorial Cartoonists (ACEC) and Journalists in Exile (JEX). CBC made a documentary based on his life and his involvement in the Blogger movement.


WHEN

September 8, 2015 at 7 pm

WHERE

The 126th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, Sept. 8, 2015 at 7pm at Parsons The New School, 2 West 13th Street,in the Bark Room (off the lobby). Free and open to the public.

Illustration alumnus Luis Nazario creates machines (and other things) for MAYDAY!

Illustration graduate Luis Nazario, a Dominican Republic native who moved to NYC in 2012 to gain his B.F.A. in illustration at Parsons, secured a job as a designer at MAYDAY design agency. MAYDAY works with high-end clients, including Levis Strauss, Manaolo Blahnik, Prada, Kenneth Cole, Cadillac, Comedy Central, the Ellen DeGeneres Show, and for the Rauschenberg Foundation.

Luis recently designed an exhibitor’s booth, a Victorian-style steampunk machine, for TACKLEBOX, which was featured at the NY Tech Day Fair. He’s currently working on a series of illustrations for The Algonquin Hotel. We can’t wait to see what else he’s coming up with!

You can find more of Luis’ work here.

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NY COMICS & PICTURE-STORY SYMPOSIUM: ANYA ULINICH IN CONVERSATION WITH OLGA GERSHENSON

In 2014, Anya Ulinich abandons the world of prose with her new graphic novel, “Lena Finkle’s Magic Barrel,” in which she deploys her competence as both a writer and an illustrator. This book is based on “Lena Finkle’s Magic Barrel,” by Bernard Malamund, which narrates the story of a man who consults a marriage broker in search for a wife. In Anya Ulinich’s version, the magic barrel is a world of online dating, portrayed as a chaotic and intricate world many of us are familiar with. Anya was classically trained in art, but switched to writing upon her arrival in the States, as she stated having “no place to paint.” However, after her first book “Petropolis,” Anya found herself stuck, she felt like she was “impersonating a novelist.” After the rejection of her second book from her publisher, her agent asked her, “What else do you have,” and Anya showed her an assortment of doodles, sketches, diary-like pages; that was all she had. This was the beginning of a great and entirely new project. Even though Ulinich graduated from the University of California with an MFA in painting and had previously written a novel (non-graphic), she maintains having known very little about comic books prior to this project. Nonetheless, this book brings Ulinich’s work to a whole other level of notability, creating a new visual and written language all of her own.

Essentially the book tells the story of a woman, Lena, (also the narrator), who much like Anya herself, is a late 30s divorced mother and novelist from Moscow, teaching and living in Brooklyn with her two daughters. It recounts Lena’s attempts to mend her views of love and sex, through social media platforms such as OKCupid, but there is much more complexity to the plot that Ulinich had in mind. The work appears as a sort of revealing, sequence of journals, which uncover and examine the main characters, and thus indirectly the author’s life and psyche from within. Through subtle details, we come to learn much about the reality of Ulinich’s life and upbringing.

“Lena Finkle’s Magic Barrel” successfully and deeply captivates its viewers as we are both told and shown a story simultaneously. Her drawing style is rather ostentatious, thrilling, powerful, and witty, yet it is somehow always dark, or cloudy or night-time. Moreover, Anya’s drawing technique of combining quick sketches and more finalized illustrations into a style which is naturalistic, impressionistic and at times, cartoony, parallel the protagonist’s constant efforts to make sense of the diverse pieces of her life.

In her book, Anya Ulinich does not attempt to hide anything. We follow the protagonists’s most mundane actions and watch her in all her imperfect and tremendous humanity, resulting in a stronger bond and connection between character and reader. Anya Ulinich is both witty and serious, kind and straightforward, ruffled and unapologetic. The pages mostly dominated with words take a bit of getting used to, yet the experience is truly rewarding. I personally believe that books such as this one, gorgeously created, cleverly recounted and fancifully illustrated are such masterpieces and treasures.

-Noe Paparella

Figure Drawing Fridays Are Back!

Welcome back, students! While we hope you are enjoying your new classes for the fall semester, we are excited to announce the scheduled sessions for Open Figure Drawing at the University Center (Academic Entrance 63 Fifth Avenue), Room 619.

Open figure drawing is open to all Parsons students and faculty with a New School issued ID to enter the building. All that we ask is that you come with your own tools of choice and clean up after yourself before you leave. There are only 16 seats available however, participating students and faculty may come and go as they please.

The sessions run from 4:00-6:00 and from 7:00-9:00
Here are the dates to watch out for during this semester!

September 5th
September 12th
September 19th

October 10th
October 17th
October 24th
October 31st

November 7th
November 14th
November 21st

December 5th

October 3rd and November 28th are holidays, so there will not be a drawing session.

See you there!

 

Illustration Students to be Featured on the Commencement Pamphlet Cover

Congratulations to four illustration Students on having their artwork featured on the cover of the Commencement Pamphlet this year. Those students are Beth Zimmerman, Shahena Zaveri, Sarah Bibel, and Jessica Yuen.

The Commencement Cover Project was a collaboration between the Professional Practice course offered by the Illustration Program at Parsons and the Communications and External Affairs office (CEA) at The New School.

Under the tutelage of the Professional Practice Professors, Caty Bathaolomew, Viktor Koen, Niel Swaab and Wendy Popp students worked with the CEA art director Ed Pusz to have their work showcased!

 

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NY Comics & Picture-story Symposium

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Tuesday, February 18
Bark Room
2 West 13th St., lobby
7:00pm

Presentation: Mark Alan Stamaty on his life, his work and other metaphysical questions.

Mark Alan Stamaty was born in Brooklyn, New York in 1947. He grew up in a New Jersey beach town, the only child of two professional cartoonists. He attended Cooper Union where he received a Bachelor of Fine Arts degree in 1969.
Mark is the author-illustrator of ten books. His children’s books include Who Needs Donuts? (1973, 2003), Alia’s Mission (2005), Too Many Time Machines (1999), Small in the Saddle (1975), Minnie Maloney & Macaroni (1976), and Where’s My Hippopotamus?(1977).

In 1977–1978, Mark’s panoramic centerfold cartoons of Greenwich Village and Times Square for the Village Voice attracted widespread attention and were sold by the Village Voice as posters. He then created a series of comic strips for that paper, including MacDoodle St., which was later published as a comic strip novel.

In 1981 Meg Greenfield, editorial page editor of the Washington Post, asked Mark to create a comic strip about Washington for her op-ed page. Mark traveled to D.C. to do extensive research, and in November of that year the Post and the Village Voice jointly debuted his new creation, Washingtoon, featuring, among many other characters, Congressman Bob Forehead, chairman of the JFK-Look-Alike Caucus. The comic strip’s popularity with Post and Voice readers led to its being picked up by more than 40 newspapers, including the Boston Globe, the Pittsburgh Post-Gazette, and the Austin-American Statesman.

From 1994 to 1996, Mark was the political cartoonist for Time Magazine. From 2001 to 2003, he produced the monthly comic strip Boox for the New York Times Book Review. His cartoon reporting has covered a variety of events for GQMagazine and The New Yorker, including men’s fashion shows in Milan, the 2001 Baseball All-Star Game, the Washington Redskins’ training camp, the Madison Square Garden 1992 25th-Anniversary Concert honoring Bob Dylan, the buzz around Washington during President Clinton’s grand jury testimony, a UFO convention, and many more.
Mark has created covers for The New Yorker, the New Republic, the Washington Post Magazine, the New York Times Magazine, and others. His cartoons and illustrations have appeared in many publications, including Slate Magazine, Esquire, New York Magazine, Harper’s, Newsweek, Playboy, the Wall Street Journal, and the New York Times Magazine.

Mark’ was the recipient of two Gold Medals and a Silver Medal from the Society of Illustrators, the Premio “Satira Politica” Forte Dei Marmi 2005 from the Museum of Satire in Forte Dei Marmi, Italy, and a Page One Award from the Newspaper Guild of New York. His illustrations have been selected for the Communication Arts Annual and the American Illustration Annual.

In 2005, Mark produced a series of full-color comic strips and  commentary on the Los Angeles mayoral campaign for the Los Angeles Times. In 2007, Mark received the Augustus Saint Gaudens Award for Career Achievement in Art from Cooper Union. Presently, his work includes fulfilling a two-book contract with Knopf Children’s Books and a variety of free-lance assignments.

Parsons Ranks High Among Top 20 East Coast Animation and Game Design Schools!

AMT’s Design and Technology and Illustration programs both get recognized at #3 in Animation Career Review’s Top 20 Animation and Game Design Schools on the East Coast list! This is great news for a school that is actively working to make our Game Design and Animation programs even stronger!

Check out the entry below, where our Communications Design and Graphic Design programs also get great acknowledgements, and see the full listing here.

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Parsons students engaged in a 24-hour game jam. Photo from multiplayerblog.mtv.com


[Stop-motion animation by Illustration student  So Jin Lee.]

Founded in 1896, Parsons The New School for Design is considered one of the world’s top design schools. The school holds the number 36 spot in U.S. News & World Report’s Fine Arts School Rankings; the Multimedia/Visual Communications program ranks number 8, and the Graphic Design program ranks number 10. Parson’s game design programs are also highly regarded in the academic world and the entertainment industry.



Home to around 5,000 students, five schools, and a large continuing studies division, Parsons offers a BFA and a MFA in Design & Technology with a Game Design focus. Program highlights include paid summer internships at some of New York’s top design and technology firms, Study Abroad opportunities at the Paris campus (est. 1921), and the Visiting Artists Series. All students are eligible to take seasonal courses or study for a semester or even a year in Paris. The Design & Technology with a Game Design focus is offered through the School of Art, Media, and Technology (AMT). 



AMT also offers a BFA in Art, Media, and Technology where students can study Game Design, Illustration, and Visual Arts, and a BFA in Communication Design with an Interactive Core. In this program, students may study Animation and Motion Graphics, Computer Graphics, Interface Design, Graphic/Communication Design, Illustration, and more. The BFA in Illustration also allows students to focus on Animation and Motion Graphics, Drawing, Visual Arts, and even Toy Design. AMT also offers an AAS in Graphic Design.