All posts by AMT

Faculty Nora Krug Gives Interview about Sendak Fellowship

The Sendak Fellowship was established in 2010 as a residency program for artists who tell stories with illustration. The fellowship offers the time for artists to explore their craft outside the limitations of everyday life and in the relative isolation of a rural setting.

This summer the fellowship is moving to Scotch Hill Farm, formerly owned by Mr. Sendak, in Cambridge, New York. Two fellows will be provided their own fully equipped cottage with kitchen and studio space and receive a fellow’s stipend.



This year’s Sendak Fellows are Nora Krug and Harry Bliss.


Check out the interview here,

NY Comics & Picture-story Symposium


Tuesday, February 18
Bark Room
2 West 13th St., lobby

Presentation: Mark Alan Stamaty on his life, his work and other metaphysical questions.

Mark Alan Stamaty was born in Brooklyn, New York in 1947. He grew up in a New Jersey beach town, the only child of two professional cartoonists. He attended Cooper Union where he received a Bachelor of Fine Arts degree in 1969.
Mark is the author-illustrator of ten books. His children’s books include Who Needs Donuts? (1973, 2003), Alia’s Mission (2005), Too Many Time Machines (1999), Small in the Saddle (1975), Minnie Maloney & Macaroni (1976), and Where’s My Hippopotamus?(1977).

In 1977–1978, Mark’s panoramic centerfold cartoons of Greenwich Village and Times Square for the Village Voice attracted widespread attention and were sold by the Village Voice as posters. He then created a series of comic strips for that paper, including MacDoodle St., which was later published as a comic strip novel.

In 1981 Meg Greenfield, editorial page editor of the Washington Post, asked Mark to create a comic strip about Washington for her op-ed page. Mark traveled to D.C. to do extensive research, and in November of that year the Post and the Village Voice jointly debuted his new creation, Washingtoon, featuring, among many other characters, Congressman Bob Forehead, chairman of the JFK-Look-Alike Caucus. The comic strip’s popularity with Post and Voice readers led to its being picked up by more than 40 newspapers, including the Boston Globe, the Pittsburgh Post-Gazette, and the Austin-American Statesman.

From 1994 to 1996, Mark was the political cartoonist for Time Magazine. From 2001 to 2003, he produced the monthly comic strip Boox for the New York Times Book Review. His cartoon reporting has covered a variety of events for GQMagazine and The New Yorker, including men’s fashion shows in Milan, the 2001 Baseball All-Star Game, the Washington Redskins’ training camp, the Madison Square Garden 1992 25th-Anniversary Concert honoring Bob Dylan, the buzz around Washington during President Clinton’s grand jury testimony, a UFO convention, and many more.
Mark has created covers for The New Yorker, the New Republic, the Washington Post Magazine, the New York Times Magazine, and others. His cartoons and illustrations have appeared in many publications, including Slate Magazine, Esquire, New York Magazine, Harper’s, Newsweek, Playboy, the Wall Street Journal, and the New York Times Magazine.

Mark’ was the recipient of two Gold Medals and a Silver Medal from the Society of Illustrators, the Premio “Satira Politica” Forte Dei Marmi 2005 from the Museum of Satire in Forte Dei Marmi, Italy, and a Page One Award from the Newspaper Guild of New York. His illustrations have been selected for the Communication Arts Annual and the American Illustration Annual.

In 2005, Mark produced a series of full-color comic strips and  commentary on the Los Angeles mayoral campaign for the Los Angeles Times. In 2007, Mark received the Augustus Saint Gaudens Award for Career Achievement in Art from Cooper Union. Presently, his work includes fulfilling a two-book contract with Knopf Children’s Books and a variety of free-lance assignments.

New York Comics & Picture-story Symposium: Jonathan Barli


Tuesday, January 28, 2014 at 7:00 pm to 9:00 pm
The Bark Room (Orientation Room), Sheila C. Johnson Design Center
2 West 13th Street

Presentation: Jonathan Barli on The Mad World of Virgil Partch. An in-depth look at the life and art of one of the most influential and trendsetting cartoonists of his generation. The talk will be illustrated by scores of unseen photographs and artwork, cover Partch’s life and times and how they influenced his artistic sensibilities, and include a thorough analysis of his cartooning and the context in which his work appeared. From a remote island off the coast of Alaska and a stint as an animator at Disney Studios during its golden age, Partch burst onto the scene with his zany, sometimes surreal, but always hilarious cartoons, catapulting his career virtually overnight. An artist truly ahead of his time, his unique perspective and style ensured he would become one of the most prolific cartoonists of his era, and solidified his role in inspiring generations of cartoonists, animators, and illustrators.

Jonathan Barli is a designer, writer, and filmmaker. He was educated at the School of Visual Arts and soon after graduating, co-founded Rosebud Archives: a company dedicated to preserving and celebrating the cultural heritage of the graphic arts, where he serves as Art Director. He recently wrote, edited, and designed a book on the renowned cartoonist Virgil Partch, and will be taking on a role as Creative Director of Fantagraphics Fine Arts. He has done design work for Fantagraphics Books, the Theodore Roosevelt Association, Ron Garofalo Photography and others.

NY Comics & Picture-story Symposium is a weekly series for artist/writers working in various text-image forms: comics, picture-stories, animation, etc. at which to present and critique current work.  The symposium will examine new ideas for the distribution of print and electronic work that move beyond the existing models of  publishing and advertising. Meetings will be facilitated by a rotating group of practitioners and guest speakers.