Category Archives: Events

R. Sikoryak and Isabel Samaras at APE in San Francisco

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One of the country’s most popular and vibrant alternative comics shows returns to its San Francisco home, The Concourse Exhibition Center, for another two big days of fall fun this October. APE, the Alternative Press Expo, rolls into the city by the bay on October 17 and 18, 2009.  Parsons Illustration Alums R. Sikoryak (also adjunct faculty!) and Isabel Samaras will be appearing at APE for a Pop Perversity event, and Bob will be doing signings of his new book, Masterpiece Comics.  Here are the details:

Saturday, October 17

11:00am APE Opens
12-3pm Marc Signing
1-3pm R Sikoryak Signing
3-5pm Anders Signing
7:00pm APE Closes

Sunday, October 18

5:00–5:45 Pop Perversity: Parody in Comics and Art—Isabel Samaras (On Tender Hooks) and R. Sikoryak (Masterpiece Comics), parodists from the worlds of art and comics, show their work and describe how their sharp, sly images blur the boundaries between the popular and the profound, the propagandistic and the profane. Parody is a familiar part of our culture, but when done right it can still shock and awe, revealing deep truths while it makes us cackle.

The APE programming room is located adjacent to the Exhibit Hall.

11:00am APE Opens
12-3pm Marc Signing
1-3pm R Sikoryak Signing
3-5pm Anders Signing
6:00pm APE Closes

The Concourse
620 7th Street
San Francisco

http://www.comic-con.org/ape/ape_prog.shtml

Comics History/New York History events

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The New York Center for Independent Publishing presents:

Comics History/New York History

New York City was the birthplace of the modern comic book, and the city has had a starring role in some of the greatest and most influential work the medium has produced. The New York Center for Independent Publishing will be presenting a series of events looking at the rich history of Comics and the City. Join us at our historic building at 20 West 44th Street as we explore the city through comics, from Riverdale to the Baxter Building, from Dropsie Avenue to Forest Hills, to untangle the relationship between the world’s greatest city and the comics that chronicle its history. Visit  www.nycip.org for more information!

New York Comics as New York History
Tuesday, October 20, 6:30 pm

Comics historian Kent Worcester will explore the connection between the city’s familiar streetscapes and the development of the comic book from the 1930s and 1940s to the post 9/11 era – looking at the ways comics history has mirrored the ups and downs of the quintessential American metropolis.

Cartooning and New York City Politics
Tuesday, November 3rd, 6:30 pm

Boss Tweed may have been the most powerful man in the City, but he was still tormented by Thomas Nast’s biting cartoons. Parsons Illustration faculty member Bill Kartalopoulos will host a panel exploring the interaction between political cartoons, New York City politicians, and the public.

New York, the Super-City
Tuesday, March 9th, 6:30 pm

New York served as the model for Gotham City, inspired Will Eisner as he created the noirish adventures of The Spirit, and became a recurring character during the 1960s resurgence of Marvel in comics such as Spider-Man and Iron Man. ForeWord Magazine contributing editor Peter Gutiérrez will moderate a talk on the relationship between superheroes and their favorite hometown… and on how comics culture has promoted potent and memorable images of New York to readers worldwide.

“Carousel” in New York

Tuesday, April 20th, 6:30 pm

The series closes with a multimedia presentation hosted by R. Sikoryak, Parsons faculty member and author of Masterpiece Comics. This event will feature work and performances from some the of the top comics artists working in New York.

Admission is $15, $10 for Members, and $5 for students.

Maurice Sendak Happenings around the City

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Sendak in SoHo
Animazing Gallery Sendak in Soho
http://www.animazing.com/gallery/pages/show_SENDAK-IN-SOHO.html
Through Nov 8, 2009
Maurice Sendak Event! A collection of original published & conceptual illustrations from the collection of the renowned artist and author who created Where the Wild Things Are.
54 Greene St. NYC 10013
Corner of Greene & Broome Toll Free 800.303.4848 Phone 212.226.7374 Mon – Sat 10-7PM Sundays 11 – 6PM

Spike Jonze: The First 80 Years
Through October 18, 2009
http://www.moma.org/visit/calendar/film_screenings/7592
Tell Them Anything You Want: A Portrait of Maurice Sendak
2009. USA. Directed by Lance Bangs, Spike Jonze. Produced by Perry Moore, Hunter Hill, Allison Sarofim, and Vincent Landay. 40 min.
Maurice at the World’s Fair
2009. USA. Directed by Spike Jonze, Lance Bangs. With Spike Jonze, Catherine Keener, Bob Stephenson. 4 min.
Where the Wild Things Are [clip]
2009. USA. Directed by Spike Jonze. 5 min.

Where the Wild Things Are: Original Drawings by Maurice Sendak

through November 1, 2009
The Morgan Library & Museum
225 Madison Avenue at 36th Street
New York, NY 10016

This special exhibition features original drawings and manuscript pages from the classic children’s book Where the Wild Things Are by Maurice Sendak (b. 1928). The show is part of a citywide celebration honoring Mr. Sendak and marking the premiere of a new Warner Bros. movie adaptation, directed by Spike Jonze.

The exhibition presents a rare opportunity to witness Sendak’s creative process—from his early drafts about an unnamed boy in search of wild horses to the well-known narrative about a child named Max taming the beastly “things” of his own imagination. Twelve drawings and two manuscript pages will be on view in the Morgan’s historic McKim building.

The exhibition includes such iconic images as Max in his wolf suit, grinning in his tree-filled bedroom; his arrival in the land of “wild things”; and his triumphant departure by sailboat. Also on view are a pencil drawing for the cover illustration of a sleeping “wild thing” as well as a preliminary sketch—not incorporated into the final published version—of a mischievous Max on all fours atop the dinner table slurping a strand of spaghetti.

Drawings on tracing paper show Sendak’s process of transferring preliminary sketches to another sheet for further development, while manuscript drafts offer a window into the author’s composition process. After drafting preliminary text about a boy seeking wild horses, Sendak entreats himself to “Drop this story for time being—I’m forcing it, and it won’t be forced.” After another try at a story about Max and the wild things—in verse—Sendak writes ALL BAD!!! and goes on to refine the story into the text that has become familiar to millions of readers.

Since its publication in 1963, Where the Wild Things Are has become one of the most beloved of all modern children’s books. Like most of Sendak’s works, it is partly autobiographical, born of long family dinners in 1930s Brooklyn, favorite monster movies from childhood, and a keen understanding of the importance of fantasy as a way to learn and grow. While the book went on to win a Caldecott Award and has been adapted for the stage and now the screen, Sendak’s drawings reveal its most enduring legacy: the ability to convey the innocence and imagination of a child.

The Morgan held exhibitions of Sendak’s work in 1981 and 1988, and he recently lent original Jean de Brunhoff drawings from his own collection to the Morgan’s 2008 exhibition Drawing Babar: Early Drafts and Watercolors.

The works on view in the exhibition, on loan from the Rosenbach Museum & Library in Philadelphia, are part of a group of some ten thousand items by Sendak, including preliminary and finished drawings and manuscripts for over one hundred books, as well as prints, acrylic paintings, hand-made books, publishers’ proofs, first and foreign printed editions, and a wide range of ephemera. It is the largest collection of the artist’s work in the world.

Related events will be held at several locations around the city, including Lincoln Center, The Museum of Modern Art, and The New York Public Library. Animazing Gallery will hold an exhibition, Sendak in SoHo, from October 1 – November 8.

This exhibition was organized in cooperation with the Rosenbach Museum & Library, Philadelphia.

David Stromberg lecture on October 12th

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Presented by: LANG JEWISH TEXT, NSGS JEWISH CULTURAL STUDIES PROGRAM and ZEEK MAGAZINE

DAVID STROMBERG discusses Writing in Jerusalem. David Stromberg is a writer, artist and journalist. Dubbed “Thurber on speed,” his publications include four collections of single-panel cartoons-Saddies, Baddies, Confusies, and Desperaddies. He has written on art and culture for The Believer, Nextbook, St. Petersburg Times, Jerusalem Post, and Ha’aretz.His fiction has appeared in the UK’s Ambit. Born in Ashdod, Israel, to ex-Soviet parents, Stromberg grew up in urban Los Angeles and currently resides in Jerusalem.

MONDAY, OCT 12, 6-8PM

M101, 66 Fifth Avenue

New York, NY

Follow-up: NY Art Book Fair at P.S. 1

nyartbookfair

This past weekend, Illustration FT Faculty Lauren Redniss and myself attended the New York Art Book Fair and Conference at P.S. 1.

There were a zillion great things to see and here are some favorites:

1 Typography 1 Let's

  • Keiji Ito’s estactic utopia complete with rainbow bathers by the pool, parrots, zebras, and lush lawns growing pecan cookies at Gallery 360 of Japan: http://www.360.co.jp/e/exhibition.html

3 Keiichi Tanaami cover

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The Art of Reportage in the 21st Century at NYIH Oct. 6th and 7th

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The New York Institute for the Humanities at NYU, together with the Polish Cultural Institute, the National Book Critics Circle, and the new Literary Reportage concentration at NYU’s Arthur L. Carter Journalism Institute invite you to attend:

AFTER KAPUŚCIŃSKI:
THE ART OF REPORTAGE IN THE 21ST CENTURY


A Public Conversation
on the ins and outs of long-form and literary journalism
with leading authors of the genre


October 6 & 7, 2009
NYU’s Hemmerdinger Hall
100 Washington Square East

This symposium, composed of three distinct panels over two evenings, offers an exciting public conversation about the state of the art of reportage amid a rapidly changing media landscape; the various approaches to and practices of long-form and literary journalism; and the ongoing legacy of renowned practitioners like Polish journalist Ryszard Kapuściński. At a time when categorical differences between fiction and nonfiction are increasingly ambiguous–and the gap between their respective segments of the publishing market increasingly small–a discussion of reportage as a literary art form seems paramount.

Free and open to the public, this event coincides with the launch this fall of the Literary Reportage concentration at NYU’s Arthur L. Carter Journalism Institute, and is being held in association with the Overseas Press Club of America and Words Without Borders, the online magazine of international literature.

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Last Minute: “The False Forest” by Ben Katchor at Princeton tonight

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Monday, October 5, 2009 at 6 pm

‘The False Forest’ and other stories

Picture-recitations by Ben Katchor

LECTURE SERIES: DOWN THE GARDEN PATH

at Betts Auditorium in the School of Architecture Building

Princeton University

Princeton, NJ

Free and open to the public.

http://soa.princeton.edu/news.html


Poems for Pictopia featuring Parsons Illustration folks!

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The 2009 Pictoplasma Conference at the House of World Cultures in Berlin brought together character designers and enthusiasts from around the world.  “Poems for Pictopia” is a short glimpse of some of the highlights of the conference and the accompanying exhibition “Prepare for Pictopia”. This rad video ALSO features our very own program chair Steven Guarnaccia, plus Alumni AJ Fosik and Motomichi Nakamura!