Category Archives: Exhibitions

Silent Witnesses: Graphic Novels Without Words exhibition in England

Silent Witnesses: Graphic Novels Without Words
Curated by Darren Diss

Venue: Danes Terrace
Lincoln
Lincolnshire
LN2 1LP

29 May 2010 to 30 Aug 2010
Admission price: free

Artists include: Lars Arrhenius, Hendrik Dorgathen, Eric Drooker, Max Ernst, Matt Forsythe, Alexandra Higlett, Laurence Hyde, Jason, Andrzej Klimowski, Peter Kuper, Chris Lanier, Frans Masereel, Otto Nuckel, Shaun Tan, Zoe Taylor, Lynd Ward, Sara Varon and Jim Woodring.

This exhibition brings together the work of internationally recognised artists and illustrators from around the world working in Graphic Novel form. Spanning publications from the early twentieth century to the present day, the works contained in the exhibition are distinct in that all use the capacity of images alone to communicate narrative, functioning entirely without the use of text.

The exhibition celebrates the book form and in particular the Graphic Novel as an increasingly popular medium for artists and explores its enduring appeal to readers of all ages. By focussing on works without text it examines the underlying structure and mechanics of developing a Graphic Novel, exposing it as a unique art form. It looks at the Novel in the true sense, as an extended sequence conveying a narrative. The show includes preparation and working drawings, writings, flat plans, sketch books and character studies and associated works alongside complete book-works to reveal the various developmental stages in creating a Graphic Novel.

The exhibition combines works from a wide range of cultural contexts, from modern popular Graphic Novels, with scratchboard images by Eric Drooker produced for his novel ‘Flood’, to woodcuts by Frans Masereel for his his 1925 work ‘Die Stadt’, to original drawings by Sara Varon for her well loved books, ‘Sweater Weather’, ‘Robo and Hund’ and ‘Chicken and Cat’. Also in the show will be a large scale flat-print version of ‘A-Z’ by Lars Arrhenius, a novel produced on the iconic A-Z map of London. Shown in print form it allows the viewer to scan the intersecting narratives sewn through the map in a single image, creating ever new readings.

Works for the exhibition have been loaned to The Collection from the British Museum, Moderna Museet, Stockholm, Klinspor Museum, Offenbach, Scott Eder Gallery, New York, and from the exhibiting artists.

The show’s curator, Darren Diss, is an established illustrator and Senior Lecturer in Illustration at The University of Lincoln. He has a specialist academic research interest in Textless Narratives.

David Sandlin “Sleep O’History” Opens in Berlin

DAVID SANDLIN “SLEEP O’HISTORY”
Bongout Galerie
Torstrasse 110
10119 Berlin
Opening Friday 28. May at 7 pm
Exhibition 28.5 – 10.7

Bongoût Gallery is proud to present New York artist David Sandlin in his first exhibition in Berlin. He will be showing his books; new paintings; “puritanical novelty items”; and a collection of drawings from his 2006 book, An Alphabetical Ballad of Carnality.  This will be the first major showing of Sandlin’s artist’s-book opus A Sinner’s Progress, an eight-volume series comprised mostly of large-scale hand-printed books, including his most recent work, Slumburbia, a nine-metre silkscreened panorama of sloth and indolence in sumptuous hand-separated color silkscreen.

David Sandlin floats between the worlds of painting, printmaking, comics, and artist’s books. Since he began his career in the 1980s, visual narrative, usually nonlinear, has been a core component of his work. He uses it as a structural device to build content and express ideas while still being able to experiment with form, using symbolism and allegory to amplify his social commentary. Sandlin’s books range in form from complex hand-bound silkscreened editions to offset pulp-style comics—each volume’s form in service to its content to some extent. “The book rather than the single image is the ideal medium for me to explore content and experiment with form,” says Sandlin.

Eccentric modernist painters like Beckmann, Ensor, and Guston have inspired Sandlin’s explorations into the mythic/transformative utility of personal history. His love of words and literature also draw him toward narrative: “I was born in Northern Ireland and moved to the USA, to Alabama, when I was a teenager—both places steeped in the narrative-literary tradition—so I’m not surprised that I need to incorporate words into my images. I love the wordplay used by Irish and southern American artists like James Joyce, Flann O’Brien, Flannery O’Connor, and Hank Williams.”

Other works in the exhibition reflect Sandlin’s love of narrative. “The Sleep of History,” a large work on canvas, is part of his ongoing series of epic paintings. Drawings upon which his abecedarium, An Alphabetical Ballad of Carnality, are also on display as a 22-metre-long panorama. He will also be showing components of “The Pur-Ton-o-Fun Co. Reading Room,” a multimedia installation piece based on A Sinner’s Progress.

David Sandlin’s work has been displayed in galleries and museums worldwide, and his comics have been published by Fantagraphics and Cornelius Editions and have also appeared in many anthologies, including Raw, Strapazin, The Ganzfeld, and The Best American Comics 2009. He is currently preparing to start his next book, a graphic novel, as a Fellow of the Cullman Center for Writers and Scholars, at the New York Public Library, in NYC.

DAVID SANDLIN “SLEEP O’HISTORY”
Bongout Galerie
Torstrasse 110
10119 Berlin
Opening Friday 28. May at 7 pm
Exhibition 28.5 – 10.7

Andre da Loba’s students show off their work tomorrow

Andre da Loba and his Materials and Methods class
would like to invite you to come to their
*Materials and Methods “Open Classroom” Exhibition*
2W 13th St. – Room 1104 next Wednesday (May 12) around 1pm.

Refreshments and snacks will be served.

THICKER THAN WATER: 2010 Parsons Illustration Thesis Show opening is TONIGHT!

[Illustrations by Júlía Hermannsdóttir, Meg Eldredge, Gabriella D’Alessandro, and Garrett Pruter; postcard design by Noël Claro]

Ed Koren at Columbia University: The Capricious Line

The artist’s name may ring a bell: Koren has contributed close to a thousand cartoons to the New Yorker since 1962, featuring a lovably shaggy cast of characters, which one wag described as “Muppets on Rogaine.” This five-decade survey features original drawings for Koren’s cartoons and illustrated books, and also débuts a quartet of panoramic drawings, inspired by the dioramas at the American Museum of Natural History. A public reception, from 5 to 7, celebrates the show’s opening. (A related exhibition is installed at the Luise Ross gallery, in Chelsea, where a reception will be held on May 1, from 3 to 5.) Opens April 27.

DateApril 27 – June 12

Wallach Art Gallery at Columbia University
Venue Address: Schermerhorn Hall, 116th Street and Broadway, New York, N.Y.
Venue Phone: 212-854-7288