All posts by psdillustration

The New York Comics & Picture-story Symposium – October 20th, 2015

Richard McGuire
on
60 objects of affection.

McGuire will discuss 60 of his favorite people, works of art and design, songs, films, poems, etc.

Richard McGuire is a regular contributor to The New Yorker. His work has appeared in The New York Times, McSweeney’s, Le Monde, and Libération. He has written and directed for two omnibus feature films: Loulou et Autre Loups (Loulou and Other Wolves,2003) and Peur(s) du Noir (Fear[s] of the Dark, 2007). He has also designed and manufactured his own line of toys, and he is the founder and bass player of the no-wave band Liquid Liquid. The six-page comic Here, which appeared in 1989 in Raw magazine, volume 2, number 1, was immediately recognized as a transformative work that would expand the possibilities of the comic medium. Its influence continues to be felt twenty-five years after its publication.


WHEN
October 20, 2015 at 7pm
WHERE
The 131st meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, Oct. 20, 2015 at 7pm atParsons The New School for Design, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public.

SPECIAL New York Comics & Picture-story Symposium – November 5, 2015

Comics on the Northern Edge of Europe

Bill Kartalopoulos in conversation with Tom Oldham, Patrick Crotty, Tommi Musturi and David Schilter discussing the alternative small press comics in the UK, Sweden, Finland and Latvia.

Tom Oldham is a co-founder of Breakdown Press, a comics publisher based in London, UK. Breakdown Press is dedicated to publishing the very best in comics art, whether the cutting edge work of new cartoonists or undiscovered classics of the past.
Patrick Crotty is an artist and the official boss of the Swedish PEOW! studio. PEOW! is a publisher, shop and risograph studio based in Stockholm, publishing intergalactic comics from Sweden and abroad.
Tommi Musturi is an artist and co-founder of KUTIKUTI, a non-profit contemporary comics association and artist collective formed in Finland. KUTIKUTI are ca. forty members who make, teach and publish comics. They operate internationally with an aim to maintain and develop comics as an art form.
David Schilter is a co-editor of kuš!, a small press publisher from Riga. kuš! promotes alternative comics in Latvia and abroad. Next to publishing international anthologies and mini comics, they organize exhibitions workshops and other comic-related events.

Illustration by Patrick Crotty

WHEN

November 5, 2015 at 7pm

WHERE

NY Comics & Picture-story Symposium will be held on Thursday, Nov. 5, 2015 at 7pm at Parsons The New School for Design, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public.

 

Faculty Lauren Redniss’ Book Events for THUNDER & LIGHTNING: Weather Past, Present, Future

Product Thunder & Lightning: Weather Past, Present, Future

October 29th, 2015 @ 6:30pm

American Museum of Natural History

Central Park West & 79th St, New York, NY 10024

Lauren Redniss, author of Radioactive: Marie & Pierre Curie, debuts her new title. Developed while she was an artist in residence at the Museum,Thunder & Lighting: Weather, Past, Present, Future brings her unique style to a journey from the driest desert on Earth to an island in the Arctic and beyond. She considers the danger and beauty of weather, how it informs our history and the world’s religions, and the forces that drive these meteorological events.

October 30, 7pm 

Book Court

163 Court St, Cobble Hill, Brooklyn

 

 

About Thunder & Lightning:

Weather is the very air we breathe—it shapes our daily lives and alters the course of history. In Thunder & Lightning, Lauren Redniss tells the story of weather and humankind through the ages.

This wide-ranging work roams from the driest desert on earth to a frigid island in the Arctic, from the Biblical flood to the defeat of the Spanish Armada. Redniss visits the headquarters of the National Weather Service, recounts top-secret rainmaking operations during the Vietnam War, and examines the economic impact of disasters like Hurricane Katrina. Drawing on extensive research and countless interviews, she examines our own day and age, from our most personal decisions—Do I need an umbrella today?—to the awesome challenges we face with global climate change.

Redniss produced each element of Thunder & Lightning: the text, the artwork, the covers, and every page in between. She created many of the images using the antiquated printmaking technique copper plate photogravure etching. She even designed the book’s typeface.

The result is a book unlike any other: a spellbinding combination of storytelling, art, and science.

If you’re interested in purchasing her book, click here!

 

Sept. 29th! The New York Comics & Picture-Story Symposium

Kathryn A. Smith on Crafting the Old Testament in the Queen Mary Psalter:  Image, Text, and Contexts in Early Fourteenth-Century England.


 

[above] Scenes from the lives of Saul and David, Queen Mary Psalter, c. 1310-20 (London, British Library Royal MS 2 B VII, fol. 52).


 

Ms. Smith will speak on one of her current projects — an unusual captioned Old Testament picture cycle in a lavishly illuminated psalter made in England c. 1310-20

Kathryn A. Smith is Professor of Medieval Art in the Department of Art History, New York University.  She is the author of Art, Identity, and Devotion in Fourteenth-Century England (2003), The Taymouth Hours: Stories and the Construction of the Self in Late Medieval England (2012), and numerous articles, essays, and reviews on early Christian and late medieval art.  She is currently working on several projects concerning image-text relationships in medieval manuscripts and the roles of images, including manuscript illuminations and sculpture, in late medieval religion and culture.


 

WHEN

September 29, 2015 at 7pm
Please note: There is no meeting on Sept. 22nd.

WHERE

The 128th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, Sept. 29, 2015 at 7pm at Parsons The New School for Design, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public.

NEXT WEEK The New York Comics & Picture-Story Symposium

Marc Moorash on Bringing Art Young Back to Life

On Publishing the Previously Unpublished Types of the Old Home Town and Rediscovering the Legacy of the Dean of American Cartoonists

Art Young (1866 – 1943) was the best known political cartoonist in the first half of the twentieth century, but you’ve likely never heard of him.  If you have, you’ve likely never seen much of his work.  Sadly, he’s been mostly forgotten – and the story behind this, as with most Art Young tales, is quite remarkable and unfortunate.  He’s a cartoonist almost legendary, yet nearly become myth.
Yet, let’s jump ahead to the beginning of 2015 and the serendipitous publication of a long-lost manuscript – a collection of images some unpublished, some which appeared in The Saturday Evening Post in the mid-1920s.  A publication in handmade art-book form.  Let’s also throw in that in April of this year we held the first gallery exhibition since 1939 of Art’s works.

Marc Moorash, curator of The Art Young Gallery (housed one mile from where Art built his gallery in Bethel CT in 1928) will talk about publishing Types of the Old Home Town,the handmade book process of making Types, Art’s history and legacy in American cartooning, and show slides of a number of images and photographs that haven’t been seen in public for decades.  In addition, on display will be a number of Art’s original cartoons from his newspaper Good Morning (1919 – 1921), drawings of Helen Keller and Eugene Debs, as well as original illustrations from Types of the Old Home Town.

WHEN
September 15, 2015 at 7pm
WHERE
The 127th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, Sept. 15, 2015 at 7pm atParsons The New School for Design, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public.

 

 

NEXT WEEK The New York Comics & Picture-story Symposium

Nik Kowsar on Political Cartooning in Iran



Nik Kowsar is an Iranian-Canadian cartoonist, journalist, and blogger, currently living in Washington DC, US. Kowsar was also a reformist candidate for the second term of city council of Tehran in 2003, an election won by the conservative candidates of Abadgaran.
He studied Geology in the University of Tehran, and joined Gol-Agha, an Iranian political satire magazine as a cartoonist in 1991. He worked forHamshahri from 1992 to 1998, and was a member of Newspapers such asZan, Aftab-e Emrooz,  Sobh-e Emrooz,  Akhbar-e Eghtesadi,  Azad,  Bahar,  Bonyan,  Doran-e Emrooz,  Nosazi,  Hayate No,  Abrar-e Eghteadi,  Hambastegi,  Farhang-e Ashti. Most of these papers were banned by Saeed Mortazavi. He was arrested in Feb. 2000 for drawing a cartoon and spent 6 days at the Evin Prison in Tehran.
Kowsar has been sentenced to prison for his cartoons in absentia. After moving to Canada, he worked in a dry-cleaner’s for a while before joining MarketWire in 2005 and IFEX in 2008. He also has been free-lancing and his cartoons have been recently published by The New York Times, The Washington Post, The Globe and Mail, Maclean’s, and The Guardian. Kowsar is a member of the New York Times Syndicate. He has appeared on CNN, BBC, CBC, CTV, VOA and many political TV shows as a guest analyst and observer. Kowsar now works in Washington DC and is the editor-in-chief of Khodnevis.org, the first Persian citizen journalism platform.
Kowsar is a member of the board of directors of Cartoonists Rights Network International.
Kowsar is also a member of the Association of Canadian Editorial Cartoonists (ACEC) and Journalists in Exile (JEX). CBC made a documentary based on his life and his involvement in the Blogger movement.


WHEN

September 8, 2015 at 7 pm

WHERE

The 126th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, Sept. 8, 2015 at 7pm at Parsons The New School, 2 West 13th Street,in the Bark Room (off the lobby). Free and open to the public.

Illustration alumnus Luis Nazario creates machines (and other things) for MAYDAY!

Illustration graduate Luis Nazario, a Dominican Republic native who moved to NYC in 2012 to gain his B.F.A. in illustration at Parsons, secured a job as a designer at MAYDAY design agency. MAYDAY works with high-end clients, including Levis Strauss, Manaolo Blahnik, Prada, Kenneth Cole, Cadillac, Comedy Central, the Ellen DeGeneres Show, and for the Rauschenberg Foundation.

Luis recently designed an exhibitor’s booth, a Victorian-style steampunk machine, for TACKLEBOX, which was featured at the NY Tech Day Fair. He’s currently working on a series of illustrations for The Algonquin Hotel. We can’t wait to see what else he’s coming up with!

You can find more of Luis’ work here.

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Student of the Week: Lluvia Jimenez

Lluvia’s work is inspired by the complexity of lines and shapes. The process of making them, incorporating color and human figures, become an intriguing odyssey for this artist. Lluvia starts by adapting her patterns to the surface she chooses, then explores ways to make the composition work in terms of color and shapes. When it comes to portraits, she creates elegant and elongated shapes that evoke sensitivity and vulnerability, characteristics which can also be distinguished in her color palettes and the expressions on her muses. The intuitive elements in Lluvia’s process keep her work fresh and varied in each new wonderful project she undertakes.

To see more of her work:  www.lluviajimenez.com and www.instagram.com/lluviajc
To contact her, write at jimenezllu@gmail.com

Student: LLuvia Jimenez Student: LLuvia JimenezStudent: Lluvia Jimenez

Student of the Week: Jessica Mercado

Jessica is a New Jersey grown illustrator who enjoys delving into the relationships between people, whether they are positive and platonic, or negative and destructive. She uses lighting, color, and composition to create mood and meaning between her characters’ interactions. Jessica’s goal is to make her audience feel distinctive emotions through the understanding of what her characters are experiencing. Using her Wacom Cintiq, ink, watercolor, or silkscreen, this artist digs deep to create a story that enables the audience to be immersed in her fantastical worlds.

You can see more of her work at www.jessmercado.com. To contact her write at jessgetsisnspired@gmail.com or follow her on Instagram @jessmerco!

Student: Jessica Mercado Student: Jessica MercadoStudent: Jessica Mercado