Tag Archives: morgan library

Tomorrow! Moving Pictures: A Symposium on Illustration and Motion

movingpicturesposter

Moving Pictures
A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

–––––––––––––––––––––––––––––––––––––––––––––––
RICHARD McGUIRE is an artist whose work has appeared in The New Yorker, the New York Times, McSweeney’s, Le Monde, and other publications. He is the founder and bass player of the punk-funk band Liquid Liquid. Currently a fellow at the New York Public Library’s Cullman Center for Scholars and Writers, McGuire is working on an illustrated book entitled HERE. His most recent animated film, Peurs du Noir, will be released on DVD this fall.
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LAUREN REDNISS is an artist and writer who recently joined the full-time faculty at Parsons The New School for Design. She is the author of Century Girl: 100 Years in the Life of Doris Eaton Travis, Last Living Star of the Ziegfeld Follies. Redniss was a 2008–2009 fellow at the New York Public Library’s Cullman Center for Scholars and Writers. Her new book, Radioactive: Marie and Pierre Curie & Other Stories of Love and Fallout will be published in fall 2010.
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JODY ROSEN is the music critic for Slate and a frequent contributor to the New York Times, The Nation, and other publications. He is the author of White Christmas: The Story of an American Song and the compiler of Jewface, an acclaimed anthology of early-20th-century Jewish vaudeville recordings. Rosen is working on a new book, The Knowledge, about London, cartography, and taxi drivers.
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JOEL SMITH is the author of Steinberg at The New Yorker (2005) and Saul Steinberg: Illuminations, the catalog of a traveling retrospective of the artist that opened at the Morgan Library & Museum in 2006. Smith is the curator of photography at the Princeton University Art Museum, where he is working on exhibitions about architecture and memory, pictures of pictures, and the history of photographs of nothing.

 

This symposium is presented with support from…

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Spotlight on Moving Picture Symposium Participant: Richard McGuire

movingpicturesposter

Moving Pictures

A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

–––––––––––––––––––––––––––––––––––––––––––––––
RICHARD McGUIRE is an artist whose work has appeared in The New Yorker, the New York Times, McSweeney’s, Le Monde, and other publications. He is the founder and bass player of the punk-funk band Liquid Liquid. Currently a fellow at the New York Public Library’s Cullman Center for Scholars and Writers, McGuire is working on an illustrated book entitled HERE. His most recent animated film, Peurs du Noir, will be released on DVD this fall.

To give you a taste of what Richard is all about, here is a collection of links and visuals.

  • Here is a short animated film Richard created called Micro Loup–it is about a microscopic wolf!

[vodpod id=ExternalVideo.891066&w=425&h=350&fv=]

mcguire07

[Image from: Peur(s) du noir, a film by : Blutch, C. Burns, M. Caillou, P. di Sciullo, L. Mattotti, R. McGuire // Production: Prima Linea Productions]

This symposium is presented with support from…

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Spotlight on Moving Picture Symposium Participants: Jody Rosen and Joel Smith

movingpicturesposter

Moving Pictures
A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

–––––––––––––––––––––––––––––––––––––––––––––––
JODY ROSEN is the music critic for Slate and a frequent contributor to the New York Times, The Nation, and other publications. He is the author of White Christmas: The Story of an American Song and the compiler of Jewface, an acclaimed anthology of early-20th-century Jewish vaudeville recordings. Rosen is working on a new book, The Knowledge, about London, cartography, and taxi drivers.  Here is a passel of links to more writings by Jody so you can brush on his work.

–––––––––––––––––––––––––––––––––––––––––––––––
JOEL SMITH is the author of Steinberg at The New Yorker (2005) and Saul Steinberg: Illuminations, the catalog of a traveling retrospective of the artist that opened at the Morgan Library & Museum in 2006. Smith is the curator of photography at the Princeton University Art Museum, where he is working on exhibitions about architecture and memory, pictures of pictures, and the history of photographs of nothing.  Here is an image of the Steinberg book, along with a few links to more information.

illuminations

This symposium is presented with support from…

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Moving Pictures: A Symposium on Illustration and Motion on Nov. 11

movingpicturesposter

Moving Pictures
A Symposium on Illustration and Motion
presented by the Illustration Program at Parsons The New School for Design

NOVEMBER 11, 2009, 7:00–10:00 P.M.
Free and Open to the Public

2 WEST 13TH STREET, NEW YORK, NY 10011
The New School Jazz Performance Space
Arnhold Hall, 55 West 13th Street, 5th floor, New York, NY

LAUREN REDNISS reveals a history of blind spots.
JODY ROSEN unveils The Knowledge of London taxi drivers.
JOEL SMITH maps the mind of Saul Steinberg.
RICHARD MCGUIRE screens Fears of the Dark and more.

 

 

Moderated by Lauren Redniss, assistant professor, Illustration Program, Parsons The New School for Design

–––––––––––––––––––––––––––––––––––––––––––––––
RICHARD McGUIRE is an artist whose work has appeared in The New Yorker, the New York Times, McSweeney’s, Le Monde, and other publications. He is the founder and bass player of the punk-funk band Liquid Liquid. Currently a fellow at the New York Public Library’s Cullman Center for Scholars and Writers, McGuire is working on an illustrated book entitled HERE. His most recent animated film, Peurs du Noir, will be released on DVD this fall.
–––––––––––––––––––––––––––––––––––––––––––––––
LAUREN REDNISS is an artist and writer who recently joined the full-time faculty at Parsons The New School for Design. She is the author of Century Girl: 100 Years in the Life of Doris Eaton Travis, Last Living Star of the Ziegfeld Follies. Redniss was a 2008–2009 fellow at the New York Public Library’s Cullman Center for Scholars and Writers. Her new book, Radioactive: Marie and Pierre Curie & Other Stories of Love and Fallout will be published in fall 2010.
–––––––––––––––––––––––––––––––––––––––––––––––
JODY ROSEN is the music critic for Slate and a frequent contributor to the New York Times, The Nation, and other publications. He is the author of White Christmas: The Story of an American Song and the compiler of Jewface, an acclaimed anthology of early-20th-century Jewish vaudeville recordings. Rosen is working on a new book, The Knowledge, about London, cartography, and taxi drivers.
–––––––––––––––––––––––––––––––––––––––––––––––
JOEL SMITH is the author of Steinberg at The New Yorker (2005) and Saul Steinberg: Illuminations, the catalog of a traveling retrospective of the artist that opened at the Morgan Library & Museum in 2006. Smith is the curator of photography at the Princeton University Art Museum, where he is working on exhibitions about architecture and memory, pictures of pictures, and the history of photographs of nothing.

 

This symposium is presented with support from…

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Maurice Sendak Happenings around the City

sendak

Sendak in SoHo
Animazing Gallery Sendak in Soho
http://www.animazing.com/gallery/pages/show_SENDAK-IN-SOHO.html
Through Nov 8, 2009
Maurice Sendak Event! A collection of original published & conceptual illustrations from the collection of the renowned artist and author who created Where the Wild Things Are.
54 Greene St. NYC 10013
Corner of Greene & Broome Toll Free 800.303.4848 Phone 212.226.7374 Mon – Sat 10-7PM Sundays 11 – 6PM

Spike Jonze: The First 80 Years
Through October 18, 2009
http://www.moma.org/visit/calendar/film_screenings/7592
Tell Them Anything You Want: A Portrait of Maurice Sendak
2009. USA. Directed by Lance Bangs, Spike Jonze. Produced by Perry Moore, Hunter Hill, Allison Sarofim, and Vincent Landay. 40 min.
Maurice at the World’s Fair
2009. USA. Directed by Spike Jonze, Lance Bangs. With Spike Jonze, Catherine Keener, Bob Stephenson. 4 min.
Where the Wild Things Are [clip]
2009. USA. Directed by Spike Jonze. 5 min.

Where the Wild Things Are: Original Drawings by Maurice Sendak

through November 1, 2009
The Morgan Library & Museum
225 Madison Avenue at 36th Street
New York, NY 10016

This special exhibition features original drawings and manuscript pages from the classic children’s book Where the Wild Things Are by Maurice Sendak (b. 1928). The show is part of a citywide celebration honoring Mr. Sendak and marking the premiere of a new Warner Bros. movie adaptation, directed by Spike Jonze.

The exhibition presents a rare opportunity to witness Sendak’s creative process—from his early drafts about an unnamed boy in search of wild horses to the well-known narrative about a child named Max taming the beastly “things” of his own imagination. Twelve drawings and two manuscript pages will be on view in the Morgan’s historic McKim building.

The exhibition includes such iconic images as Max in his wolf suit, grinning in his tree-filled bedroom; his arrival in the land of “wild things”; and his triumphant departure by sailboat. Also on view are a pencil drawing for the cover illustration of a sleeping “wild thing” as well as a preliminary sketch—not incorporated into the final published version—of a mischievous Max on all fours atop the dinner table slurping a strand of spaghetti.

Drawings on tracing paper show Sendak’s process of transferring preliminary sketches to another sheet for further development, while manuscript drafts offer a window into the author’s composition process. After drafting preliminary text about a boy seeking wild horses, Sendak entreats himself to “Drop this story for time being—I’m forcing it, and it won’t be forced.” After another try at a story about Max and the wild things—in verse—Sendak writes ALL BAD!!! and goes on to refine the story into the text that has become familiar to millions of readers.

Since its publication in 1963, Where the Wild Things Are has become one of the most beloved of all modern children’s books. Like most of Sendak’s works, it is partly autobiographical, born of long family dinners in 1930s Brooklyn, favorite monster movies from childhood, and a keen understanding of the importance of fantasy as a way to learn and grow. While the book went on to win a Caldecott Award and has been adapted for the stage and now the screen, Sendak’s drawings reveal its most enduring legacy: the ability to convey the innocence and imagination of a child.

The Morgan held exhibitions of Sendak’s work in 1981 and 1988, and he recently lent original Jean de Brunhoff drawings from his own collection to the Morgan’s 2008 exhibition Drawing Babar: Early Drafts and Watercolors.

The works on view in the exhibition, on loan from the Rosenbach Museum & Library in Philadelphia, are part of a group of some ten thousand items by Sendak, including preliminary and finished drawings and manuscripts for over one hundred books, as well as prints, acrylic paintings, hand-made books, publishers’ proofs, first and foreign printed editions, and a wide range of ephemera. It is the largest collection of the artist’s work in the world.

Related events will be held at several locations around the city, including Lincoln Center, The Museum of Modern Art, and The New York Public Library. Animazing Gallery will hold an exhibition, Sendak in SoHo, from October 1 – November 8.

This exhibition was organized in cooperation with the Rosenbach Museum & Library, Philadelphia.