Category Archives: Performances

DWR Tools for Living Window Painting tomorrow!

DWR

Illustration students from Noel Claro‘s Beyond the Page class are taking part in an exciting project tomorrow at the SoHo Design Within Reach store.  Here’s the official press release from DWR:

Design Within Reach is once again collaborating with Parsons The New School for Design and its acclaimed Illustration Program. In celebration of the upcoming International Contemporary Furniture Fair (ICFF), Parsons students will paint iconic tools on the windows of the DWR: Tools for Living store. They’ll draw on the visual vocabulary of the existing store identity but apply it with a twist, using bright window decal paints and hand-drawn letterforms. The result will be a bold reinterpretation of the store’s inventory.

The collaboration is part of Parsons’ Beyond the Page illustration course, which explores the application of illustration to contexts other than the printed page. Through in-class exercises inspired by a range of references and visits with artists in the field, students are exposed to a well-curated sampling of the increasingly diverse world of illustration. The class also designs objects and products featuring the students’ illustration work, providing them with real-world creative experience.

The students will paint the windows live during the event on May 7 and the display will be up through May 19th.  . Join us to witness their work and place your vote for which student’s illustration will be selected to become a custom “skin” for a medium Geneva Sound System unit [editor’s note: more info on this tomorrow!], to be revealed during ICFF.

Date: Thursday, May 7, 2009
Time
:  7:00pm – 9:00pm
Location: DWR: Tools for Living
Street: 142 Wooster Street
City/Town: New York, NY

Make sure to stop by and check it out.  Also, come back here tomorrow for more information about the Geneva Sound System project!

Kid Koala’s “Music To Draw To” in BROOKLYN!

koala drawing

1)  LOUD PARTY:  get up! get down!  indoor block party LOUD shake it loose turntable dance party at a concert venue or club in the town. bring your dancing shoes and some smiles and come on down and make some noise.  The NEW YORK LOUD Indoor block party May 3rd at Le Poisson Rouge.

2)  QUIET WORK:  Music to Draw to… soiree.  Our little event from Montreal is going to see the world.  This event will be a little quieter… 5-hour set of quiet time tunes to work to…  Bring your sketchbook, yarn or that lump of clay and come on down and get some work done.  Baked goods will be provided.  uiet people are invited.  o dancing.  $5 bucks includes a free cup of hot chocolate and a pencil.  The NEW YORK “Music to Draw to…” event May 4th in Brooklyn at House of Yes (7pm-midnight)

For more info:

http://nufonia.com/ice-cream-news/loudpartyquietworknewyork/

Wordless Worlds event at MoCCA

ww3post

World War 3 Illustrated Release Party
Thursday, April 30, 2009 7-9PM

Museum of Comic and Cartoon Art -MoCCA
594 Broadway, Suite 401 (Between Houston and Prince st.)
New York, NY 10012

Admission: Donation Suggested / Free for MoCCA Members

Featuring multi-media presentation of art by:

PETER KUPER
MAC McGILL
SETH TOBOCMAN
PAULA HEWITT AMRAM
SABRINA JONES
ERIC DROOKER
KEVIN PYLE
CHUCK SPERRY
REBECCA MIGDAL
and many others!

with an animated film by Onur Tukel

live music by
Eric Blitz, Steve Wishnia, Andy Laties, Breeze and more!

World War 3 Illustrated #39
Edited by Peter Kuper and Kevin Pyle

With all this talk about a picture being worth a thousand words and so much chatter in the news, but little being said, World War 3 illustrated presents our first wordless comics issue.  It features comics and illustrations by Eric Drooker, Mats!?, Geoffrey Grahn, Rebecca Migdal, Matt Mahurin, Carlo Quispe, Ryan Inzana, Seth Tobocman, Peter Kuper, Felipe Galindo, Mac McGill, David Sandlin, Barron Storey, Onur Tukel, Sabrina Jones, Andy Singer, Santiago Cohen, Kevin Pyle, Gerard Conte, Paula Hewitt , Edwin Vasquez, Terry Laban, and an article on picture novels by scholar David Berona.

This new issue leaps beyond language barriers — sort of a Tower of a Babel, minus the babble.  All of us speaking one language again — through pictures.

Peter Kuper was interviewed awhile back for Newsarama–he talked about the collaborative nature of the project and his challenges as an editor.  Here’s a taste:

“Every time I try to stop doing it, something happens that pulls me back in … it’s like the Mafia, there’s no escape!” Kuper observed of working on the magazine, which is in its 28th year of publication. “Over the years when my enthusiasm for dedicating the enormous amount of time and energy it takes to put out an issue starts to wane, there’s a riot in Tompkins Square park, a war in Iraq (the first one) or 9/11, and I rediscover the importance of maintaining a forum that doesn’t rely on outside financing or exert some form of censorship.

“To be clear, World War 3 is very much a group effort (I certainly haven’t edited every other issue) and wouldn’t exist if a large number of people didn’t keep pulling together to make it happen. If there hadn’t been we would have burned out by now.”

The artist further explained the need for WW3, adding, “There have been many points when WW3 was the only place to publish certain ideas. This was true during Reagan’s presidency, but especially true after 9/11 when even artists like Art Spiegelman found the mainstream press completely closed to work like what ended up being In The Shadow of No Towers and turned to WW3 to get it published. Last issue I did an eleven-page piece on my experience in Mexico during a teachers strike. WW3 was the only place I could find for a piece of that length.”

As issue 39 will be entirely wordless, Kuper was asked about the reasons for publishing an all-silent issue. “I have always been a fan of wordless storytelling from Lynd Ward to Eric Drooker, and after eight years of Bush I’m speechless!” he laughed. “Also I had the kooky notion that it would be easier to edit a wordless issue. I had it completely backwards; it has taken twice as long and required much more hands-on editing with each piece, down to sketching out suggestions. Thankfully I was able to hoodwink Kevin Pyle (Blind Spots) into helping me with the editing duty.”

WW3 Illustrated #39 will be “90% comics, 5% fat-free illustrations and a great article on Wordless books by the #1 scholar on the subject, David A. Beronä,” Kuper explained. Previous issues of the magazine have made room for political and social essays to run alongside the magazine’s cartoon commentaries.

You can read the complete interview here.  And to see more art, animation and info about World War 3 illustrated visit the official site.

Carousel coming up on April 30th

carousel_april_09_yellowDixon Place presents…

CAROUSEL

Cartoon slide shows & other projected pictures presented by a glittering array of artists, performers, graphic novelists, & other characters.
Hosted by R. Sikoryak (Parsons Illustration Alum and Adjunct Faculty!).

Featuring:
Brian Dewan
Dean Haspiel
Tim Kreider
Josh Neufeld
Jim Torok
Kriota Willberg
R.S.
and more!

Thursday, Apr 30, 2009
8:00 PM  (door opens at 7:30 pm)

at the NEW
Dixon Place
161 Chrystie Street
New York, NY 10002

Tickets:
$15 (general)
$12 (students/seniors w/ valid id) or TDF
2 tickets for $25 with postcard (see attached jpeg)
Advance tickets & more info:
www.dixonplace.org
(212) 219-0736

Ben Katchor’s “A Checkroom Romance” adds second show!

checkroom-logo-721

New York Public Library – Cullman Center presents
A Checkroom Romance by Ben Katchor and Mark Mulcahy
Wednesday, May 13, 2009 at 7pm SOLD OUT
Just added: Friday, May 15, 2009 at 7pm TICKETS AVAILABLE!
5th Avenue and 42nd Street
New York, NY 10018

In this new, musical tragicomedy by cartoonist  Ben Katchor and musician Mark Mulcahy, one man’s casual obsession with the architecture and culture of coat checkrooms ensnares him in a desperate struggle between employment agents, maitre ‘ds, lovesick podiatrists, low-budget contractors, and paraphilic playboys.

A Check-Room Romance was commissioned by the Cullman Center for Scholars and Writers.

Order tickets online here or call 212.868.4444.
Tickets: $15 general admission/$10 Library Donors, Seniors and students with valid ID.

Submit your poster idea for Make Music New York!

mmny-title

Make Music New York, a unique, free outdoor celebration called “the largest music event ever to grace Gotham” (Metro New York), is now accepting proposals for a visual identity and urban intervention for this yearʼs festival, taking place on Sunday, June 21, 2009.

Over the last two years, Parsons students have designed the festivalʼs logo, websites, posters, and advertisements, appearing in Time Out New York, Metro New York, amNewYork, Filter Magazine, and more. This year, we are asking not only for designs to use in the media, but also for a related urban intervention, existing alongside the musicians on June 21st, who will perform on the streets, sidewalks, parks, plazas, and cemeteries of New York.

Please submit very short proposals, of no more than 2 pages (in PDF format), to makemusicny@gmail.com by April 15th. Proposals should have two parts: (1) a sketch of a poster design, and (2) a description of an urban intervention, to take place at a large number of concert locations on June 21st. There is no limit to the number of proposals you can submit.

Shortly after April 15th, the Make Music New York board of directors will choose the most promising proposal, and ask the designer to complete the poster design (by May 15th), and implement the urban intervention (by June 21st).  The chosen designer will receive recognition in our e-newsletter, press release, and websites, credit on the poster, and a check for $350.

ABOUT MAKE MUSIC NEW YORK
• All concerts take place outdoors, at 400+ locations throughout NYC on Sunday, June 21st — the first day of summer. Most musicians perform on sidewalks; many perform in parks; some close off streets.
• Every genre of music is represented, performed by amateurs and professionals of all ages. Last year there were 875 performances by NY Philharmonic musicians, high school rock bands, circuit benders, Beijing Opera companies, big bands, punk bands, bluegrass bands, and more.
• The spirit of the event is free and spontaneous, much like Halloween. Instead of stages with high production values, people just show up and play. See photos at www.makemusicny.org.

mmnyposter2008

ABOUT THE POSTER
• Metro New York will print 50,000 copies of a 4-color, 15″ x 22″ poster on newsprint, and include it in the concert listings as a centerfold.
• Musicians / locations should be able to personalize the poster to promote their concerts — please leave a blank section that can be filled with individual information (see example above–made by Parsons Illustration student Jay Moreno and Nicole Fowler).
• Posters should not lead audiences to expect a particular genre of music. They should be equally suited to classical music, punk rock, jazz, hip hop, etc.
• Posters should have some clear connection with the proposed urban intervention.

ABOUT THE URBAN INTERVENTION
• The intervention should be absurdly cheap.
• It should be present at a large number of MMNY concerts, in both street/sidewalk and park spaces, and should improve the festival experience in some way.
• The intervention should relate to the poster, and tie the various MMNY concerts together visually.
• The intervention can be consistently implemented. (For example, Carlʼs Carpet Warehouse donates 3,000 square feet of red carpet; each musician picks up a piece of carpet on June 20th and uses it as a “stage” on June 21st.) Or it can be a consistent concept, implemented in different ways. (For example, artists in each neighborhood design and weave carpets for their local musicians, with a different color scheme in each borough.) In either case, describe who will carry out the project, and how.
• The intervention should be legal. If youʼre not sure, submit it anyway, along with a backup proposal. Emily Colasacco from the NYC Department of Transportation will go over all submissions and ensure compliance with NYC regulations.

Questions? Email Aaron Friedman at aaron@makemusicny.org.

Good luck!

[Note: Make Music New York pigeon logo by Parsons Illustration student Danielle MacIndoe!]

Quick Hit: “Carousel” hosted by R. Sikoryak tonight!

carouselCAROUSEL
Cartoon slide shows & other projected pictures presented by a glittering array of artists, performers, graphic novelists, & other characters.

Hosted by R. Sikoryak (Parsons Illustration Alum and Faculty Member)

Featuring:
Gabrielle Bell with Karen Sneider
Jon Keith Brunelle of The Psychasthenia Society
Emily Flake
Dale Goodson
Jen Perez
Doug Skinner
R.S.
and more!

Wednesday, December 10, 2008
8 pm (door opens at 7:30 pm)

at the
NEW Dixon Place
161 Chrystie Street
NY, NY

Tickets:
$15 each  or $25 for 2
or TDF;  or $12 student/senior

Advance tickets & more info:
www.dixonplace.org
(212) 219-0736

Quick Hit: Swoon at Deitch Projects

SWOON
SWIMMING CITIES OF SWITCHBACK SEA
PERFORMANCES AT DEITCH STUDIOS
SEPTEMBER 11, 12 AND 13 AT 8PM

The Swimming Cities is designed and organized by printmaker and installation artist Swoon. Collaborators include playwright Lisa D’Amour, the band Dark Dark Dark and circus composer Sxip Shirey.  Propulsion systems brought by John Rinaldi and Kinetic Steam Works. Boat design and carpentry created in close collaboration with Jeff Stark, Iris Lasson, and with guidance from The Floating Neutrinos.

DEITCH STUDIOS
4-40 44TH DRIVE (ON THE EAST RIVER)
LONG ISLAND CITY, NY, 11101
(212) 343-7300

Pictoplasma takes place next weekend!

Pictoplasma is coming to New York City for the very first time and it’s happening next weekend, Thursday, September 4th through Saturday, September 6th.  Excitingly enough, two Parsons Illustration Alums will be featured speakers–Aaron Stewart and Motomichi Nakamura.  Here’s the official description:

Characters are taking over…

Our visual culture is being taken hostage by a new wave of characters, abstract and reduced to minimal distinguishing graphic features. In the process of a truly explosive movement, they invade digital media, animation, advertising, art, fashion and street art. They playfully quote and remix such diverse phenomena as pop culture, tribal and folklore, brand logos and comics without restricting themselves to any single one of these genres. In such a way, characters speak to observers at an emotional level as well as crossing cultural boundaries.

Starting in 1999 with the world’s first extensive inventory, collection and archive of contemporary character design, the Berlin based Pictoplasma project is defining the shape and velocity of this trend. Besides giving the characters a timeless and worthy manifestation through their acclaimed publications, Pictoplasma has been bringing together a growing international community of designers, artists, critics, producers and fans at their annual conferences in Berlin.

Go here to see the day-by-day program, including Motomichi and Aaron’s talk, which happens on Friday night from 9-11:30 p.m.  Register here!

Pictoplasma NYC
Festival of Contemporary Character Design and Art
September 4th-September 6th
Skirball Center for the Performing Arts
New York University
566 LaGuardia Place at Washington Square South
New York, NY