All posts by amt

Illustration Faculty Steven Guarnaccia to Open Exhibition “Line-Up” in Rome

Line Up ImageIllustration Faculty Member Steven Guarnaccia will be exhibiting his work in Line-Up at the Tricromia Art Gallery in Rome. Learn more about his exhibition below!

Running from November 15 – December 5
Opening Saturday November 18, 2014.
Tricromia Art Gallery Rome, Italy

About the Exhibition: Line-Up is a retrospective exhibition of the illustration work of Steven Guarnaccia. The “line-up” is the classic parade of possible perpetrators before the victim of a crime. Guarnaccia works primarily in line, with pen, ink and watercolor. He is above all interested in how, with a minimum of means, line conveys character, and in turn how character conveys an idea.

Learn more about Steven’s work here.

NY Comics & Picture-story Symposium: Hanneriina Moisseinen

hanneriina-moisseinen_father_2The 108th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, November 18, 2014 at 8 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note 8 pm starting time.

Hanneriina Moisseinen will discuss and show her recent work. A trailer for the documentary Lauluhttp://www.tuffifilms.com/documentary

The comic artist Hanneriina Moisseinen (born in Joensuu, Finland in 1978) has an artistic background in fine arts, especially drawing, sculpting and installation, but she has been doing comics since her teenage years.
Moisseinen’s debut album Sen synty (2005) is a collection of illustrated old folktales from the Viena Karelia area. The follow-up, Setit ja partituurit / Sets and Scores (2010), contains more contemporary stories about embarrassing situations in daily life. Isä / Father (2013) tells a real life story how a father of a family disappears with no reason, and is never found again. The themes in her stories are serious, but many times the humor bursts out in unexpected ways.
In the recent years, Moisseinen has been challenging the limits of comic expression by including sewing and embroidery in her work. The technique is slow but produces a strong emotional effect. At the moment she is working on her fourth comic album about cows and other animals in the Second World War.

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NY Comics & Picture-story Symposium

The 108th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, November 25, 2014 at 7 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note 7 pm starting time.

Abigail Zitin on William Hogarth: Narrative Art and Visual Pleasure.

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British artist William Hogarth (1697–1763) is, arguably, the ur–graphic novelist, famous above all for pioneering the form of the pictorial narrative series (for instance, in A Harlot’s Progress and The Rake’s Progress). For this reason, his work has always been championed by literary critics, particularly those committed to thinking about textuality across media as well as the development of the novel form in English literature. But in addition to his popular graphic works, Hogarth also published The Analysis of Beauty, an essay whose main arguments often seem at odds with the images for which he is best known. In the Analysis, Hogarth defines beauty abstractly, as an effect of lines and spatial relationships rather than representational content; he has remarkably little to say about storytelling, visual or otherwise. This presentation explores the disconnect between Hogarth’s theory and his reputation as a virtuoso of visual narrative, asking how―and whether―we should reconcile the visual style of by this famously literary artist with the formal principles he seems to have held dear. I approach this question by looking closely at how Hogarth talks about technique: both his careful attention to the mechanical practices of drawing, sculpting, and engraving―even boxing and dancing―and his evident insecurity about expressing his ideas verbally. Hogarth never lets his reader forget that he is not a writer, and this self-consciousness, I argue, should prompt a reexamination of what it might mean to describe him (whether appreciatively or critically) as a literary artist.

Abigail Zitin is Assistant Professor of English at Rutgers University in New Brunswick, NJ and the 2014–15 Carol G. Lederer Postdoctoral Fellow at the Pembroke Center for Teaching and Research on Women at Brown University. She studies aesthetics, visual culture, and literary criticism in eighteenth-century Britain; her research focuses on Hogarth’s Analysis of Beauty and the history of formalism. A recent essay on Hogarth’s aesthetics appeared in Eighteenth-Century Studies; another is forthcoming in 

NY Comics & Picture-story Symposium at Parsons

The 107th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, November 11, 2014 at 7 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note 7 pm starting time.

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Dr. Pamala Rogers on “Outside the Box: Comics and Storytelling in Outsider Art.”
Dr. Pamala Rogers will discuss self taught artists who use text and storytelling in their work.  Two short films will be shown that illustrate the use of personal narrative in the work of outsider artists who are represented by Pure Vision Arts.

Pamala Rogers, Ed.D. NCPsyA, LP, Director
 Pure Vision Arts studio and Expressive Art Program’s. Dr. Pamala Rogers is an artist, an arts educator and a licensed psychoanalyst who is a foremost authority on supporting the creative process among people with neurodevelopmental challenges. She has a Doctorate in Art Education from Columbia University’s Teachers College and is a graduate of The Institute for Expressive Analysis. As Director of the Pure Vision Arts studio in Manhattan she oversees all aspects of the PVA program as well as a wide range of The Shield arts programs for children and adults. progers@shield.org

NY Comics & Picture-story Symposium

Tuesday, November 4, 2014 at 7 pm
at Parsons The New School for Design,
2 West 13th Street, in the Bark Room (off the lobby)
Free and open to the public

Comics Symposium

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Marlene Villalobos Hennessy on “Chameleon Images in the Late Medieval Religious Cartoon.”
My talk examines a range of late medieval illustrated religious texts or ‘cartoons’ in which artists and illuminators converted letters, words, and even phrases into visual images.  Several of the ‘cartoons’ I discuss show words and pictures in the process of transmutation into one another, revealing the image’s capacity for shifting, ever-changing, often textualized permutation. By looking at this rare, exceptional, or enigmatic iconography in a group of mostly understudied late medieval British manuscripts, this talk identifies and explains how medieval manuscript artists took on this subject and captured some of these enigmatic transformations.  Hence maim is to unravel some of the networks of association between words and pictures, devotional readers and monastic artists, in a range of illustrated late medieval religious cartoons.

Marlene Villalobos Hennessy is Associate Professor in the Department of English at Hunter College, CUNY, where she teaches classes on Medieval Literature, Visual Culture, and the History of the Book.  She has published numerous articles on late medieval British manuscripts and religious culture and has  edited a collection of essays, English Medieval Manuscripts:  Readers, Makers and Illuminators (London and Turnhout: Harvey Miller/Brepols, 2009).  She is currently completing research on a reference work entitled An Index of Images in English Manuscripts from the Time of Chaucer to Henry VIII, c.1380 – c.1509: The Scottish Libraries and Collections, as well as a book-length project, Blood Writing: Manuscripts and Metaphors in the Late Middle Ages.

New York Comics & Picture-story Symposium: Eddy Portnoy on A Brief History of Yiddish Cartooning

portnoy-imageThe 105th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, October 28, 2014 at 7 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note 7 pm starting time.

Eddy Portnoy: A Brief History of Yiddish Cartooning
Jews and cartoons have an unusual relationship. Initially, Jews were the victims of a particularly virulent anti-Jewish caricature, and did not engage the form within the context of their own culture until the second half of the nineteenth century in the Yiddish press. Though little known, the cartoons of the Yiddish press serve as a pre-history to subsequent activity in the field by Jewish artists.

Eddy Portnoy teaches in the Judaic Studies program at Rutgers University and also serves as the academic advisor at the YIVO Institute for Jewish Research. In addition to curating exhibits, he writes and lectures on Jewish popular culture.

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Cabinet of Wonders Panel with Parsons Illustration Faculty George Bates

The Illustrators’ Cabinet of Wonders: A Show and Tell by Steven Heller

Image by George Bates from http://georgebatesstudio.blogspot.com

Image by George Bates from http://georgebatesstudio.blogspot.com

Steven Heller moderates a panel discussion about the art and business of illustration with illustrators George Bates, Peter de Sève and Barbara Nessim. They will share insights about their work and shed light on the changing roles of illustrators in the current media.  

Thursday, October 23, 2014

Bard Graduate Center (38 West 86th Street)

6 p.m. – 6:30 p.m. (reception) 

6:30 p.m. – 7:30 p.m. (panel discussion) 

$25 general/$20 student & senior

To register for the event, please visit: bgc.bard.edu/programs,  programs@bgc.bard.edu  or  call 212.501.3011

About the Panelists:

American art director and critic, Steven Heller, is the co-founder and co-chair of the MFA Design: Designer as Author & Entrepreneur program. He is also the author and co-author of works on the history of illustration, typography and graphic design.

George Bates is known to work in every corner of Commercial Art, Illustration and Fine Art. He is a Part time professor of illustration at Parsons School of Design. He has also created two permanent public art installations for the NYC MTA Subway Arts for Transit program.

Peter de Sève’s illustrations and character designs are known throughout the world.  He is perhaps best recognized for his many New Yorker magazine covers and for the characters he designed for the popular Ice Age series of animated films.

Barbara Nessim is an artist, illustrator, and educator who lives and works in New York City.

On Campus Friday – Human Rights Org LINK Hosts Info Session

Screen Shot 2014-10-15 at 11.33.31 AMHow much do you know about the world’s most secretive society? Do you want to learn more about the lives of ordinary people in North Korea?

Every year, thousands of North Koreans risk their lives to escape political persecution and economic hardship. If caught trying to escape or caught in China and sent back, they are at risk of extremely harsh punishments, including brutal beatings, forced labor, forced abortions, torture, and internment in a political prison camp.

LINK (Liberty in North Korea), and organization based on the West Coast, helps North Koreans escape and relocate to South Korea and the United States. LINK is visiting our campus this Friday, October 17th. If you are interested in hearing the stories of North Korean refugees and learning more about the situation in North Korea, please come to the LINK info session on Friday at 6 East 16th Street, room D1004 at noon.

For more information, check out http://www.libertyinnorthkorea.org

New York Comics & Picture-story Symposium: Gary Panter

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The 104nd meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, October 21, 2014 at 7 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note 7 pm starting time.

Gary Panter attempts to invoke the unfolding lotus of the 1960s by thumbing through an old magazine missing pages – LOOK, Jan 9, 1968.

Gary Panter is an illustrator, painter, designer and part-time musician. Panter’s work is representative of the post-underground, new wave comics movement that began with the end of Arcade: The Comics Revue and the initiation of RAW, one of the second generation in American underground comix. He’s had three one-man shows at Fredericks & Freiser gallery in  New York City. In 2008, Gary was the subject of a one-man show at the Aldrich Contemporary Art Museum. His books include a comprehensive monograph, Gary Panter (PictureBox), and four graphic novels: Jimbo in Purgatory (Fantagraphics); Jimbo’s Inferno (Fantagraphics); Cola Madnes (Funny Garbage); Jimbo: Adventures in Paradise (Pantheon). Gary has won numerous awards, including three Emmy Awards for his production design on Pee-wee’s Playhouse, as well as the 2000 Chrysler Award for Design Excellence. For more information visit: http://www.garypanter.com/site/

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