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BROOKLYN COMICS AND GRAPHICS FESTIVAL on Saturday

The Brooklyn Comics and Graphics Festival is a one-day festival of cartoon and graphic art featuring artists and publishers displaying and selling publications; lectures and conversations on comics (see below); and associated exhibits and satellite events.

December 4, 12- 9 pm
Our Lady of Mt. Carmel Church
275 North 8th Street
Williamsburg, Brooklyn, NY

BROOKLYN COMICS AND GRAPHICS FESTIVAL PROGRAMMING EVENTS
Downstairs at Our Lady of Mount Carmel,
Saturday, December 4th
All panels moderated by Bill Kartalopoulos unless otherwise indicated


1:00 | LYNDA BARRY AND CHARLES BURNS IN CONVERSATION

Lynda Barry drew the syndicated weekly comic strip Ernie Pook’s Comeek for more than two decades, and has authored books including CruddyOne Hundred DemonsWhat It Is, and this year’s Picture ThisCharles Burns is the author of acclaimed graphic novel Black Hole and the recent full color book X’ed Out. Join us for this conversation between two extraordinary artists who also share a personal history as former classmates.

2:00 | THE ART OF EDITING
In 1980, Françoise Mouly co-founded, with Art Spiegelman, the ground-breaking comics anthology RAW. She is also the Art Editor of The New Yorker and the Editorial Director of the TOON Books line of children’s comics. Sammy Harkham is the editor of the Kramers Ergot series, which has articulated a new aesthetic for comics – and comics anthologies – with each monumental volume. Harkham and Mouly will discuss the pleasures and problems of editing.

3:00 | TAKING INVENTORY: THE STORY OF THINGS
In their most conventionally narrative form, comics develop a storyboard-like continuity from panel to panel. But how isolated can a panel be? Renée FrenchJames McShaneJungyeon Roh and Leanne Shapton will discuss the ways in which they construct or suggest narratives by assembling images of objects and moments that retain their individual integrity.

4:00 | IRWIN HASEN: WHEN COMIC BOOKS WERE NEW

Comic books came into their own with the success of Superman’s 1938 debut. By 1940, Irwin Hasen was working in this new field, drawing early comics featuring Green Lantern and Wildcat before co-creating the comic strip Dondi and, recently, the 2009 graphic novel LoverboyEvan Dorkin and Paul Pope will join moderator Dan Nadel for a special conversation with an artist who has been working in comics for seventy years.

5:00 | ANDERS NILSEN Q+A
Anders Nilsen’s fine line, radical graphic experimentation, and humane philosophical investigations distinguish him as one of the most notable cartoonists of his generation. This winter sees the conclusion of his series Big Questions, an epic epistemological adventure featuring several cartoon birds (some of them dead) and one disoriented fighter pilot. Anders will discuss his art and career in this spotlight conversation.

6:00 | HOW NANCY IS: THE SEMIOTICS OF THE GAG
Ernie Bushmiller’s iconic comic strip Nancy has been described as “a mini-algebra equation masquerading as a comic strip” drawn by “a moron on an acid trip.” Bill Griffith (Zippy the Pinhead), Mark Newgarden (How To Read Nancy), and Johnny Ryan (Angry Youth Comix) will discuss the unshakeable appeal of Nancy and the essence of gag humor in their comics.

7:00 | CHAOS AND PATTERN
Artwork that is dense with compositional detail, line, pattern and texture encourages a lingering, wandering eye. How does this kind of drawing work in comics? Brian ChippendaleJordan CraneKeith Jones and Mark Alan Stamaty will consider the relationship between densely made drawing and the propulsive concerns of visual narrative.

The Brooklyn Comics and Graphics Festival is an ongoing project by Desert IslandPictureBox and Bill Kartalopoulos (Parsons Illustration Adjunct Faculty).

 

Silent Pictures on Fifth Avenue

Silent_Pictures

Silent Pictures
Through October 11, 2009

“Silent Pictures” is inspired by artist Art Spiegelman’s collection of wordless books – mostly black and white artist books from the 1930s. The exhibition features these books, as well as more recent “abstract comics,” and a related film program, which investigates essential qualities and aesthetics of this hugely popular medium.

The abstract comics, compiled by Andrei Molotiu for Abstract Comics, Fantagraphics Books, 2009, call attention to formal mechanisms that underlie all comics. Where the earlier art collected by Spiegelman retains a narrative thrust, the comics gathered by Molotiu emphasize dynamic graphics that lead the eye and mind from panel to panel, suggesting that these structural elements are fundamental to the emotional register of the medium.

The exhibition includes a wall drawing by Renee French, an animation by Rachel Cattle and Steve Richards, and a project for the Fifth Avenue lobby windows by Gail Fitzgerald and Carl Ostendarp. “Comic-Film-Strips,” a related film program featuring mostly wordless, animated, historic films, is curated by Columbia University art historian Noam Elcott.

Book Signing

Thursday September 10, 56 PM
Jim Hanley’s Universe, 4 West 33rd Street, New York, NY
Editor Andrei Molotiu and some of the contributing artists will sign copies of Abstract Comics: The Anthology.

Curator Walk-through

Friday September 11, 6 PM
With Andrei Molotiu

Abstract Comics: A Panel Discussion

Saturday September 12, 4 PM
Museum of Comic and Cartoon Art
594 Broadway, Suite 401, New York

Comic-Film-Strips: Noam Elcott in Conversation

Friday September 25, 67:30 PM
The Graduate Center Skylight Lounge (9th Floor)
Art historian Noam Elcott will discuss the exhibition’s animated film program, which he curated as part of the “Silent Pictures” exhibition, in the context of twentieth-century avant-garde cinema.