The 108th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, November 25, 2014 at 7 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note 7 pm starting time.

Abigail Zitin on William Hogarth: Narrative Art and Visual Pleasure.

British artist William Hogarth (1697–1763) is, arguably, the ur–graphic novelist, famous above all for pioneering the form of the pictorial narrative series (for instance, in A Harlot’s Progress and The Rake’s Progress). For this reason, his work has always been championed by literary critics, particularly those committed to thinking about textuality across media as well as the development of the novel form in English literature. But in addition to his popular graphic works, Hogarth also published The Analysis of Beauty, an essay whose main arguments often seem at odds with the images for which he is best known. In the Analysis, Hogarth defines beauty abstractly, as an effect of lines and spatial relationships rather than representational content; he has remarkably little to say about storytelling, visual or otherwise. This presentation explores the disconnect between Hogarth’s theory and his reputation as a virtuoso of visual narrative, asking how―and whether―we should reconcile the visual style of by this famously literary artist with the formal principles he seems to have held dear. I approach this question by looking closely at how Hogarth talks about technique: both his careful attention to the mechanical practices of drawing, sculpting, and engraving―even boxing and dancing―and his evident insecurity about expressing his ideas verbally. Hogarth never lets his reader forget that he is not a writer, and this self-consciousness, I argue, should prompt a reexamination of what it might mean to describe him (whether appreciatively or critically) as a literary artist.

Abigail Zitin is Assistant Professor of English at Rutgers University in New Brunswick, NJ and the 2014–15 Carol G. Lederer Postdoctoral Fellow at the Pembroke Center for Teaching and Research on Women at Brown University. She studies aesthetics, visual culture, and literary criticism in eighteenth-century Britain; her research focuses on Hogarth’s Analysis of Beauty and the history of formalism. A recent essay on Hogarth’s aesthetics appeared in Eighteenth-Century Studies; another is forthcoming in ELH.

The 108th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, November 25, 2014 at 7 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note 7 pm starting time.

Abigail Zitin on William Hogarth: Narrative Art and Visual Pleasure.

British artist William Hogarth (1697–1763) is, arguably, the ur–graphic novelist, famous above all for pioneering the form of the pictorial narrative series (for instance, in A Harlot’s Progress and The Rake’s Progress). For this reason, his work has always been championed by literary critics, particularly those committed to thinking about textuality across media as well as the development of the novel form in English literature. But in addition to his popular graphic works, Hogarth also published The Analysis of Beauty, an essay whose main arguments often seem at odds with the images for which he is best known. In the Analysis, Hogarth defines beauty abstractly, as an effect of lines and spatial relationships rather than representational content; he has remarkably little to say about storytelling, visual or otherwise. This presentation explores the disconnect between Hogarth’s theory and his reputation as a virtuoso of visual narrative, asking how―and whether―we should reconcile the visual style of by this famously literary artist with the formal principles he seems to have held dear. I approach this question by looking closely at how Hogarth talks about technique: both his careful attention to the mechanical practices of drawing, sculpting, and engraving―even boxing and dancing―and his evident insecurity about expressing his ideas verbally. Hogarth never lets his reader forget that he is not a writer, and this self-consciousness, I argue, should prompt a reexamination of what it might mean to describe him (whether appreciatively or critically) as a literary artist.

Abigail Zitin is Assistant Professor of English at Rutgers University in New Brunswick, NJ and the 2014–15 Carol G. Lederer Postdoctoral Fellow at the Pembroke Center for Teaching and Research on Women at Brown University. She studies aesthetics, visual culture, and literary criticism in eighteenth-century Britain; her research focuses on Hogarth’s Analysis of Beauty and the history of formalism. A recent essay on Hogarth’s aesthetics appeared in Eighteenth-Century Studies; another is forthcoming in 

The 107th meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, November 11, 2014 at 7 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note 7 pm starting time.

Dr. Pamala Rogers on “Outside the Box: Comics and Storytelling in Outsider Art.”
Dr. Pamala Rogers will discuss self taught artists who use text and storytelling in their work.  Two short films will be shown that illustrate the use of personal narrative in the work of outsider artists who are represented by Pure Vision Arts.

Pamala Rogers, Ed.D. NCPsyA, LP, Director
 Pure Vision Arts studio and Expressive Art Program’s. Dr. Pamala Rogers is an artist, an arts educator and a licensed psychoanalyst who is a foremost authority on supporting the creative process among people with neurodevelopmental challenges. She has a Doctorate in Art Education from Columbia University’s Teachers College and is a graduate of The Institute for Expressive Analysis. As Director of the Pure Vision Arts studio in Manhattan she oversees all aspects of the PVA program as well as a wide range of The Shield arts programs for children and adults. progers@shield.org

The ninety-eighth meeting of the NY Comics & Picture-story Symposium will be held on Tuesday, September 9, 2014 at 8 pm at Parsons The New School, 2 West 13th Street, in the Bark Room (off the lobby). Free and open to the public. Please note: 8pm starting time.

Presentation: Brian Maidment on The Comic Image in the British Marketplace 1820-1850.
Brian Maidment is Professor of the History of Print at Liverpool John Moores University, UK. His most recent book is called Comedy, Caricature and the Social Order 1820-1850 (Manchester University Press 2013).