See new work by Illustration Seniors at SMUSH Gallery in Jersey City on view November 30-January 27th! The artwork for the exhibition’s poster was created by Hailey Dugan.
Belonging (US title) / Heimat (foreign title)
A 280-page illustrated and hand-lettered visual memoir on a German family’s memory of WWII.
Belonging wrestles with the idea of Heimat, the German word for the place that first forms us, where the sensibilities and identity of one generation pass on to the next. In this highly inventive visual memoir—equal parts graphic novel, family scrapbook, and investigative narrative—Nora Krug draws on letters, archival material, flea market finds, and photographs to attempt to understand what it means to belong. A wholly original record of a German woman’s struggle with the weight of catastrophic history, Belonging is also a reflection on the responsibility that we all have as inheritors of our countries’ pasts.
Fall 2018 release in the following countries: USA (Scribner), UK (Particular Books), Germany (Penguin Hardcover), Holland (Balans), France (Gallimard). 2019 and 2020 release in the following countries: Norway (Spartacus), Sweden (Norstedts), Spain (Salamandra), Brazil (Companhia das Letras), Italy (Stile Libero), and Denmark (Gads).
Current Illustration faculty member Motomichi Nakamura participated in the 11th Governors Island Art Fair this past September. Motomichi showed the Projection Mapping Installation Mush Marsh at the fair this year, which was mentioned as a highlight in Hyperallergic.
This winter Mei Kanamoto, a recent Parsons Illustration Alumni worked with the Metropolitan Opera on their holiday campaign; “The Magic at the Met”. She describes her experience after graduating and working with Met on the campaign:
“Right after graduation, I started working for two creatives who are working as co-creative directors and art directors for the Metropolitan Opera. A few month in, I was asked to illustrate for the upcoming holiday campaign. Although up until now I have not been aware of the magnitude of the project, every little work given to me has been precious and important, even dog sitting.
I was asked to create 4 posters, animation and 4 title art. The beginning of the project was the time I struggled the most since I had to adjust my medium and style. In October and November when we were making the animation (https://m.youtube.com/watch?v=FbzaGDuNE9M). I often visited the Met Opera and the street surroundings. One night I was invited to see the show for the first time in my life at Lincoln Center. I did not really realize how amazing the opportunity was up until I saw the performance. It inspired my work to a next level and made me want to make this project even more successful. Most importantly, however, I was blessed to be around an amazing team of talented people who guided me through the project step by step.
It has not hit me yet that my illustration can be seen in places like the New Yorker magazine, subway stations, and even as the cover of the Timeout magazine—and not to mention the TV commercial that’s on air now. It has truly been a surreal and magical experience,”
From “Muddy: The Story of Blues Legend Muddy Waters.”
This year marks the 65th anniversary of the Best Illustrated Children’s Books Award — and the first year of the Times’ partnership with the New York Public Library on the honor. Called, The New York Times/New York Public Library Best Illustrated Children’s Books Award. The Times and NYPL share a mission: to recognize the best in children’s literature and bring great books to young readers.
The 2017 judges featured The New School’s Illustration Professor, Steven Guarnaccia, the author and illustrator of numerous books; Marjorie Priceman, the author and illustrator of many children’s books and the winner of two Caldecott Honors and two New York Times Best Illustrated Books Awards; and Louise Lareau, the head librarian of the New York Public Library Children’s Center.
Read more on the selected winners.
The Pictoplasma Conference presents 8+ hand-picked key lectures by the world’s most influential artists and upcoming talents, cutting-edge graphic, toy and game designers, and leading animation filmmakers. It is the meeting point for 500+ international attendees, offering the chance to learn from, be inspired by, and rub shoulders with some of today’s most innovative and avant-garde visual creators. Read more.
Date: November 17
Time: 10:00 am to 10:00 pm
Location: 66 West 12th St., New York, NY 10011
Free tickets are available to THE NEW SCHOOL staff, students and Faculty with Reservation here, while supplies last. Space and seating is limited. Register here.
Motomichi, in collaboration with DJ Kanizzle, will choreograph a pulsating 4-hour score to accompany his signature red, black and white patterns and giant monster characters projected on the facade of the Hotel La Fonda on Taos Plaza.
About the Paseo Project
The Paseo Project is a 501c-3 nonprofit whose mission is to transform art through community and community through art. The Paseo Party on the Plaza is the Paseo Project’s fourth annual fall outdoor art event. It is again part of Taos Fall Arts Festival’s opening weekend events.
The Paseo Party on the Plaza at a Glance
Saturday, September 23, 2017, 7:00 to 11:00pm
Historic Taos Plaza, a free event
PaseoProject.org, @paseotaos, #paseotaos, facebook.com/paseotaos
Motomichi Nakamura, VJ mapping artist: www.motomichi.com
Fire artist Jamie Vaida: www.jamievaida.com
The Illuminator: www.theilluminator.org
Luster, virtual photo booth: www.luster.cc
This event is sponsored by The Town of Taos, Taos County Lodgers Tax, the Lor Foundation, Taos Community Foundation, and many generous private donors. STEMarts@ThePaseo is supported in part by New Mexico Arts, a division of the Department of Cultural Affairs, and by the National Endowment for the Arts. Additional funding is provided by the Martin Foundation, the Nina E. Nilssen Scholarship Fund, US Bank, and Americorps VISTA.